Albums By Artists Whose Names Begin With - D
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Catalog Number: CIMPoL 5020
CIMPFest 2009 live in Villach, AustriaMichael Bisio (Primary), John Carlson (Primary), Dominic Duval (Primary), Avram Fefer (Primary), Ken Filiano (Primary), William Gagliardi (Primary), Stephen Gauci (Primary), Lou Grassi (Primary), Jimmy Halperin (Primary), David Hofstra (Primary), John O'Gallagher (Primary), Jay Rosen (Primary), Kenny Wessell (Primary)Catalog Number: CIMPoL 5020
CIMPFest 2009 live in Villach, AustriaMichael Bisio (Primary), John Carlson (Primary), Dominic Duval (Primary), Avram Fefer (Primary), Ken Filiano (Primary), William Gagliardi (Primary), Stephen Gauci (Primary), Lou Grassi (Primary), Jimmy Halperin (Primary), David Hofstra (Primary), John O'Gallagher (Primary), Jay Rosen (Primary), Kenny Wessell (Primary)Catalog Number: CIMPoL 5015
Live On Tour 2008Trio X (Primary), Joe McPhee (Primary), Jay Rosen (Primary), Dominic Duval (Primary)CIMPOL 5015 live at COLGATE UNIVERSITY Hamilton, NY Our arrival on campus was timed to accommodate an 11 a.m. interview with Trio X conducted by Brendan Young on WRCU (Colgate University radio). The interview was perhaps most impressive for its thoughtful and well-prepared questions offered by Mr. Young and went far beyond the usual perfunctory surface chat that passes for the norm in the media. Immediately following the interview the trio was treated to a lunch, hosted by The Heretics Club. The subsequent informal Q&A session moderated by Mark Shiner (Office of the Chaplain) again demonstrated thoughtful inquiry and response, in this case in regard to the nature of being a creative person and the subjectivity of the spiritual rewards of both the giver and receiver. Particularly encouraging was the number and quality of follow-up questions from individuals who lingered, talking with the trio and Crew long after the formal reception ended. We then had about 80 minutes of downtime; most of us relaxed and traded jocularities, insults, and obscenities with one another while Dominic slept. Then it was over to Donovan’s Pub to set up for the 4 p.m. concert. The trio opened with Colgate Afternoon, a lengthy improvisation involving multiple references and moods and appreciated by an audience of some one hundred plus. Besides the music itself, this performance is notable because it was the opening for as well as the longest piece of the whole tour. Colgate Afternoon also contains the first reference of Brown Skin Girl, one of the most referenced (in variations) pieces throughout this tour. After a break, Jay came back with a three and a half minute percussion intro. Meanwhile, outside under darkening overcast skies, a sizable group of geese, on its way south to warmer climes, descended and engaged in a good deal of gawking and honking during its stay. Jay’s intro seemingly inspired Joe to reference “Secret Love,” at first rather tentatively but then with increasing boldness over the next 10 minutes. Take a Walk Through the Woods I think reflects the rainy twilighted ambiance, clearly visible through the windows, that had settled upon and engulfed the pub. Here is a fine example of how the trio, both individually and as a group, takes and develops a thread. The reflective mood continued and the trio closed the concert with Motherless Child, a continual favorite of the group, as evidenced by its many variations. Thanks in particular to WRCU, Mark Shiner and The Heretics Club, the divisions of University Studies and the Humanities, The Institute for the Creative and Performing Arts, Michael Coyle and the Department of English—all part of Colgate University. CIMPOL 5016 live in ANN ARBOR, MICHIGAN After the Colgate University concert we drove on to Ann Arbor, Michigan, to participate in Edgefest. The rain and cold followed us but it mattered little, what with the warmth and welcome of Deanna Relyea and her Edgefest crew. The Kerrytown Concert House is an “L” shaped space and serves as both concert hall and art gallery. At the time of our stay this space was nicely appointed with canvas and prints (by artists Charlie & Paul Hickman), and filled with a near-capacity audience, many seemingly familiar with and long-time supporters of Edgefest and its efforts. After a familiar and festive set of introductions by Deanna, Piotr Michalowski, me, and Joe McPhee, the trio opened in a very reserved and almost dour manner with The Ebb of Sorrow. Unresolved? Unrequited? Whatever. The trio then moves in another direction with Brownskin Funk, approaching it for the second time (Colgate University being the first) in as many days. But this time the reference comes from a completely different direction. Jay opened with a funky brush stomp and Dominic then picked it up with hand bass percussion. This produced a couple of reflexive claps, shouts of encouragement, and tenor cheers from Joe, and new heights for the music. They immediately launched into Motherless Child, which brought yet another change in mood. This reading of a Trio X favorite is both deep and different. The trio seemed to be all over the place emotionally, and they took off in the opposite direction with Brass Blast, a completely improvised structure of some excellence and possessing an abrupt conclusion. Joe continued on the flugelhorn (which, as well as his trumpet, was rarely used on the rest of the tour) for a Rainy Reference—quite reflective of the weather by this time raging outside. Note the different emotional colorings when he switches over to soprano. Joe may be leading on this piece, but it seems to me that Dominic, as is often the case, is directing. And then it was over. The trio, unlike the audience, seemed completely drained. After an extended ovation the trio returned to the stage, made some comments pertaining to their energy and music, and Jay then engineered the foundation to what became Secret Love The Sequel. Secret, perhaps, but not unrealized. Another night of X surprises. This is the second time that Trio X has been documented at Edgefest. The earlier session, from 1999, can be found on Cadence Jazz Records 1144. CIMPOL 5017 live in CHAMPAIGN, ILLINOIS The Krannert Art Museum offered up a wonderful setting: a large room filled with an exhibition of the dimensional paper art of Kyoko Ibe. Its presence and use of three-dimensional space and light served as an inspiring backdrop, sidedrop, and frontdrop for the Trio’s sound art. The audience, which exceeded the seating capacity, was a good mix of ages and included a number of young children, perched expectantly on the front row seats. Kids don’t usually prejudge and an open essence radiated from the younger segment of this audience. The informal pre-concert gathering afforded our group a chance to exchange comments and something more than superficial pleasantries with many of the audience members. Trio X possesses uncanny empathy: not only do they listen and share an intuitive or, at the very least, cooperative direction, but they are also sensitive to their surroundings. If an audience is friends of the court, so to speak, all is good. But if this is not the case or the audience is indifferent, then the group sets to the challenge of converting it. The ambiance of this art space was obvious, almost sacred, as was the unspoken interaction of the audience. And there is the room itself. Trio X plays the room, be it The Spirit Room or the Krannert art gallery. The latter is a very large and live room with a hardwood floor, high ceiling, and little (other than the audience) to absorb sound. From the start you can hear how all three members play with sound, its reflection, and the space. Jason Finkelman, curator of the concert series, in his introductory remarks talked of how these events engage the artwork in different ways and how the music may respond to the artwork. Here is the Trio X response. Judge for yourself if the giving and receiving was successful, and if the consensus, held by a growing number, that Trio X is arguably the most dynamic combo in Jazz/creative improvised music is justified. Different strokes for different folks. For me these are strokes of brilliance. The trio seemed very formal during this concert—insistent yet pensive. Due to the time restrictions of the museum concerts, this recording presents the concert in its entirety. Quite a nice package, wouldn’t you say? Special credits and thanks to our sponsors: The Krannert Art Museum, Kathleen Harleman, Anne Sautman, The Edwards Foundation Arts Fund, WEFT-FM, and Jason Finkelman, who coordinated the event. His efforts, along with those of Kyoko Ibe and the audience, helped make this happen. CIMPOL 5018 live in WAUKEE and DAVENPORT, IOWA This was our second trip to Waukee, Iowa. The familial warmth and welcome was refreshing the first time and fondly received the second. Earlier in the day the trio took part in an informal gathering of area music students, answering questions, giving demonstrations, and engaging in a very informal jamette. After the students left the theater we gathered in a dining space in the Caspe Terrace and ate a supper especially prepared for us by Jackie Garnett, wife of Abe Goldstien—he being the force responsible for hosting Trio X. The concert began after almost 20 minutes of introductions and on-stage schtick between our host and me and the trio, and opened on high spirits with Waukee Hello Naima. The upbeat mood, along with some political discussion, continued during the intermission. This in turn inspired a notion to song and People Get Ready. The trio uncharacteristically chose to predetermine a piece and decided they would open with People Get Ready in the second half of the concert. They followed that with a lengthy improv, Joe on pocket trumpet and referencing the obvious on Old River Man. This is music to lose oneself in. . . . . . . . . . The music from the second half of this disc comes from Davenport, Iowa, about 250 miles east of Waukee. An easy drive, we arrived in good spirits and with an abundance of energy. Prior to the evening’s concert the trio hosted a clinic-type discussion and we all then ate supper. They hit at 6 p.m. with PolyRhythm Valentine, one of the few occasions on this tour that the trio referenced material from their previous 10 years. PolyRhythms is an outreach program established around 2005 and spearheaded by Nate Lawrence. Its mandate is to reach out to the community—to the youth in particular—and expose and nurture an appreciation of Jazz/improvised music in all its forms. The concerts take place in the Redstone Room and are part of the larger River Music Experience. So far it’s all an uphill grassroots effort; more impressive in its housing and accomplishments than commercial success—a familiar story in the artrepreneurial world. Thankfully the exceptional persist despite the lack of present rewards; any acknowledgement sometimes comes only decades later. I think it was this understanding, set in these rather pleasant surroundings (where are housed/displayed some wonderful archival artifacts of the area’s cultural involvement and contributions to the Jazz heritage), that inspired the group on this particular evening. This understanding may have also influenced, by association, a program with greater direct referencing of the tradition throughout the concert. The trio ended their contributions to the land of Beiderbecke and riverboats with Going Home. Our thanks to Nate Lawrence and PolyRhythms. CIMPOL 5019 live at BOWLING GREEN STATE UNIVERSITY and HAMILTON COLLEGE After a night’s rest in Davenport, Iowa, we got up and drove east. We pulled into Bowling Green, Ohio, around 3 p.m. and checked in. With the exception of Dominic (who was feeling a bit under the weather and elected to stay and rest at the motel) we all went over to David and Linda Dupont’s house for some much needed relaxing downtime, conversation, and food. After the meal it was universally agreed that we all had eaten too much. We eventually pulled ourselves away from the food and conversation to go set up at the Wooster Street Center, a large octagonal teepee-like building on the Bowling Green State University campus. The concert contains yet another Old Man River reference. The piece, along with “People Get Ready” and “Brownskin Girl,” was turning out to be a trio tour favorite. This reference was perhaps the most circuitous and indirect of the whole tour. As with many of the musical references explored, it was the result of many hours of conversation while traveling in the big red van. As this was an historic—perhaps pivotal—election year, the politics of the time helped bring some topical color to music not always viewed as political. This concert also contains Pig Knuckles & Rice (unreferenced previously), bass and drum solo spots, and a new variation on “Secret Love” (which ended the concert). Traffic, the penultimate piece, is a wandering, free-associative creation, quite cathartic, and prompted a letting-go of emotions. One can almost hear the release of the mood in the following near jaunty reading of Secret Love Secret. Displaying a lightness uncharacteristic of much of Trio X’s work, this piece is most delightful. . . . . . . . . . As with the 2006 Trio X tour, we ended our trip with a concert at Hamilton College in Clinton, New York. Same site, same venue: the Café Opus. This time however our host, Doc Woods, had arranged to have the espresso machines and other electric noise-making devices at the adjacent coffee bar shut down during the sets. We had driven in from Bowling Green, Ohio—about an eight hour trip—and had enough time to get some food and rest before the 9 p.m. start. Of all the venues on this tour this one was the most nightclub-like. The audience was made up of hardcore listeners, who for the most part congregated up front, while in the rear were yappers, snackers, and transients either oblivious to the efforts of—or perhaps trying to compete with—the musicians for the soundstage. In spite of this, and perhaps playing to the focused attention the majority engaged, the trio opened strong. This set differed from the others in that Joe did not play either the flugelhorn or pocket trumpet as he felt the brisk coldness of the rainy fall night had had its effect on everyone. Perhaps so, but, as evidenced by this concert, his saxes lacked neither warmth nor power. Nor did Jay or Dominic. This is the essence of Trio X. After the break the trio stretched out on what is now called Joe’s Song for the Child, a wonderful example of the trio’s ability to make whole cloth out of threads of sound. -Robert D. Rusch - October 2008Catalog Number: CIMPoL 5014
Live at the Dirty DogErnie Krivda (Saxophone), Claude Black (Piano), Dan Kolton (Bass), Renell Gonsalves (Drums)The Dirty Dog Jazz Cafe is located in Grosse Pointe Farms, Michigan, a suburb of Detroit. Basically a highly rated restaurant with a Jazz policy, it was established in 2008 and presents a pleasant setting, either at the bar or the tables, for Jazz listening. And from my observations the Cafe also treats the musicians with respect, offering food, a reasonable playing area, and a pleasant and comfortable room for between-sets relaxation. Something musicians have learned to never take for granted and which should be the norm not the exception. Having issued recordings by Ernie Krivda (b.1945, Cleveland, OH) in a number of settings, I felt this was a good chance to record Ernie in a new setting in some different but familiar company. Claude Black (b.1932, Detroit, MI) is a veteran of the Midwest Jazz scene, one of those locals with whom all the circuit players choose to play. Claude was a contemporary of most of the Boppers who emerged from the Detroit area in the ‘50s and who eventually migrated to New York and became Bop headliners. Claude, originally a capable trombonist, chose to stay in the Detroit area for reasons of family. His earliest work included a brief stint with Billie Holiday and, in 1948 made his first recording with fellow Detroiter, Don Byrd. Later he toured for two years with Aretha Franklin before settling in as house pianist at Baker’s Keyboard Lounge in the ‘60s, ‘70s, and ‘80s. Since the mid ‘80s he has been playing at Murphy’s Place (Toledo, OH). Little of Claude’s work has been issued on recordings and so his discography is slight (even slighter as he is misidentified as Claude Blake on Oliver Jackson’s Paris recording [February 28, 1984] for the Black & Blue label —discographers note). Claude and Renell Gonsalves (b.1948, Detroit, MI) often play with Ernie at Murphy’s. Renell also is little documented on record (Keith Vreeland trio, Sheila Landis-Rich Matle group) and, as the son of Paul, he is of a Jazz royal lineage. Dan Kolton (b.1958, Detroit, MI) also has an Ellington connection as he played bass in that band (under Mercer) for about a year and a half. Aside from that, he has based himself in various locales and has also been represented on few releases (sometimes misidentified as Don). The music on this CD comes near the end of the quartet’s residency at The Dirty Dog. The material is presented in the order it was played and comes from the first and third sets. I’ll Remember April was the last performance from the first set and the remainder of the recording documents the entire third set. The music speaks for itself: what you hear is what was played. What cannot be seen by the listener is Claude’s energized and enthusiastic clapping of time on A Blues By Any Other Name, spontaneously inspired during the part when Ernie and Renell are going head to head as Claude and Dan sat out. Good times. -Robert D. Rusch - March 27, 2009 Catalog Number: CIMPoL 5005
Live at St. Nick'sSalim Washington (Tenor Saxophone), Donald Smith (Piano), Melani Dyer (Viola), Ku-Umba Frank Lacy (Trombone), Aaron James (Bass), Mark Johnson (Drums), Donna Cumberbatch (Vocals)Salim Washington, though well respected in the artist community, has recorded sporadically over the past 20 years. This powerful recording of his septet captures them at New York City's St. Nick's Club where Salim has been playing a regular Friday night gig since 2005. It's a favorite place for him and you can feel the connection—not just between the musicians but also with the audience. Very live, very hot intensive program, and a special and unexpected vocal by Donna Cumberbatch on the last performance on this special night.Catalog Number: CIMPoL 5005
Live at St. Nick'sSalim Washington (Tenor Saxophone), Donald Smith (Piano), Melani Dyer (Viola), Ku-Umba Frank Lacy (Trombone), Aaron James (Bass), Mark Johnson (Drums), Donna Cumberbatch (Vocals)Salim Washington, though well respected in the artist community, has recorded sporadically over the past 20 years. This powerful recording of his septet captures them at New York City's St. Nick's Club where Salim has been playing a regular Friday night gig since 2005. It's a favorite place for him and you can feel the connection—not just between the musicians but also with the audience. Very live, very hot intensive program, and a special and unexpected vocal by Donna Cumberbatch on the last performance on this special night.Catalog Number: CIMPoL 5004
The Early Show (live at Twins Jazz)David Bond (Alto Saxophone), Andrew White (Tenor Saxophone), Bob Butta (Piano), Steve Novosel (Bass), Luther Gray (Drums)Dense and intense would be perhaps the most concise way to describe this powerful Free/Hard Bop quintet. This is a group that the Capitol area has been enjoying for years and now the secret is out. David Bond and his somewhat legendary team of dynamic men will fill your listening to overflow. Catalog Number: CIMPoL 5003
The Open DoorJoe McPhee (Alto Saxophone), Dominic Duval (Bass)Two masters of in-depth improvisation met in concert on a hot early summer day in Montreal, Quebec. For this concert, Joe McPhee played alto sax exclusively, an instrument with which he has not often recorded. The results are as natural an interaction as they are engaging and inspirational--66% of Trio X but 100% musically rewarding.Catalog Number: CIMPoL 5001
AIR: Above and BeyondTrio X (Primary), Joe McPhee (Tenor Saxophone), Dominic Duval (Bass), Jay Rosen (Drums)Now entering into their tenth year as a group, Trio X's releases have become anticipated by their fans as good adventures. And this latest live set will not disappoint. Warm, invigorating, and always connective, it offers ample proof why Trio X has been called the finest improvising combo on the scene.Catalog Number: CIMP 390
Changing TranesJimmy Halperin (Saxophone), Dominic Duval (Bass)Jimmy Halperin (tenor sax) and Dominic Duval (bass) investigate the work of John Coltrane. Nine great tracks; some terrific listening. Need we say more? Catalog Number: CIMP 387
DuettoDiane Moser (Piano), Mark Dresser (Bass)Pianist Diane Moser has been a secret for decades. Composer, leader of a big band, and musicians' musician, here she shows her talents in the company of long-time friend and associate, Mark Dresser. Introspective and thoughtful, this duo essays eight original compositions and proves there is reason to improve upon the silence.Catalog Number: CIMP 386
Avenue of the AmericasDavid Haney (Piano), Mat Marucci (Drums), Doug Webb (Saxophone), Jorge Hernaez (Bass)David Haney is fearless and searching. He is joined here by masters of the Modern Mainstream. While David admits that "It wasn't exactly the music I had in mind," like any creative artist he allows himself to be informed by the music that is happening. The results: more than 14 exciting tracks. Another facet to the musical mind of David Haney.Catalog Number: CIMP 386
Avenue of the AmericasDavid Haney (Piano), Mat Marucci (Drums), Doug Webb (Saxophone), Jorge Hernaez (Bass)David Haney is fearless and searching. He is joined here by masters of the Modern Mainstream. While David admits that "It wasn't exactly the music I had in mind," like any creative artist he allows himself to be informed by the music that is happening. The results: more than 14 exciting tracks. Another facet to the musical mind of David Haney.Catalog Number: CIMP 381
In The AtticTim Siciliano (Primary), Dominic Duval (Primary), Brian Willson (Primary)CIMP has recorded a number of artists making their leadership debuts (and sometimes any kind of recording debut) in their 40s or 50s. Tim Siciliano was 50 when he recorded this disc. While his roots are in the later guitar Bop masters, his mentor was Attila Zoller. Producer Bob Rusch characterized this session as “a good get-together.” Music well worth the 50 year wait. In the hands of these three, it brings new life to the bopstream, swinging and free of cliches. Catalog Number: CIMP 377
Porgy / Bess Act 2David Arner (Piano), Michael Bisio (Bass), Jay Rosen (Drums)Here is the companion to CIMP 374 as David Arner gives us his concluding takes of "Porgy & Bess." No rehash here. Just imaginative playing inspired by Gershwin. Familiar in its suggestions yet out on the edge. If you heard Act 1 (CIMP 374) then Act 2 will be an equally pleasant indulgence for the mind and ears.Catalog Number: CIMP 374
Porgy/Bess Act 1David Arner (Piano), Michael Bisio (Bass), Jay Rosen (Drums)Inspired by Miles’ and Gil Evans’ interpretations of Porgy & Bess, the genuflecting stops there. This is the first volume of a concert that will please listeners of post Bop piano trio music as well as fans of the Gershwin classic, but will not please the traditionalists and purists. An inspirational and accessible outing.Catalog Number: CIMP 371
Blue Flint GirlDavid Haney (Piano), Michael Bisio (Bass), Adam Lane (Bass)David Haney continues to impress and confound a listening audience. Totally unpredictable on this concert, there are shades of Dada, Old-timey, Avant, New music—all interwoven with two of the finest bassists in play. It’s hard to prepare (i.e., make assumptions) for a Haney recital. So here are nine cuts that come at you from all directions. Relax and enjoy the ride. And then there are those bassists ...Catalog Number: CIMP Records 369
Conspiracy A Go GoDavid Haney (Piano), Dominic Duval (Bass), Andrew Cyrille (Drums)This isn't the first time David Haney and Andrew Cyrille have worked together, but these two sessions are the first time they have recorded together. With David, one can always expect the unexpected, whether it be Free Jazz, excursions, or an exploration of a traditional Blues. With Andrew one has come to expect simply the best in musical inventiveness. CIMP 367 is a duo; the addition of the substantial presence of bassist Dominic Duval changes the whole dynamic (as it should) on CIMP 369. To further emphasize the differences, five of the compositions appear on both the duo and the trio sessions. Hear and analyze this bracing and embracing music.Catalog Number: CIMP Records 369
Conspiracy A Go GoDavid Haney (Piano), Dominic Duval (Bass), Andrew Cyrille (Drums)This isn't the first time David Haney and Andrew Cyrille have worked together, but these two sessions are the first time they have recorded together. With David, one can always expect the unexpected, whether it be Free Jazz, excursions, or an exploration of a traditional Blues. With Andrew one has come to expect simply the best in musical inventiveness. CIMP 367 is a duo; the addition of the substantial presence of bassist Dominic Duval changes the whole dynamic (as it should) on CIMP 369. To further emphasize the differences, five of the compositions appear on both the duo and the trio sessions. Hear and analyze this bracing and embracing music.Catalog Number: CIMP Records 367
ClandestineDavid Haney (Piano), Andrew Cyrille (Drums), Dominic Duval (Mallets)This isn't the first time David Haney and Andrew Cyrille have worked together, but these two sessions are the first time they have recorded together. With David, one can always expect the unexpected, whether it be Free Jazz, excursions, or an exploration of a traditional Blues. With Andrew one has come to expect simply the best in musical inventiveness. CIMP 367 is a duo; the addition of the substantial presence of bassist Dominic Duval changes the whole dynamic (as it should) on CIMP 369. To further emphasize the differences, five of the compositions appear on both the duo and the trio sessions. Hear and analyze this bracing and embracing music.Catalog Number: CIMP Records 367
ClandestineDavid Haney (Piano), Andrew Cyrille (Drums), Dominic Duval (Mallets)This isn't the first time David Haney and Andrew Cyrille have worked together, but these two sessions are the first time they have recorded together. With David, one can always expect the unexpected, whether it be Free Jazz, excursions, or an exploration of a traditional Blues. With Andrew one has come to expect simply the best in musical inventiveness. CIMP 367 is a duo; the addition of the substantial presence of bassist Dominic Duval changes the whole dynamic (as it should) on CIMP 369. To further emphasize the differences, five of the compositions appear on both the duo and the trio sessions. Hear and analyze this bracing and embracing music.Catalog Number: CIMP LTD 365
Many in Body, One in MindBobby Zankel (Alto Saxophone), Dylan Taylor (Bass), Edgar Bateman (Drums)Bobby Zankel doesn’t make many recordings and he doesn’t make any bad ones. Here he is joined by the legendary Edgar Bateman and longtime bassist, Dylan Taylor, on six extended outings. Assured and intense, this demands the attention of both the heart and the mind.Catalog Number: CIMP LTD 364
Fire and WaterKhan Jamal (Vibes), Dylan Taylor (Cello)Metal & wood is a lovely pairing and in music it’s a pure delight, especially with this pair of distinguished improvisers. Khan is a master of shimmering tones and this program explores those tones. Underpinning all that is KHan is the sumptuous cello/bass work of Dylan Taylor. This is all together an indulgence in beauty and invention.Catalog Number: CIMP LTD 363
The Spirit of ThingsDavid Schnitter (Tenor Saxophone), Dominic Duval (Bass), Newman Taylor Baker (Drums)David Schnitter returns and, quite frankly, is back in top form. Reunited with bassist Dominic Duval (with whom he recorded in 1995), this is David’s first ever trio recording. In addition to bringing renewed life to his recording documentation, this session brings new life to some old standards.Catalog Number: CIMP LTD 363
The Spirit of ThingsDavid Schnitter (Tenor Saxophone), Dominic Duval (Bass), Newman Taylor Baker (Drums)David Schnitter returns and, quite frankly, is back in top form. Reunited with bassist Dominic Duval (with whom he recorded in 1995), this is David’s first ever trio recording. In addition to bringing renewed life to his recording documentation, this session brings new life to some old standards.Catalog Number: CIMP LTD 357
Ota Benga of the BatwaDavid Haney (Piano), Julian Priester (Trombone)David Haney and Julian Priester have been working together the whole of the 21st century and their music is definitely 21st Century. For this recording, they bring their particular shading of light and dark to a series (13 parts) of improvisations inspired by the sojourns of Ota Benga (b.1884-1916) of the Batwa tribe. Pensive and reflective, the nuanced tension of this music is often breathtaking and always starkly original. Extensive program notes outline the events for this set that David calls "nonreferential music." The intricacies and involvement of this creative improvised music is powerful and remarkable.Catalog Number: CIMP LTD 356
Change-UpMat Marucci (Drums), Doug Webb (Saxophone), Ken Filiano (Bass)This is the second half (see CIMP 346) of a phenomenal recording session that produced 2 CDs, all issued in the same order as recorded. In and of itself that means nothing, but CIMP does not record and release music by the pound, so to speak. We release and endorse only quality. This is masterful Bop/ Free Bop music and reflects a very magical 24-hour period, all fully detailed in the Artists', Producer's, and Engineer's Notes.Catalog Number: CIMP LTD 354
Blues RoyaleDavid Haney (Piano), Mike Bisio (Bass), Adam Lane (Bass)David Haney: one of the most originally rooted improvisers and a true original, backed by two of the most probing, inventive bassists in this music: Mike Bisio and Adam Lane. Just the logistics and possibilities of this encounter will intrigue the seasoned listener. Now add in the program concept—Traditional Blues and other music of antiquity—and the challenge further intrigues. Involving and deeply soulful creative improvised music.Catalog Number: CIMP LTD 352
Double DiploidSteve Swell (Trombone), David Taylor (Bass Trombone), Warren Smith (Percussion), Chad Taylor (Percussion)Whoa! Two trombones and two percussionists? What can this be? What it is is music of great rhythm, drive, humor, intensity, and downright fun. If you've come across the talents of either or both Messrs. Swell and Taylor, then you know the contrast of their brilliance. Add in Warren Smith (a senior percussion master) and Chad Taylor (no longer just in the underground) and you have a quartet of great capabilities—even of accomplishing the musical Double Diploid, and more the fun for it. Twice the pleasure just for the asking.Catalog Number: CIMP LTD 348
MonkinusDominic Duval (Bass), Jimmy Halperin (Tenor Saxophone)You don't want to approach Monk's music unless you know what you are doing and have the technical ability. Duval and Halperin have all of that plus the ability to bring a fresh creativity to very defined compositions. To further add to the challenge, they do it duo. This long-time-in-the-making project is a rich and full listening experience.Catalog Number: CIMP LTD 347
Mountain AirDominic Duval (Bass), Ron Lawrence (Viola), Gregor Huebner (Violin), Tomas Ulrich (Cello)Dominic Duval's String Quartet, previously known as the CT String Quartet, has been around and documented since the mid 1990s. This new edition introduces the extraordinary Gregor Huebner into the violin chair on a program which takes as its inspiration the music of Cecil Taylor's "Mountain Air." Extemporaneous and totally music of the day, yet easily accessible and rooted.Catalog Number: CIMP LTD 346
3 The Hard WayMat Marucci (Drums), Doug Webb (Saxophone), Ken Filiano (Bass)Marucci & Webb have been playing together for years. Even so, when they teamed up with former associate Ken Filiano no one could have guessed that the resulting quality and quantity of music would be so great. This is the first of two CDs documenting two days of the recording of Mat's original and memorable compositions. Released in the same order they were played, this Bop/Freebop session shows that the genre need not be revisionist but freshness and creative artistic integrity can be relative to any period of music.Catalog Number: CIMP 344
Infinite PotentialLou Grassi (Drums, Percussion), Perry Robinson (Clarinet, Ocharina), David Taylor (Bass Trombone), Herb Robertson (Trumpet, Pocket Trumpet, Flugelhorn), Adam Lane (Bass)The 10th anniversary edition of the Po Band finds this veteran collective improvisation group in absolutely top form as it weaves whole cloth out of the threads from their individual minds and collective creativity that is vibrant in exposition and stunning in its conclusions. Recorded Sept.26 & 27, 2005Catalog Number: CIMP 342
Younger DryasWilliam Gagliardi (Alto, Soprano,&Tenor Sax), John Carlson (Trumpet, Pocket Trumpet), Ken Wessel (Guitar), Dave Hofstra (Bass), Lou Grassi (Drums)This release is the companion to CIMP 332. As regular CIMP listeners know, a second volume is not "leftovers." We don't release culls or anything of a standard we don't endorse. So be assured this is in fact more - more of the joyous, quirky inventive music from "Billy Gags" and his handpicked group of excellent and interesting artists. Recorded May 26 & 27, 2005Catalog Number: CIMP 338
The MusicDavid Haney (Piano), Julian Priester (Trombone), Adam Lane (Bass)Chances are you've never heard of David Haney but this follow-up to his much acclaimed duo with Julian Priester (Cadence Jazz Records 1179) should convince you that his is an original musical voice deserving of some attention. Joined by the masterful bassist Adam Lane, these three work hand-in-glove in this exploration of Haney's world. There's nothing familiar about this music but it's still deeply satisfying. Recorded Aug. 12, 2005.
Catalog Number: CIMP 337
Tuba ProjectLucian Ban (Piano), Alex Harding (Baritone), J.D. Allen (Tenor), Bob Stewart (Tuba), Derrek Phillips (Drums)Prerelease press has already hailed this latest mixture of soul & savvy from the Ban & Harding juggernaut. It's the Tuba Project in reference to the inclusion of Bob Stewart, whose subtle shading and bottom work keeps things rolling throughout. As is usual with Ban & Harding, Tuba Project is an offering of fresh music to move and reward both the mind & soul. Recorded July 20, 2005.Catalog Number: CIMP Records 334
Stellar SaxErnie Krivda (Saxophone), Bob Fraser (Guitar), Dominick Farinacci (Trumpet), Jeff Halsey (Bass), Carmen Intorre (Drums)One of the most distinctive and uncompromised stylists in Jazz, this new release from the quintet offers up four extended explorations including some new Krivda compositions, plus a fascinating solo invention off "Stella By Starlight." Sharing the front-line as he has on four other Krivda releases is Dominick Farinacci (trumpet) while Bob Fraser (g) and Carmen Intorre (d) also return. And Jeff Halsey's big bass finally reunites with Krivda after a long association that began in 1985. Recorded June 15 & 16, 2005.Catalog Number: CIMP LTD 332
Memories of TomorrowWilliam Gagliardi (Saxophone), John Carlson (Trumpet), Ken Wessel (Guitar), Dave Hofstra (Bass), Lou Grassi (Drums)This is the third recording of Bill Gagliardi's (AKA Billy Gags) quintet, a group that has now managed to stay together since 2000. What has made this possible is that every member of the group wants to play together and is equally inspired both by one another and Bill's Gagliardi's music. Hear why people continue to say "How come I've never heard of this guy? His music is wonderful." Recorded May 26 & 27, 2005.Catalog Number: CIMP 328
Moods: Playing with the ElementsJoe McPhee (Saxophone), Dominic Duval (Bass), Jay Rosen (Drums), Trio X (Group)Trio-X is one of the premier improvising groups in the world. Quick to hit the sweet spot and take it from there. Their recordings are never without honesty and purpose. This is their seventh recording and the joy and challenge just gets better and better. Recorded Oct. 20 & 21, 2004.
Catalog Number: CIMP 322
Black AwarenessByard Lancaster (Alto Sax), Grachan Moncur III (Trombone/Voice), Dylan Taylor (Bass), Dwight James (Drums), Khan Jamal (Vibraphone)Khan Jamal's outings are always clearly drawn and conceptualized. Here the distinct vibest brings along long-time associates to share in the fun and fascination of the music's exposition. An unexpected event comes on the last track ("Sonny's Back) when Grachan Moncur offers up an ad-libbed vocal. Another distinctly Jamalian outing. Recorded January 10 & 11, 2005.Catalog Number: CIMP 322
Black AwarenessByard Lancaster (Alto Sax), Grachan Moncur III (Trombone/Voice), Dylan Taylor (Bass), Dwight James (Drums), Khan Jamal (Vibraphone)Khan Jamal's outings are always clearly drawn and conceptualized. Here the distinct vibest brings along long-time associates to share in the fun and fascination of the music's exposition. An unexpected event comes on the last track ("Sonny's Back) when Grachan Moncur offers up an ad-libbed vocal. Another distinctly Jamalian outing. Recorded January 10 & 11, 2005.Catalog Number: CIMP 321
Not Just...David Taylor (Trombone), Steve Swell (Trombone), Billy Bang (Violin), Tomas Ulrich (Cello), Ken Filiano (Bass)Gad. Two trombones and strings! But when the trombones are Dave Taylor and Steve Swell and the strings are Bang, Ulrich, and Filiano, you know this is going to be fun. A five-sided circle that is everything you'd expect from this meeting of fertile musical minds. Over 270 cumulative years in the making, its listening pleasures should last easily that long. Recorded January 5 & 6, 2005.Catalog Number: CIMP 320
The Sugar Hill SuiteJoe McPhee (Tenor Sax), Dominic Duval (Bass), Jay Rosen (Drums), Trio X (Group)The latest from Trio-X has as its centerpiece "The Sugar Hill Suite," an exceptionally beautifully-structured 16-minute improv that is a stunning example of Trio-X's skills and the genius of the genre. Recorded October 19, 2004.Catalog Number: CIMP 308
Faith In A SeedJames Finn (Tenor Sax), Dominic Duval (Bass), Warren Smith (Drums)
James Finn is no young lion, but this is just his second recording. His first (Cadence Jazz Records 1170) met with strong critical acclaim often mixed with the skepticism of "Is this a fluke?" Well, CIMP now has recorded him and there's no chance of foolin' in the mix. This will only confirm that the power and flow of ideas from the dynamic tenor man is no fluke. Prepare to deal with Mr. Finn and this master rhythm section as he builds musical moments. Recorded March 16 & 17, 2004.Catalog Number: CIMP 307
Morning MoonDavid Taylor (Trombone,Bass Trombone, Voice), Dominic Duval (Bass), Jay Rosen (Drums)
Dave Taylor returns once more to surprise, amuse, and inspire the listener. This is a surprise ball of creative muse and broad range of musical delights to savor. Well utilized musical minds, treat yourself to this concert. Recorded March 11 & 12, 2004.
Catalog Number: CIMP 307
Morning MoonDavid Taylor (Trombone,Bass Trombone, Voice), Dominic Duval (Bass), Jay Rosen (Drums)
Dave Taylor returns once more to surprise, amuse, and inspire the listener. This is a surprise ball of creative muse and broad range of musical delights to savor. Well utilized musical minds, treat yourself to this concert. Recorded March 11 & 12, 2004.
Catalog Number: CIMP 302
Plays Ernie Kirvda Volume 2Ernie Krivda (Tenor Saxophone), Dominick Farinacci (Trumpet), Bob Fraser (Guitar), Kurt Kotheimer (Bass), Carmen Intorre (Drums)Volume 2 of Krivda Plays Krivda - still one of the most identifiable tenor stylists in Jazz. If after all these years you don't know Ernie's music?get to it. This is a fine place to start. Recorded July 24 & 25, 2003.Catalog Number: CIMP 301
Joy and GravitasJimmy Halperin (Soprano&Tenor Saxophones), Dominic Duval (Bass), Jay Rosen (Drums)Jimmy Halperin has made very few records over the past 30 years and, while new, this sounds like nothing he's done before. Here it gets physical with some of the Jazz liturgy turning it every which way. If you're a fan of tunes like "Tunisia," "Don't Explain," "'Round Midnight," etc., but tired of hearing them, this release will refresh in its new and unafraid perspective. Recorded January 14 & 15, 2004.
Catalog Number: CIMP 299
StandardDevorah Day (Vocals), Dominic Duval (Bass)Here is a starkly original Jazz singer, a true Jazz singer who will grab you with her originality and hold you with her unpredictability. With just Dominic Duval's bass accompaniment, there's nowhere to hide over the program of 9 standards and 2 originals. And with talent like this, there is no need to hide. Recorded Oct. 20 & 21, 2003.Catalog Number: CIMP 299
StandardDevorah Day (Vocals), Dominic Duval (Bass)Here is a starkly original Jazz singer, a true Jazz singer who will grab you with her originality and hold you with her unpredictability. With just Dominic Duval's bass accompaniment, there's nowhere to hide over the program of 9 standards and 2 originals. And with talent like this, there is no need to hide. Recorded Oct. 20 & 21, 2003.Catalog Number: CIMP 298
Celebration of the SpiritJazz Composers Alliance Orchestra (Group), Hiroaki Honshuku (Flute), Jims Hobbs (Alto Sax), Jeremy Udden (Alto Sax), Phil Scarff (Tenor&Soprano Sax), Hands Indigo (Bari Sax), Mike Peipman (Trumpet), Keiichi Hashimoto (Trumpet), Jim Mosher (French Horn), Bob Pilkington (Trombone), David Harris (Trombone), Jim Gray (Tuba), Richie Barshay (Drums), Winnien Dahlgren (Vibes), Soo-Jung Kae (Piano), Takaaki Masuko (Percussion), Rick McLaughlin (Bass), Norma Zocher (Guitar), Laura Andel (Composer/Conductor), Darrell Katz (Composer/conductor, dir. of Jazz Compose), Ken Schaphorst (Composer/Conductor), Warren Senders (Composer/Conductor)Here is an incredible combination: a big band full of exciting soloists playing the compositions of 5 composers recorded in real stereo, the CIMP way - with clarity, space and accurate dynamics. Everything about this recording will excite. You'll have to hear it to believe it. Recorded at The Tsai Performance Center at Boston University, Boston, MA October 5, 2003.Catalog Number: CIMP 298
Celebration of the SpiritJazz Composers Alliance Orchestra (Group), Hiroaki Honshuku (Flute), Jims Hobbs (Alto Sax), Jeremy Udden (Alto Sax), Phil Scarff (Tenor&Soprano Sax), Hands Indigo (Bari Sax), Mike Peipman (Trumpet), Keiichi Hashimoto (Trumpet), Jim Mosher (French Horn), Bob Pilkington (Trombone), David Harris (Trombone), Jim Gray (Tuba), Richie Barshay (Drums), Winnien Dahlgren (Vibes), Soo-Jung Kae (Piano), Takaaki Masuko (Percussion), Rick McLaughlin (Bass), Norma Zocher (Guitar), Laura Andel (Composer/Conductor), Darrell Katz (Composer/conductor, dir. of Jazz Compose), Ken Schaphorst (Composer/Conductor), Warren Senders (Composer/Conductor)Here is an incredible combination: a big band full of exciting soloists playing the compositions of 5 composers recorded in real stereo, the CIMP way - with clarity, space and accurate dynamics. Everything about this recording will excite. You'll have to hear it to believe it. Recorded at The Tsai Performance Center at Boston University, Boston, MA October 5, 2003.Catalog Number: CIMP 297
Hear and NowWilliam Gagliardi (Tenor&Soprano Saxophones), John Carlson (Trumpet), Ken Wessel (Guitar), Dave Hofstra (Bass), Lou Grassi (Drums)William Gagliardi (tenor & soprano saxophones) Quintet with John Carlson (trumpet) - Ken Wessel (guitar) - Dave Hofstra (bass) - Lou Grassi - (drums)
Hear and Now
People still marvel at Bill Gagliardi's talent and why they've never heard of him for his first 50 years. Well, here is part 2 of Catalog Number: CIMP 293
Plays Ernie KrivdaErnie Krivda (Tenor Saxophone), Dominick Farinaccci (Trumpet), Bob Fraser (Guitar), Kurt Kotheimer (Bass), Carmen Intorre (Drums)Ernie Krivda, one of the most distinctive saxophone stylists, plays Ernie Krivda, one of the most distinctive Jazz composers. Ernie Krivda is the complete artist and is an instantly recognizable stylist. If after 30 years on the scene you still have not tasted his treats, this is a good place to begin. Recorded July 24 & 25, 2003.
Catalog Number: CIMP 291
NHLAHLAWilliam Gagliardi (Tenor Saxophone, Thumbpiano), John Carlson (Trumpet), Ken Wessel (Guitar), Dave Hofstra (Bass), Lou Grassi (Drums)Saxman/composer Gagliardi waited over 50 years to make his first recording CIMP 242), a date which was met with critical acclaim and a sense of “Where has this artist been hiding?” Now he reunited the quartet and adds trumpeter John Carlson for another quirky and dynamic concert of 7 new Gagliardi compositions. Recorded July 7 & 8, 2003.Catalog Number: CIMP 283
JourneyTrio X (Group), Joe McPhee (Alto and Tenor Saxophones), Dominic Duval (Bass), Jay Rosen (Drums)Every Trio-X recording is different and an occasion for anticipation as to where these 3 creative forces will journey. Their 5th release, this is only the second in studio. And when the studio is the acclaimed Spirit Room, you know you’re going to hear the richness of the instruments and the subtleties of dynamic interplay at its best. A goody from a group acclaimed by one critic as the more dynamic combo in creative improvised music today. Recorded February 6 & 7, 2003.
Catalog Number: CIMP 279
Songs of LivingDylan Taylor (Bass, Cello), Kelly Meashey (Voice)Hey, if you don't like vocal dates 'cause they die after just one listening, then check this out - it's incredible! And if you like vocals but not avant, this will challenge you, yet is still very accessible. Included with the standards/non-originals are 2 Dylan Taylor compositions so poignant and personal that one almost feels as though they are an intruder just by listening. If you matter-of-factly discount vocalists, give this one a try - it should make you re-evaluate your comfort (or is that your discomfort?) zone. Recorded October 30 & 31, 2002, The Spirit Room, Rossie, NY.Catalog Number: CIMP 277
PremonitionLucian Ban (Piano), Alex Harding (Baritone Sax), Erik Torrente (Alto Sax), Chris Dahlgren (Bass), Damion Reid (Drums)This is a follow-up to Lucian and Alex's soulful duo outing (CIMP 274). Here the focus is on Lucian's fine compositions and the interplay between the horns and rhythm. Fresh faces and fresh music from the Bop/post Bop world. Recorded August 9, 2002, Gilbert Recital Hall, Canton, NY.Catalog Number: CIMP 275
Lowe-down&BlueFrank Lowe (Tenor Saxophone), Berne Nix (Guitar), Dominic Duval (Bass), Michael Carvin (Drums)This is Frank Lowe's fourth CIMP session and we think this one captures the tender soul of this tenor stylist. Recorded just days before Frank had to have lung surgery, this concert finds him ironically more robust than usual. But, in essence, it is a quintessential Lowe concert: full of the compositional and playing quirks which mark his best work. A real stylist with giving, unselfish support from a great rhythm grouping. Recorded September 16, 2002.Catalog Number: CIMP 271
NorthCountry PieDavid Wertman (Bass), Charlie Kohlhase (Alto Saxophone), Lou Grassi (Drums)Kohlhase and Grassi are familiar names to improvised listeners, but bassist David Wertman has been off the creative improvised recording scene since the 1980s. And there are enough bass features that you'll see he's a talent with more than journeyman abilities. Fresh music from fresh personalities, accessible but still demanding. Recorded June 17 & 18, 2002.Catalog Number: CIMP 270
Invocation for PepperAlex Harding (Baritone Saxophone), Dominic Duval (Bass), Jay Rosen (Drums)This trio date is a follow-up to Alex's "FreeFlow" recording (CIMP 246), but here the emphasis is on standards, opening with Alex's "Invocation" to the spirit of fellow Motowner and bari player, Pepper Adams. It's a Jazz date all the way: the power of Alex Harding's baritone sax in the company of the celebrated rhythm team of Duval & Rosen. Recorded June 6 & 7, 2002.Catalog Number: CIMP 269
DoppelgangerDavid Taylor (Bass Trombone), Dominic Duval (Bass), Jay Rosen (Drums)Dave Taylor is a legend among trombonists. The King of the Bass Trombone, he's been on hundreds of commercial recordings. What many don't realize is that Dave's creative improvised impulses are mighty but largely untapped. Here he shows that his technique can go head to head with his imagination and everyone benefits. This tour de force ends with a wonderful take on "Home On the Range." Recorded May 9 & 10, 2002.Catalog Number: CIMP 269
DoppelgangerDavid Taylor (Bass Trombone), Dominic Duval (Bass), Jay Rosen (Drums)Dave Taylor is a legend among trombonists. The King of the Bass Trombone, he's been on hundreds of commercial recordings. What many don't realize is that Dave's creative improvised impulses are mighty but largely untapped. Here he shows that his technique can go head to head with his imagination and everyone benefits. This tour de force ends with a wonderful take on "Home On the Range." Recorded May 9 & 10, 2002.Catalog Number: CIMP 268
Recollections of Darby HicksBob Washington (Voice), Steve Swell (Trombone), Dominic Duval (Bass)This date is essentially a "brother's" narrative of growing up in America from the pre- WWII years. It's a story funny, funky, and poignant, and delivered with improvised surroundings which suggest some parallels to the collaboration between Charles Mingus and Jean Shephard on "The Clown." A good tale, well told with outstanding improvisations. Recorded April 23 & 24, 2002.Catalog Number: CIMP 267
Balafon DanceKhan Jamal (Vibes), Jemeel Moondoc (Alto Saxophone), Roy Campbell (Trumpet), Dylan Taylor (Bass), Dwight James (Drums)Khan reunites with a group of old friends and colleagues on this remarkable session of composition and energy. Khan Jamal is one of the most distinctive voices in creative music in both sound and compositional substance. This is his first recording in 5 years and only his second in 13. He's careful and deliberate about his music but presents for the listener finished, fully-formed, and wonderfully listenable adventures in music. This concert offers music accessible to a broad range of tastes but remains always uncompromising in its delivery and statement. Recorded March 18 & 19, 2002.Catalog Number: CIMP 267
Balafon DanceKhan Jamal (Vibes), Jemeel Moondoc (Alto Saxophone), Roy Campbell (Trumpet), Dylan Taylor (Bass), Dwight James (Drums)Khan reunites with a group of old friends and colleagues on this remarkable session of composition and energy. Khan Jamal is one of the most distinctive voices in creative music in both sound and compositional substance. This is his first recording in 5 years and only his second in 13. He's careful and deliberate about his music but presents for the listener finished, fully-formed, and wonderfully listenable adventures in music. This concert offers music accessible to a broad range of tastes but remains always uncompromising in its delivery and statement. Recorded March 18 & 19, 2002.Catalog Number: CIMP 264
Real Time MessengersDaniel Carter (Alto Saxophone), Steve Swell (Trombone), Tom Abbs (Bass), David Brandt (Drums)Eight cuts of coherent and inspired improvisations that will reward close listening with inspiration and renewal of energy. Creative improvised chamber music.Catalog Number: CIMP 264
Real Time MessengersDaniel Carter (Alto Saxophone), Steve Swell (Trombone), Tom Abbs (Bass), David Brandt (Drums)Eight cuts of coherent and inspired improvisations that will reward close listening with inspiration and renewal of energy. Creative improvised chamber music.Catalog Number: CIMP 261
American ScrapbookDominic Duval (Bass), Jason Hwang (Violin), Tomas Ulrich (Cello), Tom Varner (French Horn), Joe McPhee (Cornet), Steve Swell (Trombone)Dominic Duval's String & Brass Ensemble brings together Joe McPhee Steve Swell, Tom Varner, Tomas Ulrich, and Jason Hwang in a stirring reflection on traditional and improvised music inspired not just by the memories of Dominic's late wife and 9/11, but also by the whole quilt that is the American SpiritCatalog Number: CIMP 257
Let Paul Robeson SingJoe McPhee (Tenor Saxophone), Joe Giardullo (Flute), Michael Bisio (Bass), Dominic Duval (Bass)Joe McPhee's Bluette returns for a set inspired by Paul Robeson. Referencing some of the events and music of Robeson, this episodic material of both original and traditional music spreads over 7 tracks in a moving journey.Catalog Number: CIMP 256
ObbligatoMary LaRose (Vocals), Jeff Lederer (Reeds), Steve Swell (Trombone), Dominic Duval (Bass)Integrating material from a broad idiomatic range including Charles Mingus, Duke Ellington, Randy Newman, Jimi Hendrix, Ornette Coleman, Claude Thornhill, Albert Ayler and others, vocalist extraordinaire Mary LaRose leads a strong improvising quartet. Out of the tradition but clearly of today and tomorrow, this is music as challenging as it is sensual.Catalog Number: CIMP 254
Ready for ActionTom DeSteno (Drums), Bob Magnuson (Tenor Saxophone), William Gagliardi (Alto Saxophone), Dominic Duval (Bass)This is an intense and dense set of improvised music bringing together 2 visceral reedmen on a program of originals and improvs. Music with mainstream sensibilities but served up with an avant passion. Recorded August 27 & 28, 2001.Catalog Number: CIMP 249
ExposedFred Hess (Tenor Saxophone), Paul Smoker (Trumpet), Ken Filiano (Bass), Damon Short (Drums)Noted for establishing the Boulder Creative Music Ensemble in the mid-80's, composer, arranger, and tenor saxman Fred Hess takes a rare excursion outside of that role to expose his compositions and sax in a dynamic quartet. If Mr. Hess' previous activities have missed your attention, this release should put him in your sights. It's one of his best (we might even immodestly suggest that it is his best) to date. Recorded June 11 & 12, 2001.Catalog Number: CIMP 248
Tools of the TradeNed Rothenberg (Clarinet), Denman Maroney (Piano)Denman Maroney's acoustic piano and prepared piano reach a perfect co-existence and integration on this duet with multi reedist Ned Rothenberg. A combination of exciting improvs and compositions, this is music that is mature, expert and soul-warming while still challenging the intellect. New music, new maturity. Recorded June 5, 2001.Catalog Number: CIMP 244
Two Letters I'll KeepRosie Hertlein (Violin), Howard Johnson (Reeds), Vincent Chancey (French Horn), David Taylor (Trombone), Charles Burnham (Violin), Jay Rosen (Percussion)On her debut recording as leader, Rosi Hertlein is more than a violinist, she proves to also be an arranger and organizer of improvised sound that combines pastoral subtlety and flow with thoughtful Free improvisation. This is an atypical dynamic with the sextet working within the ambiance and structure of a group sound or coordinate. Recorded April 23 & 24, 2001.Catalog Number: CIMP 242
Music is the MeditationWilliam Gagliardi (Alto Saxophone), Ken Wessel (Guitar), Dave Hofstra (Bass), Lou Grassi (Drums)William Gagliardi leads a tasty hard bop come free bop session featuring his notable compositions and the inspired front line mix of the leader's torqued sax with the flying inventiveness of Kenny Wessel's hard body guitar. Listen to this date and you ask yourself why is this this man's first release in 54 years. Recorded Feb. 20 & 21, 2001.Catalog Number: CIMP 241
OpiumBruce Eisenbeil (Acoustic Guitar), Michael Attias (Alto Saxophone), David Taylor (Bass Trombone), Jay Rosen (Drums)An arresting convergence of 4 distinct tones and tempers produces lean improvs rich in statement and flow, purpose and musicality. Recorded Feb. 8 & 9, 2001.Catalog Number: CIMP 234
BloorJohn Oswald (Alto Saxophone), David Prentice (Violin), Dominic Duval (Bass)The interacting ideas mix with the gentler jockeying of directions in this artful exploration of 3 musical souls: post bop music that is both challenging and accessible, and always hip. Recorded September 26 & 27, 2000.Catalog Number: CIMP 234
BloorJohn Oswald (Alto Saxophone), David Prentice (Violin), Dominic Duval (Bass)The interacting ideas mix with the gentler jockeying of directions in this artful exploration of 3 musical souls: post bop music that is both challenging and accessible, and always hip. Recorded September 26 & 27, 2000.Catalog Number: CIMP 230
RecitalDave Burrell (Piano), Tyrone Brown (Bass)Certainly one of Dave Burrell's finest recordings, a notable mix of standards and originals including an unforgettable essay on Shortnin' Bread. Recorded August 9, 2000.Catalog Number: CIMP 221
Serious Fun Plus OneNils Wogram (Trombone), Konrad Bauer (Trombone), Dominic Duval (Bass)If you heard the duo concert (CIMP 212) of trombonists Conny Bauer and Nils Wogram, you will NOT know what to expect from this trio outing. The program of eleven inventions is a rich, varied and remarkably broad adventure in improvisation. Recorded September 14, 1999Catalog Number: CIMP 220
One World FamilyKahil El'Zabar (Percussion), David Murray (Tenor Saxophone)Much has transpired since Kahil El'Zabar and David Murray's first pairing on record back in the 1980's. Kahil's strong sense of community and the musical telepathy he feels with David Murray are displayed throughout this concert. Just a duo, with nowhere to hide. Like all CIMP dates, recorded live and direct to 2 tracks with no fades, no splices, no dubs; just musical talent and integrity. Recorded March 28 & 29, 2000.Catalog Number: CIMP 215
AnniversaryDominic Duval (Prescott Bass)A solo bass recording that is a celebration of the heart and mind. Enjoyable either in close dedicated listening or in more ephemeral surroundings, either way it's a joy. There is nothing tedious about this flowering of invention as it moves seemlessly over a dozen offerings. Recorded January 19 & 20, 2000.Catalog Number: CIMP 213
Straight Lines SkewedDonald Robinson (Drums), Marco Eneidi (Alto Saxophone), Lisle Ellis (Bass)From the Bay Area, three veteran but emerging giants of the creative improvising scene. Together they bring some 60 years of collective, and often connected, experience for a dynamic program of 12 structured but completely improvised statements in a very satisfying contrast of sound coloring and passion. Recorded Oct. 18 & 19, 1999.Catalog Number: CIMP 210
The LowdownEhran Elisha (Drums), Bill Lowe (Bass Trombone), Roy Campbell, Jr. (Trumpet), David Bindman (Tenor Saxophone), Sam Bardfeld (Violin), Drew Gress (Doublebass)Ehran Elisha likes to write in long form. The center of this release is The Lowedown, a 4 part piece which traverses many paths on its way to a satisfying conclusion. The two other tunes are duets between Bill Lowe and Elisha. Recorded August 9 & 10, 1999.Catalog Number: CIMP 210
The LowdownEhran Elisha (Drums), Bill Lowe (Bass Trombone), Roy Campbell, Jr. (Trumpet), David Bindman (Tenor Saxophone), Sam Bardfeld (Violin), Drew Gress (Doublebass)Ehran Elisha likes to write in long form. The center of this release is The Lowedown, a 4 part piece which traverses many paths on its way to a satisfying conclusion. The two other tunes are duets between Bill Lowe and Elisha. Recorded August 9 & 10, 1999.Catalog Number: CIMP 209
No Greater LoveJoe McPhee (Soprano Saxophone), Joe Giardullo (Bass Clarinet), Michael Bisio (Bass), Dominic Duval (Bass)An extension of CIMP 199, the band pours its collective heart into a soulful program. Recorded March 17 & 18, 1999.Catalog Number: CIMP 204
OmensBob Magnuson (Tenor Saxophone), Tom DeSteno (Drums), Jemeel Moondoc (Alto Saxophone), Dominic Duval (Bass)This is the real thing when it comes to instant improvisation of passion and coordination, a unique grouping.Catalog Number: CIMP 199
In the SpiritJoe McPhee (Soprano Saxophone), Joe Giardullo (Flute), Michael Bisio (Bass), Dominic Duval (Bass)Emotionally rich while still mentally challenging, Joe McPhee's Bluette references the spiritual side with stunning improvisations suggesting a classic in the making. Recorded March 17 & 18, 1999.Catalog Number: CIMP 197
Dialing PrivilegesBlaise Siwula (Alto Saxophone), Dom Minasi (12-string Guitar), John Bollinger (Drums)Detroit native, New York City resident Blaise Siwula has been on the scene for a number of years. He brings a fully formed voice, working in an original improvised language. 8 originals along with dynamic execution and uncompromised artistry make a memorial statement from this power trio. Recorded March 1 & 2, 1999.Catalog Number: CIMP 196
Finishing TouchesDom Minasi (Guitar), Michael Bocchicchio (Bass), Jay Rosen (Drums)Dom Minasi returns after almost 25 years of recorded silence with a recording of his very original guitar. A controversial guitar stylist, Minasi's original darkly rhythmic attack is wonderfully captured on a program of standards and 5 originals. Recorded Feb. 22 & 23, 1999.Catalog Number: CIMP 195
TaxidermySam Bardfeld (Violin), Ken Wessel (Guitar), Drew Gress (Bass), Mike Sarin (Drums)This group executs a fresh hybrid of improvising music which references then encompasses everything from chamber music to country and western. 8 catchy and intricate originals paired with 2 standards. Recorded February 15 & 16, 1999.Catalog Number: CIMP 191
Changes&ChancesOdean Pope (Tenor Saxophone), Dave Burrell (Piano)A deeply deliberative duo collaboration between these two veterans of the creative improvising music scene. Complex, sometimes torturous, the music here is a journey of discovery and a celebration of the emotion of life through music. Recorded January 12, 1999.Catalog Number: CIMP 183
The Watermelon SuiteJoe McPhee (Soprano Saxophone), Dominic Duval (Bass), Jay Rosen (Drums)The beautiful lyrical designs of Joe McPhee's soprano sax are dynamically met by the brilliant rhythm section. This is the beginning of Trio X. Among a program of highlights are the 4 part Watermelon Suite and a tour de force on My Funny Valentine. recorded May 26 & 27, 1998.Catalog Number: CIMP 181
Working With the ElementsGlenn Spearman (Tenor Saxophone), Dominic Duval (Bass)With an ambiance of Ballads and Blues, this is a wonderful pairing of tenor sax and bass, beautifully recorded in audiophile sound. The sound sculptures stand out in bold relief, presenting music both demanding and accessible. recorded July 20 & 21, 1998.Catalog Number: CIMP 180
Mark-n-Marshall: TuesdayMarshall Allen (Alto Saxophone), Mark Whitecage (Clarinet), Dominic Duval (Bass), Luqman Ali (Drums)The second day of the session that introduced these two masters to one another, with a topnotch rhythm section (the first day is Catalog Number: CIMP 178
CIMPhonia 1998 Part 2Joe McPhee (Soprano Saxophone), Mark Whitecage (Soprano Saxophone), Paul Smoker (Trumpet), David Prentice (Violin), Dominic Duval (Bass), Peter Kowald (Bass), Jay Rosen (Drums)CIMP 173. An ad hoc gathering of 7 of the best creative improvising artists around. Lots of surprises here for both the players and listeners - solid music, always on the edge. Recorded May 26 & 27, 1998.Catalog Number: CIMP 178
CIMPhonia 1998 Part 2Joe McPhee (Soprano Saxophone), Mark Whitecage (Soprano Saxophone), Paul Smoker (Trumpet), David Prentice (Violin), Dominic Duval (Bass), Peter Kowald (Bass), Jay Rosen (Drums)CIMP 173. An ad hoc gathering of 7 of the best creative improvising artists around. Lots of surprises here for both the players and listeners - solid music, always on the edge. Recorded May 26 & 27, 1998.Catalog Number: CIMP 173
CIMPhonia 1998 Part 1Joe McPhee (Soprano Saxophone), Mark Whitecage (Alto Saxophone), Paul Smoker (Trumpet), David Prentice (Violin), Dominic Duval (Bass), Peter Kowald (Bass), Jay Rosen (Drums)An ad hoc gathering of 7 of the best creative improvising artists around. This is Part 1 of the first of what could prove to be annual Catalog Number: CIMP 173
CIMPhonia 1998 Part 1Joe McPhee (Soprano Saxophone), Mark Whitecage (Alto Saxophone), Paul Smoker (Trumpet), David Prentice (Violin), Dominic Duval (Bass), Peter Kowald (Bass), Jay Rosen (Drums)An ad hoc gathering of 7 of the best creative improvising artists around. This is Part 1 of the first of what could prove to be annual Catalog Number: CIMP 171
Mark-n-Marshall: MondayMarshall Allen (Alto Saxophone), Mark Whitecage (Clarinet), Dominic Duval (Bass), Luqman Ali (Drums)Marshall Allen, although recording since the 1950's and now almost 75 years old, has never released a recording as leader - until now. Best known as a pillar of the Sun Ra band for over 40 years, here he is joined by fellow sax veteran Mark Whitecage, bassist Dominic Duval, and drummer Luqman Ali. The program ranges from standards to originals on this fascinating encounter. Recorded March 16, 1998.Catalog Number: CIMP 168
Double DoubleDavid White (Guitar), Tim Armacost (Soprano Saxophone), George Garzone (Soprano Saxaphone), John Lockwood (Bass), Joris Dudli (Drums)Guitarist David White deals with a genre, bop, in a fresh way. White's work is notable for its original material and agitating arrangements. After you've been wowed by these qualities, prepare to be blown away by the dynamic inventions of the individuals in the group. Recorded Feb 23 & 24, 1998.Catalog Number: CIMP 166
The KickerEhran Elisha (Drums), Roy Campbell (Trumpet), David Bindman (Tenor Saxophone), Sam Bardfeld (Violin), Wilber Morris (Bass)The Ehran Elisha group presents a dense conceptual brand of improvising music which is as powerful for all of its individual statements as it is for the totality of its design. The Kicker is a 4 part intense structural free improv which can take your breath away. Recorded Feb. 12, 1998.Catalog Number: CIMP 165
Relax, Keep the Tension, PleaseAndrew Cheshire (Guitar), Dominic Duval (Bass), Jay Rosen (Drums)Guitarist Andrew Cheshire comes from a Tal Farlow lineage. Here is a driving, warm, and very inventive bopster who references the tradition and doesn't try to clone it. 8 tracks, with a mixture of ballads and swingers, originals and standards make up a fine demanding inside session. With Jay Rosen on drums and Dominic Duval at the bass, you know there's no coasting. Recorded Jan. 26 & 27, 1998.Catalog Number: CIMP 162
Moon FlowerJoseph Scianni (Piano), Mark Whitecage (Alto Saxophone), Tomas Ulrich (Cello), Dominic Duval (Bass), Jay Rosen (Drums)A brilliant post-bop/impressionistic Joseph Scianni at the Steinway Concert Grand in duets with 4 challenging individuals. Included is a delightfully rich and original imterpreatation of Ellington's "Don't Get Around Much Anymore." Recorded June 20, 1997.Catalog Number: CIMP 160
Stalker SongsThomas Borgmann (Tenor), Peter Brotzmann (Clarinet), Wilber Morris (Bass), Denis Charles (Drums)The Thomas Borgmann Trio meeting the legendary Peter Brötzmann is a joining of muscle and mind on what amounts to an all-star quartet. Listening carefully to one another and still being respectful as well as challenging. This is a riveting set of extended ideas passionately stated. Recorded Sept. 23, 1997.Catalog Number: CIMP 158
Today's BluesArthur Blythe (Alto Saxophone), David Eyges (Electric Cello)A side of Arthur Blythe and David Eyges never heard before. A program of 16 originals which explore what might be called the folk blues form. Catchy, rhythmic, and searching, it's a wonderful juxtaposition of lightness of spirit and depth of soul. Recorded August 11 & 12, 1998.Catalog Number: CIMP 155
3 Plus 4 Equals 5Joseph Scianni (Piano), Mark Whitecage (Soprano Saxophone), Tomas Ulrich (Cello), Dominic Duval (Bass), Jay Rosen (Drums)Mark Whitecage has been a highly respected and inordinately creative NYC area improvisor for decades. Joseph Scianni is a legendary pianist almost unrecorded over the past 40 years. On this program they intermix their respective groups and explore the harmonies and tonalities of the music. The listening rewards are great as they fly without a net, with only their genius and musical sensibilities to support them. Recorded June 20, 1997.Catalog Number: CIMP 153
The Motion of EmotionElliott Levin (Tenor Saxophone), Akira Ando (Bass), Dominic Duval (Bass), Denis Charles (Drums)Although Elliott Levin is a veteran high energy free tenor sax player, this is, remarkably, the first recording to feature this Philadelphian's music. Supported by two bassists and propelled by the late Denis Charles' drumming, this is Free Jazz that is both visceral and intelligent. Recorded June 24 & 25, 1997.Catalog Number: CIMP 153
The Motion of EmotionElliott Levin (Tenor Saxophone), Akira Ando (Bass), Dominic Duval (Bass), Denis Charles (Drums)Although Elliott Levin is a veteran high energy free tenor sax player, this is, remarkably, the first recording to feature this Philadelphian's music. Supported by two bassists and propelled by the late Denis Charles' drumming, this is Free Jazz that is both visceral and intelligent. Recorded June 24 & 25, 1997.Catalog Number: CIMP 151
ImaginingsDavid Bindman (Tenor Saxophone), Joe Fonda (Bass), Kevin Norton (Drums)David Bindman, former student of Bill Dixon and active tenor player on the new music scene, makes his leadership debut here. The trio bears down with a compelling intensity on a program of 10 compositions ranging from Fats Waller's "Jitterbug Waltz" to fresh originals from the narrative to the abstract. Recorded July 9 & 10, 1997.Catalog Number: CIMP 149
Moons of JupiterSteve Swell (Trombone), Mark Whitecage (Alto Saxophone), Dominic Duval (Bass), Jay Rosen (Drums)The power of Steve Swell and the joy of his improvisations are equal to the fertile playing of Mark Whitecage's reeds. Strength against strength, this is powerful Jazz. Recorded May 22 & 23, 1997.Catalog Number: CIMP 148
thGlenn Spearman (Tenor Saxophone), John Heward (Drums), Christopher Cauley (Alto Saxophone), David Prentice (Violin), Dominic Duval (Bass)A rare mating of the cerebral and the emotional. This quintet extemporizes off of minimal structure and creates music full of unexpected mental twists and emotional turns. Recorded May 22 & 23, 1997.Catalog Number: CIMP 148
thGlenn Spearman (Tenor Saxophone), John Heward (Drums), Christopher Cauley (Alto Saxophone), David Prentice (Violin), Dominic Duval (Bass)A rare mating of the cerebral and the emotional. This quintet extemporizes off of minimal structure and creates music full of unexpected mental twists and emotional turns. Recorded May 22 & 23, 1997.Catalog Number: CIMP 147
PresentingClaude Lawrence (Alto Saxophone), Wilber Morris (Bass), Denis Charles (Drums)Claude Lawrence owes as much to the tradition of the classic sax as to the classic Ornette Coleman. This trio has been together for almost 20 years but this is their first recording. Recorded April 30, 1997.Catalog Number: CIMP 143
Percussion&StringsKhan Jamal (Vibes), Ed Crockett (Bass), Dylan Taylor (Cello), Craig McIver (Drums), Pete Vinson (Drums)Khan Jamal's first recording in the 90's, backed by strings and percussion. Adventurous interpretations of originals and standards. Recorded March 24, 1997.Catalog Number: CIMP 141
State of the ArtDominic Duval (Double Bass), Jason Hwang (Violin), Tomas Ulrich (Cello), Mark Whitecage (Clarinet)Totally improvised, this astounding recording blurs the lines between "Jazz" and "Classical" music. Recorded Feb. 26 & 27, 1997.
Catalog Number: CIMP 139
The Ingenious Gentleman of the Lower East SideChris Kelsey (Soprano Saxaphone), Dominic Duval (Bass), Ed Ware (Drums)Chris Kelsey plays the soprano sax exclusively and he already shows a distinct style. His compositions ae challenging and his playing playing intense. Original post-bop music. Recorded March 5 & 6, 1997.Catalog Number: CIMP 137
The Wedding BandDominic Duval (Bass), Jay Rosen (Drums)
You've never heard a wedding band like this totally ad-libbed one. These bass/drums duos are completely extemporized as they reference compositions like "Amazing Grace', "Dolphin Dance", "Evidence", and free play around with a number of others. Recorded Jan. 28 & 29, 1997.
Catalog Number: CIMP 134
RevelationIvo Perelman (Tenor Saxophone), Rory Stuart (Guitar), Dominic Duval (Bass), Jay Rosen (Drums)Guitarist Rory Stuart meets the Brazilian blower in this totally ad lib set which includes highly original readings of Auld Lang Syne and In a Sentimental Mood. Recorded Oct. 10, 1996.
Catalog Number: CIMP 132
Legend Street TwoJoe McPhee (Trumpet), Frank Lowe (Tenor Saxophone), David Prentice (Violin), Charles Moffett (Drums)The second half (see
CIMP 115) of this inspired grouping on a program of soriginals by Charles Tyler, Eric Dolphy, and Joe McPhee. Recorded June 1 & 2, 1996.Catalog Number: CIMP 126
Slaves of JobIvo Perelman (Tenor Saxophone), Dominic Duval (Bass), Jay Rosen (Drums)Ivo Perelman leads a dynamic, free rhythmic improvised session. Recorded Oct 9 & 10, 1996.
Catalog Number: CIMP 123
Quick WitsLou Grassi (Drums), Phillip Johnston (Alto Saxophone), Joe Ruddick (Bari Saxophone), Chris Kelsey (Soprano Sax), Dave Hofstra (Bass)The Saxtet not only plays with drive and conviction, but contributes some memorable compositions and arrangements in a contemporary hybrid of improvised musics from the 30's to the 90's. Recorded August 2 & 3, 1996.
Catalog Number: CIMP 122
Big OnionJoseph Scianni (Piano), Dominic Duval (Bass), Jay Rosen (Drums)An historic and musically magical occasion. This is Mr. Scianni's first recording in over 30 years. A contemporary of Cecil Taylor, Joseph Scianni presents compelling music with this brilliant free trio. Recorded July 23, 1996.
Catalog Number: CIMP 120
Inside OutJoe McPhee (Soprano Sax), David Prentice (Violin)An amazing, real time, single take session that brilliantly captures an inspired encounter, recorded outside and in concert with the natural ambience of the breezes, the birds, and the bugs. This is a unique item in the Mcphee discography. Recorded June 2, 1996.
Catalog Number: CIMP 119
Caged No MoreMark Whitecage (Alto Saxophone), Tomas Ulrich (Cello), Dominic Duval (Bass), Jay Rosen (Percussion)The distinctive sax work of Mark Whitecage leads a concert of excursions of freely improvised chamber music. A beautiful and inventive set. Recorded July 13 & 14, 1996.
Catalog Number: CIMP 117
Object RelationsDavid White (El&Ac Guitar), Tim Armacost (Tenor&Sop Sax), Valery Ponomarev (Trumpet), Calvin Hill (Bass), Shingo Okudaira (Drums)Object Relations is just that. Excellent composition, arrangement, and improvisation by the Quintet. Living bop; not a retread. Recorded June 18 & 19, `1996
Catalog Number: CIMP 115
Legend Street OneJoe McPhee (Pocket Trumpet), Frank Lowe (Tenor Saxophone), David Prentice (Violin), Charles Moffett (Drums)The fertile mind of Joe McPhee connects with these veteran improvisors in duos, trios, and quartet. Magic music of the moment. Recorded June 1 & 2, 1996
Catalog Number: CIMP 114
The Balance of TradePaul Lytton (Percussion), Philipp Wachsmann (Violin), Herb Robertson (Cornet), Dominic Duval (Bass)A delightful collection of the sounds of surprise. A hybrid of the best of the American and English spontaneous creative improvised music scenes in a brilliant display. Recorded May 15 & 16, 1996Catalog Number: CIMP 112
BAGin' itLuther Thomas (Alto Saxophone), Wilber Morris (Bass), Ted Daniels (Trumpet), Denis Charles (Drums)A highly emotive and driving set of original Jazz music, rich in post-bop vocabulary, while maintaining an ambiance of traditional Midwestern sound. Recorded April 6, 1996Catalog Number: CIMP 110
Sound ImplosionHerb Robertson (Trumpet), Dominic Duval (Bass), Jay Rosen (Percussion)Deconstructed standards and originals. Strength and inspiration from self-imposed limits within an unrestrained and free musical situation.Catalog Number: CIMP 109
Spirits GatheringBilly Bang (Violin), Brett Allen (Guitar), Akira Ando (Bass), Denis Charles (Drums)Billy Bang and his violin unveil a musical soul owing as much to Stuff Smith as to John Coltrane, while displaying the passionate lyricism of one of today's most dynamic improvisors. Recorded Feb. 28, 1996.
Catalog Number: CIMP 106
Free For OnceMark Whitecage (Saxophone), Dominic Duval (Bass), Jay Rosen (Drums)