Albums By Artists Whose Names Begin With - C
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Catalog Number: CIMPoL 5014
Live at the Dirty DogErnie Krivda (Saxophone), Claude Black (Piano), Dan Kolton (Bass), Renell Gonsalves (Drums)The Dirty Dog Jazz Cafe is located in Grosse Pointe Farms, Michigan, a suburb of Detroit. Basically a highly rated restaurant with a Jazz policy, it was established in 2008 and presents a pleasant setting, either at the bar or the tables, for Jazz listening. And from my observations the Cafe also treats the musicians with respect, offering food, a reasonable playing area, and a pleasant and comfortable room for between-sets relaxation. Something musicians have learned to never take for granted and which should be the norm not the exception. Having issued recordings by Ernie Krivda (b.1945, Cleveland, OH) in a number of settings, I felt this was a good chance to record Ernie in a new setting in some different but familiar company. Claude Black (b.1932, Detroit, MI) is a veteran of the Midwest Jazz scene, one of those locals with whom all the circuit players choose to play. Claude was a contemporary of most of the Boppers who emerged from the Detroit area in the ‘50s and who eventually migrated to New York and became Bop headliners. Claude, originally a capable trombonist, chose to stay in the Detroit area for reasons of family. His earliest work included a brief stint with Billie Holiday and, in 1948 made his first recording with fellow Detroiter, Don Byrd. Later he toured for two years with Aretha Franklin before settling in as house pianist at Baker’s Keyboard Lounge in the ‘60s, ‘70s, and ‘80s. Since the mid ‘80s he has been playing at Murphy’s Place (Toledo, OH). Little of Claude’s work has been issued on recordings and so his discography is slight (even slighter as he is misidentified as Claude Blake on Oliver Jackson’s Paris recording [February 28, 1984] for the Black & Blue label —discographers note). Claude and Renell Gonsalves (b.1948, Detroit, MI) often play with Ernie at Murphy’s. Renell also is little documented on record (Keith Vreeland trio, Sheila Landis-Rich Matle group) and, as the son of Paul, he is of a Jazz royal lineage. Dan Kolton (b.1958, Detroit, MI) also has an Ellington connection as he played bass in that band (under Mercer) for about a year and a half. Aside from that, he has based himself in various locales and has also been represented on few releases (sometimes misidentified as Don). The music on this CD comes near the end of the quartet’s residency at The Dirty Dog. The material is presented in the order it was played and comes from the first and third sets. I’ll Remember April was the last performance from the first set and the remainder of the recording documents the entire third set. The music speaks for itself: what you hear is what was played. What cannot be seen by the listener is Claude’s energized and enthusiastic clapping of time on A Blues By Any Other Name, spontaneously inspired during the part when Ernie and Renell are going head to head as Claude and Dan sat out. Good times. -Robert D. Rusch - March 27, 2009 Catalog Number: CIMP 385
DiscoversCargo Cult (Primary), Tomas Ulrich (Primary), Michael Bisio (Primary), Rolf Sturm (Primary)This is Cargo Cult’s fourth recording (Cadence Jazz 1214, CIMPs 375, 380) and this trio is continuing to find interest in their ever evolving concepts: always musical. Their last release had them addressing covers/standards. This time out they all contribute originals, compositions strong enough in their musicality to stop you in your tracks. If you haven’t tested the Cargo Cult waters, do so and find out what has CIMP so excited. Catalog Number: CIMP 380
Lonely House (Covers)Tomas Ulrich (Cello), Rolf Sturm (Guitar), Michael Bisio (Bass), Cargo Cult (Primary)Tomas Ulrich's Cargo Cult: certainly one of the definitive string groups of the 21st century and perhaps the most versatile and expansive. This latest release follows up CIMP 375 and Cadence Jazz 1214 with a recording that references a wide range of compositions. The inspirations here range from Leadbelly to Monk. Definitely an enchanting and fun listening experience. Catalog Number: CIMP 378
Fresh BreezeOdean Pope (Saxophone), Bobby Zankel (Saxophone), Lee Smith (Bass), Craig McIver (Drums)What do you get when you put together two distinct stylists and a crack rhythm team? Well ... you get no prisoners. This group is comfortable and prepared and swings from the first drop of the laser beam. Hard and hip with plenty of zip. Catalog Number: CIMP Records 368
The Crookedest Straight Line Vol. 2Chris Kelsey (Soprano Saxophone), John Carlson (Trumpet), Francois Grillot (Bass), Jay Rosen (Drums)Chris Kelsey is a distinct soprano saxist, an intense player, and very discriminate in his artistic expositions. He rarely is heard with another horn player but here Chris invites John Carlson to join his longstanding trio. Together they ponder the unknown with deliberateness and purpose. Just what you have come to expect from all of Mr. Kelsey's releases and as good an introduction as any.Catalog Number: CIMP LTD 358
The Crookedest Straight Line Vol. 1Chris Kelsey (Soprano Saxophone), John Carlson (Trumpet), Francois Grillot (Bass), Jay Rosen (Drums)Chris Kelsey is a soprano saxophonist. It's what he plays—and with such originality and intense passion. For this recording he supplements his usual trio with the trumpet of John Carlson, whose very appropriate work brings an extra burn & polish to the usual trio setting and offers up his own inspired statements, all the while clearly enforcing the Kelsey compositional style.Catalog Number: CIMP LTD 353
To The RoachOdean Pope (Tenor Saxophone), Matt Davis (Guitar), Michael Taylor (Bass), Craig McIver (Drums)Odean Pope is a master of improvised music in both technique and thought. A distinguished and distinguishable voice, his latest CIMP event finds him playing tribute to his "boss" of 20 years, Max Roach. This session finds Odean outfitted with a new quartet featuring guitar—unprecedented in the Pope discography. No need to pontificate further. This is pure Pope—a broad view from the typically more lyrical to arguably his most volcanic work on record. There's a surpise at the end of this recording: a few moments of something very special albeit in low low fidelity. This is the complete Pope.Catalog Number: CIMP LTD 352
Double DiploidSteve Swell (Trombone), David Taylor (Bass Trombone), Warren Smith (Percussion), Chad Taylor (Percussion)Whoa! Two trombones and two percussionists? What can this be? What it is is music of great rhythm, drive, humor, intensity, and downright fun. If you've come across the talents of either or both Messrs. Swell and Taylor, then you know the contrast of their brilliance. Add in Warren Smith (a senior percussion master) and Chad Taylor (no longer just in the underground) and you have a quartet of great capabilities—even of accomplishing the musical Double Diploid, and more the fun for it. Twice the pleasure just for the asking.Catalog Number: CIMP 343
Loaded BassesJoe Fonda (Bass), Claire Daly (Baritone Sax), Joe Daley (Tuba), Gebhard Ullmann (Bass Clarinet), Michael Rabinowitz (Bassoon), Gerry Hemingway (Drums)This all-star sextet helps bring to reality a "low-end" project that for years Joe Fonda had been conceptualizing. Everything (ensemble work, solo dynamics, the concept of the musical work) comes together in excellent fashion on a recording that Mr. Fonda states "...was one of the highlights of my musical life" and which the producer calls "...a most enjoyable evening." Recorded Sept. 15, 2005Catalog Number: CIMP 336
Brother SoulCarl Grubbs (Saxophone), Salim Washington (Saxophone), Steve Neil (Bass), Ronnie Burrage (Drums)For a man whose life has not always been easy, Carl Grubbs' music often resonates joy and optimism. On this recording he resurrects the 2-sax front line that he made so notable with The Visitors, the group he co-led with his late brother, Earl. Salim Washington, another under documented saxman, joins the front line on a program that revisits some of the best of the Grubbs Brothers' compositions along with some fine new works and a jaunty cover of "Smile." Recorded June 20 & 21, 2005.
Catalog Number: CIMP Records 334
Stellar SaxErnie Krivda (Saxophone), Bob Fraser (Guitar), Dominick Farinacci (Trumpet), Jeff Halsey (Bass), Carmen Intorre (Drums)One of the most distinctive and uncompromised stylists in Jazz, this new release from the quintet offers up four extended explorations including some new Krivda compositions, plus a fascinating solo invention off "Stella By Starlight." Sharing the front-line as he has on four other Krivda releases is Dominick Farinacci (trumpet) while Bob Fraser (g) and Carmen Intorre (d) also return. And Jeff Halsey's big bass finally reunites with Krivda after a long association that began in 1985. Recorded June 15 & 16, 2005.Catalog Number: CIMP 330
The Mystery of Prince LashaPrince Lasha (Saxophone), Odean Pope (Saxophone), Tyrone Brown (Bass), Craig McIver (Drums)Prince Lasha returns to the recording scene. Fifty years ago, the Texas sax man and schoolmate of Ornette Coleman, Dewey Redman, and Charlie Moffett was part of the original cast of new music improvisers. Here he's in the company of Odean Pope and his trio—a formidable group by themselves. As the Producer's Notes encourage, "Enjoy the music and the adjustments it might bring." Recorded April 5, 2005Catalog Number: CIMP 329
Wishing You Were HereChris Kelsey (Saxophone), Francois Grillot (Bass), Jay Rosen (Drums)
Kelsey is back after a couple years' hiatus and he hasn't lost any of his power, intensity, or considerable compositional skills. He remains one of the most distinct and intense soprano sax men around. Listen and evaluate for yourself. Recorded March 23 & 24, 2005Catalog Number: CIMP 317
Lost in the StarsMarc Pompe (Vocals), Curt Warren (Guitar), Nick Tountas (Bass), Rusty Jones (Drums)Marc Pompe is a Jazz singer. At 68 years this is only his third release and it's on CIMP, so you know he must be the real thing. Backed by a trio equal to his hipness, he makes memorable Pompe interpretations of 14 Jazz standards and 1 original. Hip, tender, and poignant: another original voice. Recorded August 30 & 31, 2004.
Catalog Number: CIMP 309
RenewalChris Kelsey (Soprano Sax), Steve Swell (Trombone), Franscois Grillot (Bass), Jay Rosen (Drums)Chris Kelsey is back and he's lost none of his passion nor intensity and continues to be one of the strongest and most original soprano sax voices on the scene. Here's a chance for listeners to hear now what critics will still be raving about in 15 years. Tough stuff. Recorded April 7, 2004.
Catalog Number: CIMP 303
Two DreamsOdean Pope (Tenor Sax), Carl Grubbs (Alto Sax), Tyrone Brown (Bass), Craig McIver (Drums)Odean Pope is a master, arguably one of a handful of great tenor saxists on the scene today. Always up for the challenge, there is nothing casual or throwawy on a Pope/CIMP encounter and this one is no exception. Hard, thoughtful, and clearly defined, this is classic Bop of the post Bop era. Recorded January 22, 2004.Catalog Number: CIMP 303
Two DreamsOdean Pope (Tenor Sax), Carl Grubbs (Alto Sax), Tyrone Brown (Bass), Craig McIver (Drums)Odean Pope is a master, arguably one of a handful of great tenor saxists on the scene today. Always up for the challenge, there is nothing casual or throwawy on a Pope/CIMP encounter and this one is no exception. Hard, thoughtful, and clearly defined, this is classic Bop of the post Bop era. Recorded January 22, 2004.Catalog Number: CIMP 302
Plays Ernie Kirvda Volume 2Ernie Krivda (Tenor Saxophone), Dominick Farinacci (Trumpet), Bob Fraser (Guitar), Kurt Kotheimer (Bass), Carmen Intorre (Drums)Volume 2 of Krivda Plays Krivda - still one of the most identifiable tenor stylists in Jazz. If after all these years you don't know Ernie's music?get to it. This is a fine place to start. Recorded July 24 & 25, 2003.Catalog Number: CIMP 293
Plays Ernie KrivdaErnie Krivda (Tenor Saxophone), Dominick Farinaccci (Trumpet), Bob Fraser (Guitar), Kurt Kotheimer (Bass), Carmen Intorre (Drums)Ernie Krivda, one of the most distinctive saxophone stylists, plays Ernie Krivda, one of the most distinctive Jazz composers. Ernie Krivda is the complete artist and is an instantly recognizable stylist. If after 30 years on the scene you still have not tasted his treats, this is a good place to begin. Recorded July 24 & 25, 2003.
Catalog Number: CIMP 292
Steve Swell's Suite for Players, Listeners and other DreamersSteve Swell (Trombone), Will Connell (Alto Sax, Flute, Bass Clarinet), Roy Campbell (Trumpet, Flute), Charles Burnham (Violin), Francois Grillot (Bass), Kevin Norton (Percussion)Over the 8 years Steve Swell has been recording for CIMP, he has produced a little less than a dozen projects, all of them distinct and purposeful. This latest effort may be his most ambitious to date, a large scale work that retains the intimacy and personality of a smaller work with the power and impact of the larger concept. A solid statement from a trombonist now considered to be a major talent on the post Bop, creative improvised music scene. Recorded July 16 & 17, 2003.Catalog Number: CIMP 290
Birds of BaghdadCharles Eubanks (Piano)This is Charles’ follow-up to his award-nominated first solo recording (CIMP 250). Over the 9 tracks here, Charles explores only 3 standards (Trinkle Tinkle/ Dig/ Cup Bearers) mixed in with his soulfully probing original narratives. Recorded June 24, 2003, Canton, NY.Catalog Number: CIMP 288
ConscriptionTom Abbs (Bass, Tuba), Brain Settles (Tenor Sax, Flute), Okkyung Lee (Cello), Chad Taylor (Drums, Vibes)Form and finesse are what this music exposed. Tom Abbs is becoming a force in the NYC area, but his talents are on a world scale. As this recording demonstrates, even at the beginning of a career, Tom Abbs is producing distinctive music. Recorded April 21 & 22, 2003, Rossie, NY.
Catalog Number: CIMP 287
Leave it to LutherLuther Thomas (Alto Sax), Ethan Mann (Guitar), Brian Smith (Bass), Cliff Barbaro (Drums)287 Luther Thomas (alto sax) - Ethan Mann - (guitar) - Brian Smith (bass) - Cliff Barbaro (drums)
Leave It to Luther
The distinct energized sound of Luther Thomas is all over the 9 cuts on this CD which includes "Groovin' High," "Body & Soul," and "'Round Midnight." Unexpected is the presence of Ethan Mann’s hip and complementary guitar work. Like Luther, this music is irrepressible. Recorded April 15, 2003, Rossie, NY.
Leave It To Luther - Belona - Tatjana - Body and Soul - Groovin' High - Luther's Theme - Nova Zembla - Up South - 'Round MidnightCatalog Number: CIMP 277
PremonitionLucian Ban (Piano), Alex Harding (Baritone Sax), Erik Torrente (Alto Sax), Chris Dahlgren (Bass), Damion Reid (Drums)This is a follow-up to Lucian and Alex's soulful duo outing (CIMP 274). Here the focus is on Lucian's fine compositions and the interplay between the horns and rhythm. Fresh faces and fresh music from the Bop/post Bop world. Recorded August 9, 2002, Gilbert Recital Hall, Canton, NY.Catalog Number: CIMP 273
Stepping Around the GiantCarl Grubbs (Alto Saxophone), Odean Pope (Tenor Saxophone), Chris Sullivan (Bass), Newman Taylor Baker (Drums)The liner notes tell the whole story about this date. Suffice it to say, those who have been waiting 30 years to hear the promise of Carl Grubbs to be met will have to look no further than this emotionally charged session. And if you're an Odean Pope fan, this is cause for a double amen. This was a very special occasion for all involved and it translates to the listener. Recorded July 30 & 31, 2002.Catalog Number: CIMP 273
Stepping Around the GiantCarl Grubbs (Alto Saxophone), Odean Pope (Tenor Saxophone), Chris Sullivan (Bass), Newman Taylor Baker (Drums)The liner notes tell the whole story about this date. Suffice it to say, those who have been waiting 30 years to hear the promise of Carl Grubbs to be met will have to look no further than this emotionally charged session. And if you're an Odean Pope fan, this is cause for a double amen. This was a very special occasion for all involved and it translates to the listener. Recorded July 30 & 31, 2002.Catalog Number: CIMP 271
NorthCountry PieDavid Wertman (Bass), Charlie Kohlhase (Alto Saxophone), Lou Grassi (Drums)Kohlhase and Grassi are familiar names to improvised listeners, but bassist David Wertman has been off the creative improvised recording scene since the 1980s. And there are enough bass features that you'll see he's a talent with more than journeyman abilities. Fresh music from fresh personalities, accessible but still demanding. Recorded June 17 & 18, 2002.Catalog Number: CIMP 250
New BeginningsCharles Eubanks (Piano)Charles Eubanks, veteran of the 60's Motown studios, respected sideman in bands and on recordings of Oliver Lake, Dewey Redman, Kevin Eubanks, etc., has never recorded as a leader prior to this. Now the world at large gets to hear why Mr. Eubanks, a musician's musician, is so highly respected. Here is the musing of a true Jazz eclectic in a style that may at times suggest a range from Jimmy Yancey to Mal Waldron and beyond. Narrative and impressionistic, he sounds like no other in a program as accessible as it is adventurous. Recorded June 19, 2001.Catalog Number: CIMP 246
FreeflowAlex Harding (Baritone Saxophone), Chris Dahlgren (Bass), Jimmy Weinstein (Drums)The debut album for this Detroit native. Alex Harding's baritone comes out of the tradition of Harry Carney, Leo Parker, and Pepper Adams and roars into today in its own funky way. He huffs and he puffs and he almost blows the CIMP house down. Recorded May 22 & 23, 2001.Catalog Number: CIMP 244
Two Letters I'll KeepRosie Hertlein (Violin), Howard Johnson (Reeds), Vincent Chancey (French Horn), David Taylor (Trombone), Charles Burnham (Violin), Jay Rosen (Percussion)On her debut recording as leader, Rosi Hertlein is more than a violinist, she proves to also be an arranger and organizer of improvised sound that combines pastoral subtlety and flow with thoughtful Free improvisation. This is an atypical dynamic with the sextet working within the ambiance and structure of a group sound or coordinate. Recorded April 23 & 24, 2001.Catalog Number: CIMP 240
Transcend&TriumphBobby Zankel (Alto Saxophone), Rick Iannacone (Guitar), Craig McIver (Drums)A harmolodic and multi-rhythmic synthesis to a set of originals that are visceral and spiny but also emotionally resolving in their cross grain interplay. Recorded February 1 & 2, 2001.Catalog Number: CIMP 216
At All Costs UnknownBriggan Krauss (Alto Saxophone), Chris Dahlgren (Bass), Jay Rosen (Drums)The Resonance Impeders are, if nothing else, quirky in composition, delivery and arrangement. After 4 years together they deliver a coordinated music that is both rich in humor and rhythm and packs an emotional punch. No joking. Good listening. Recorded Feb. 7 & 8, 2000.Catalog Number: CIMP 198
Full Circle SuiteJoe Fonda (Bass), Gebhard Ullmann (Bass Clarinet), Chris Jonas (Soprano Saxophone), Taylor Ho Bynum (Conch), Kevin Norton (Drums) Joe Fonda's quintet explores the long form in improvising music. The title track isa multi-sectional piece that lasts over 27 minutes in its episodic tale inspired by the medicine wheel. Recorded March 10 & 11, 1999.Catalog Number: CIMP 193
Research On the EdgeMark Whitecage (Alto Saxophone), Sabir Mateen (Alto Saxophone), Chris Dahlgren (Bass), Jay Rosen (Drums)Mark Whitecage is one of the premier improvisors of his generation and, in this configuration, he and Mateen suggest the Al and Zoot of post-Bop music. The group operates from an exceptional level of intellect and instinct, truly living up to the disc's name. Recorded February 2, 1999.Catalog Number: CIMP 172
Dancing On My BedpostCharlie Kohlhase (Bari Saxophone), Matt Langley (Alto Saxophone), John Carlson (Trumpet), John Turner (Bass), Matt Wilson (Drums)Charlie Kohlhase has held this group together since1989 and it shows. In this case, familiarity has bred strength but also the ability to take chances and succeed. Distinctive compositions, fun and joy mark this wonderful outing. Recorded March 25 & 26, 1998.Catalog Number: CIMP 170
Wild Is the WindPucci Jhones (Vocals), Casey Benjamin (Alto Saxophone), Rory Stuart (Guitar), Hilliard Greene (Bass), Wade Barnes (Drums)Pucci Amanda Jhones is a strong, fresh and highly original Jazz singer. She has had a profound effect on people first encountering her; hip and accessible yet empowered with a real individuality. Recorded March 11 & 12, 1998.Catalog Number: CIMP 164
Resonance ImpedersChris Dahlgren (Bass), Briggan Krauss (Alto Saxophone), Jay Rosen (Drums)Chris Dahlgren music is fun compositionally, drawing on catchy, sometimes even childlike, themes. Light themes, but probing thematic developments are offered up by the profound improvising of this lightly hip post bop trio augmented by the singular sound of Briggan Krauss' sax. Recorded Oct. 29 & 30, 1997.Catalog Number: CIMP 161
Scratching the SurfaceRob Brown (Alto Saxophone), Assif Tsahar (Tenor Saxophone), Chris Lightcap (Bass), Lou Grassi (Drums)The Rob Brown and Lou Grassi Quartet is an intense group offering post bop music which is thematically solid in form and composition and heady in its chewy improvisations. And, even with a two man sax line, this music offers excellent deliniation of line and beautiful audio definition of its sound. Recorded October 6 & 7, 1997.Catalog Number: CIMP 152
DedicationAhmed Abdullah (Trumpet), Carlos Ward (Flute), Masujaa (Guitar), Alex Blake (Bass), Cody Moffett (Drums)Ahmed Abdullah's first release in ten years is a well-conceived and executed dedication to the late Charles Moffett, his colleague of many years. Cody Moffett took over his father's drum seat (and drums) for this eclectic and charming program of 9 tunes (La Vie En Rose and I'll Be Seeing You along with standards and traditional music. Recorded June 17 & 18, 1997.Catalog Number: CIMP 152
DedicationAhmed Abdullah (Trumpet), Carlos Ward (Flute), Masujaa (Guitar), Alex Blake (Bass), Cody Moffett (Drums)Ahmed Abdullah's first release in ten years is a well-conceived and executed dedication to the late Charles Moffett, his colleague of many years. Cody Moffett took over his father's drum seat (and drums) for this eclectic and charming program of 9 tunes (La Vie En Rose and I'll Be Seeing You along with standards and traditional music. Recorded June 17 & 18, 1997.Catalog Number: CIMP 148
thGlenn Spearman (Tenor Saxophone), John Heward (Drums), Christopher Cauley (Alto Saxophone), David Prentice (Violin), Dominic Duval (Bass)A rare mating of the cerebral and the emotional. This quintet extemporizes off of minimal structure and creates music full of unexpected mental twists and emotional turns. Recorded May 22 & 23, 1997.Catalog Number: CIMP 147
PresentingClaude Lawrence (Alto Saxophone), Wilber Morris (Bass), Denis Charles (Drums)Claude Lawrence owes as much to the tradition of the classic sax as to the classic Ornette Coleman. This trio has been together for almost 20 years but this is their first recording. Recorded April 30, 1997.Catalog Number: CIMP 143
Percussion&StringsKhan Jamal (Vibes), Ed Crockett (Bass), Dylan Taylor (Cello), Craig McIver (Drums), Pete Vinson (Drums)Khan Jamal's first recording in the 90's, backed by strings and percussion. Adventurous interpretations of originals and standards. Recorded March 24, 1997.Catalog Number: CIMP 139
The Ingenious Gentleman of the Lower East SideChris Kelsey (Soprano Saxaphone), Dominic Duval (Bass), Ed Ware (Drums)Chris Kelsey plays the soprano sax exclusively and he already shows a distinct style. His compositions ae challenging and his playing playing intense. Original post-bop music. Recorded March 5 & 6, 1997.Catalog Number: CIMP 135
Elliptical TransfigurationBrandon Evans (C-Soprano), Chris Matthay (Trumpet), George Cremaschi (Contrabass), Kevin Norton (Drums)
This is Brandon Evans' debut and it exposes a brilliant instrumentalist and arranger, mature in his concepts. Recorded Jan. 13 & 14, 1997.Catalog Number: CIMP 132
Legend Street TwoJoe McPhee (Trumpet), Frank Lowe (Tenor Saxophone), David Prentice (Violin), Charles Moffett (Drums)The second half (see
CIMP 115) of this inspired grouping on a program of soriginals by Charles Tyler, Eric Dolphy, and Joe McPhee. Recorded June 1 & 2, 1996.Catalog Number: CIMP 124
Collective VoicesOdean Pope (Tenor Saxophone), Tyrone Brown (Bass), Craig McIver (Drums)A program of notable original compositions executed with the careful power which marks so much of this saxman's past work. Recorded August 12, 1996.
Catalog Number: CIMP 123
Quick WitsLou Grassi (Drums), Phillip Johnston (Alto Saxophone), Joe Ruddick (Bari Saxophone), Chris Kelsey (Soprano Sax), Dave Hofstra (Bass)The Saxtet not only plays with drive and conviction, but contributes some memorable compositions and arrangements in a contemporary hybrid of improvised musics from the 30's to the 90's. Recorded August 2 & 3, 1996.
Catalog Number: CIMP 118
Judgment DaySonny Simmons (Tenor Saxophone), Steve Neil (Bass), Michael Marcus (Manzello), Charles Moffett (Drums)This is an intense set by veterans who pull no punches. Sonny answers his critics. Watchout: improvisation at full strength. Recorded May 4, 1996.
Catalog Number: CIMP 117
Object RelationsDavid White (El&Ac Guitar), Tim Armacost (Tenor&Sop Sax), Valery Ponomarev (Trumpet), Calvin Hill (Bass), Shingo Okudaira (Drums)Object Relations is just that. Excellent composition, arrangement, and improvisation by the Quintet. Living bop; not a retread. Recorded June 18 & 19, `1996
Catalog Number: CIMP 115
Legend Street OneJoe McPhee (Pocket Trumpet), Frank Lowe (Tenor Saxophone), David Prentice (Violin), Charles Moffett (Drums)The fertile mind of Joe McPhee connects with these veteran improvisors in duos, trios, and quartet. Magic music of the moment. Recorded June 1 & 2, 1996
Catalog Number: CIMP 113
TranscendenceSonny Simmons (Alto Saxophone), Michael Marcus (Stritch), Charles Moffett (Drums)Music that transcends its own improvising brilliance and reveals levels of inspiration rarely encountered. Recorded April 9, 1996Catalog Number: CIMP 108
ObservationsSteve Swell (Trombone), Chris Kelsey (Soprano sax)Remarkably intuitive interplay. Inventive, surprising, and playful freely improvised music. Endless riches for attentive listeners. Recorded Feb. 16 & 17, 1996.
Catalog Number: CIMP 107
Froggin' AroundChris McCann (Drums), Billy Pierce (Tenor), Steve Wallace (Bass)Drawn from the work of Strayhorn, Ellington, Monk, and others, Billy Pierce and Chris McCann in a delightful program. Bop with guts. Feb. 14,15, 1996.
Catalog Number: CIMP 104
Bodies&SoulFrank Lowe (Tenor Saxophone), Charles Moffett (Drums), Tim Flood (Bass)Mature tenor sax work, carrying a tremendous pathos brought on by memories of friends past, closing with a solo "Body and Soul". Considered by many are of Frank Lowes finest recordings. Nov. 18 & 19, 1995.
