Albums By Artists Whose Names Begin With - G
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Catalog Number: CIMPoL 5013
Live in MontrealGebhard Ullmann (Clarinet), Steve Swell (Trombone), Hilliard Greene (Bass), Barry Altschul (Drums)This quartet came together in 2004 and we first recorded it in June 2004 (CIMP 315). At the time I wrote “This is a tough group,” speaking about the group’s musical character but the fact that four years later they are still functioning as a group speaks to another toughness or resilience. Between these dates each member of the group has been active with a number of other projects, both as members and leaders. As for Casa del Popolo, it is one of the most continuously supportive outlets for creative improvised music in Canada and a venue where, in 2005, CIMPoL made its first recordings (CIMPoL 5001 and 5003). The venue is small—about 16’ by 60’ with a 10’ by 10’ bandstand at its end, a bar, and tables at the other (street) end. A relaxed and respectful environment is both encouraging of the artist, and, in this case the CIMPoL crew as well. The first set opened around 10 p.m. In his opening announcement, Steve Swell (b.1954, Newark, NJ) noted it was hockey night in Canada, May Day the next day, but tonight would be mayhem and with that they were off and running with Box Set. Earlier, in discussing the calculated risks of recording on location, Barry Altschul (b.1943, NYC, NY) modestly told me that if we didn’t get (the material) for a great recording it was our fault as “this band has been amazingly strong” for the whole tour. In a phone conversation a few days earlier, Steve had suggested to me basically the same thing. All this I think was confirmed right from the opening on Box Set, which if the opening mayhem doesn’t give you pause, surely Gebhard Ullmann’s (b.1957, Bad Godesberg, Germany) driving tenor solo will. The second piece, Don’t Touch My Music, is interesting in that the heart of the piece is made up of two duos, stop time with Steve and Gebhard and in time with Barry and Hill Greene (b.1958, Logansport, IN) giving further evidence of the robustness of this group. On Improv/ For Grachan, it’s not duologues but monologues that distinguish this composition. Both Hill and Barry have distinguishing solo conversations in the performance, a piece seemingly made up of many pieces, many conversations, and many wonderful moments and movements. Slammin’ Textures/ Kleine Figuren and Composite #1 both come from the second set. Again, the former displaying a structural development built along a series of solos and duos and rhythmic variances covering everything from madrigal-like Third Stream sounds to backbeat Blues. The final performance of the night, Composite #1, develops off a typical Swell stomp riff and eventually deconstructs into a minimalist dialogue then gathers its passionate conversation for some improvisatory fellowship and finish. Hockey night in Canada rarely sounded so good. Robert D. Rusch - April 30, 2008 Catalog Number: CIMP LTD 347
Mountain AirDominic Duval (Bass), Ron Lawrence (Viola), Gregor Huebner (Violin), Tomas Ulrich (Cello)Dominic Duval's String Quartet, previously known as the CT String Quartet, has been around and documented since the mid 1990s. This new edition introduces the extraordinary Gregor Huebner into the violin chair on a program which takes as its inspiration the music of Cecil Taylor's "Mountain Air." Extemporaneous and totally music of the day, yet easily accessible and rooted.Catalog Number: CIMP 345
Ins And OutsBurton Greene (Piano), Ed Schuller (Bass), George Schuller (Drums)This is the second of three consecutive recordings documenting the music of Burton Greene. (For background to this project, I refer you to CIMP 339.)For the trio sides, Burton's plan was to work in a more "traditional swinging trio" format, further announcing (during the sound checks/warm up) that he was "feeling a bit funky this morning" (11:40 a.m.). The trio opened with Skumpy ("A ...
Catalog Number: CIMP 343
Loaded BassesJoe Fonda (Bass), Claire Daly (Baritone Sax), Joe Daley (Tuba), Gebhard Ullmann (Bass Clarinet), Michael Rabinowitz (Bassoon), Gerry Hemingway (Drums)This all-star sextet helps bring to reality a "low-end" project that for years Joe Fonda had been conceptualizing. Everything (ensemble work, solo dynamics, the concept of the musical work) comes together in excellent fashion on a recording that Mr. Fonda states "...was one of the highlights of my musical life" and which the producer calls "...a most enjoyable evening." Recorded Sept. 15, 2005Catalog Number: CIMP 343
Loaded BassesJoe Fonda (Bass), Claire Daly (Baritone Sax), Joe Daley (Tuba), Gebhard Ullmann (Bass Clarinet), Michael Rabinowitz (Bassoon), Gerry Hemingway (Drums)This all-star sextet helps bring to reality a "low-end" project that for years Joe Fonda had been conceptualizing. Everything (ensemble work, solo dynamics, the concept of the musical work) comes together in excellent fashion on a recording that Mr. Fonda states "...was one of the highlights of my musical life" and which the producer calls "...a most enjoyable evening." Recorded Sept. 15, 2005Catalog Number: CIMP 339
Signs Of The TimesBurton Greene (Piano), Paul Smoker (Trumpet), Russ Nolan (Saxophone), George Schuller (Drums)This is Volume One of the results of a 3-day recording project devoted to the artistry of Burton Greene. This first set features Burton's music as played by a quintet (the following sessions are trio and solo) that handles some difficult charts with ease and improvisations with inspiration. Unique and identifiable, this is the first documentation of a notable occasion from a veteran artist at the top of his form. Recorded Aug. 16, 2005.Catalog Number: CIMP 322
Black AwarenessByard Lancaster (Alto Sax), Grachan Moncur III (Trombone/Voice), Dylan Taylor (Bass), Dwight James (Drums), Khan Jamal (Vibraphone)Khan Jamal's outings are always clearly drawn and conceptualized. Here the distinct vibest brings along long-time associates to share in the fun and fascination of the music's exposition. An unexpected event comes on the last track ("Sonny's Back) when Grachan Moncur offers up an ad-libbed vocal. Another distinctly Jamalian outing. Recorded January 10 & 11, 2005.Catalog Number: CIMP Records 315
Desert Songs and Other LandscapesGebhard Ullmann (Tenor Sax/Bass Clarinet), Steve Swell (Trombone), Hilliard Greene (Bass), Barry Altschul (Drums)Gebhard Ullmann, whose formidable European reputation has yet to find its match in North America, joins with Steve Swell - one of the most inventive, active, and touring trombonists on the creative improvised music scene - for a program that reflects the travels (and travails?) of their lives. And with Barry Altschul and Hill Greene handling the rhythm, you know there's no featherbedding on this road trip. Recorded June 22 & 23, 2004.Catalog Number: CIMP 285
Still in MovementSteve Swell (Trombone), Tom Abbs (Bass, Tuba), Geoff Mann (Drums,Cornet,Glockenspiel)Steve Swell calls this his New York BrassWood Trio; we’re not sure why. What the trio offers is a chance for Steve to offer up some of his compositional delights along with the technical and improvising pleasures of this hip little trio. Another distinctive Steve Swell-led recording. Recorded March 10 & 11, 2003.
Catalog Number: CIMP 272
Poets of the NowUrsel Schlicht (Piano), Steve Swell (Trombone), Tom Abbs (Bass), Geoff Mann (Drums)For Schlicht and Swell, this is a follow-up to their very exciting Sound Quest recording on Cadence Jazz Records. Here the group moves more into composed structures with Ms. Schlicht, in particular, showing a softer side. But make no mistakes - this is post-Bop creative improvised music, and yet another fresh look at Steve Swell whose growing reputation is finally catching up to his talents. Form, variety, and passion combine here for meaty listening. Recorded July 18, 2002.Catalog Number: CIMP 223
DeliriumOri Kaplan (Alto Saxophone), Tom Abbs (Tuba), Steve Swell (Trombone), Geoff Mann (Trumpet)A follow up to the first (CIMP 190) session with Trio Plus, augmented by Steve Swell's trombone. This recording also focuses on both Ori Kaplan's catchy compositions and the energized interplay of the group's outward swing. Recorded May 1 and 2, 2000.Catalog Number: CIMP 217
Another SideKen Simon (Tenor Saxophone), Jorge Sylvester (Alto Saxophone), Greg Maker (Bass), Barry Altschul (Drums)Ken Simon displays a serenity and lyricism that has until now been out of the forefront of his dynamic sax work. Extended playing over two Simon originals along with one composition each from Jerome Kern and John Coltrane makes for great concert listening and heralds the return of drum master Barry Altschul to the recording scene. Recorded Feb. 21 & 22, 2000.Catalog Number: CIMP 198
Full Circle SuiteJoe Fonda (Bass), Gebhard Ullmann (Bass Clarinet), Chris Jonas (Soprano Saxophone), Taylor Ho Bynum (Conch), Kevin Norton (Drums) Joe Fonda's quintet explores the long form in improvising music. The title track isa multi-sectional piece that lasts over 27 minutes in its episodic tale inspired by the medicine wheel. Recorded March 10 & 11, 1999.Catalog Number: CIMP 190
RealmsOri Kaplan (Alto Saxophone), Tom Abbs (Bass), Geoff Mann (Drums)A forceful trip into the melodic world of post bop / free bop music. Recorded January 6 & 7, 1999.Catalog Number: CIMP 181
Working With the ElementsGlenn Spearman (Tenor Saxophone), Dominic Duval (Bass)With an ambiance of Ballads and Blues, this is a wonderful pairing of tenor sax and bass, beautifully recorded in audiophile sound. The sound sculptures stand out in bold relief, presenting music both demanding and accessible. recorded July 20 & 21, 1998.Catalog Number: CIMP 168
Double DoubleDavid White (Guitar), Tim Armacost (Soprano Saxophone), George Garzone (Soprano Saxaphone), John Lockwood (Bass), Joris Dudli (Drums)Guitarist David White deals with a genre, bop, in a fresh way. White's work is notable for its original material and agitating arrangements. After you've been wowed by these qualities, prepare to be blown away by the dynamic inventions of the individuals in the group. Recorded Feb 23 & 24, 1998.Catalog Number: CIMP 148
thGlenn Spearman (Tenor Saxophone), John Heward (Drums), Christopher Cauley (Alto Saxophone), David Prentice (Violin), Dominic Duval (Bass)A rare mating of the cerebral and the emotional. This quintet extemporizes off of minimal structure and creates music full of unexpected mental twists and emotional turns. Recorded May 22 & 23, 1997.Catalog Number: CIMP 146
The Unhead Herbie Nichols Vol. 2Roswell Rudd (Trombone), Greg Millar (Guitar), John Bacon, Jr. (Drums)Part 2 of the Rudd Trio's eclectic explorations of previously unrecorded Herbie Nichols compositions. Recorded Nov. 18 & 19, 1997.Catalog Number: CIMP 142
Form&FunctionJon Hazilla (Drums), Jim Odgren (Alto Saxophone), Greg Badolato (Tenor Saxophone), Tim Mayer (Baritone Saxophone), John Pierce (Trombone)Like a modern, hip Herman Herd playing Monk, Stitt, Timmons, & Lee Morgan. Sandwiched around delicate drum solos. Recorded March 17 & 18, 1997.Catalog Number: CIMP 135
Elliptical TransfigurationBrandon Evans (C-Soprano), Chris Matthay (Trumpet), George Cremaschi (Contrabass), Kevin Norton (Drums)
This is Brandon Evans' debut and it exposes a brilliant instrumentalist and arranger, mature in his concepts. Recorded Jan. 13 & 14, 1997.Catalog Number: CIMP 133
The Unheard Herbie Nichols Vol. 1Roswell Rudd (Mellaphone), Greg Millar (Guitar), John Bacon, Jr. (Drums)Roswell Rudd pays tribute to his old partner and friend in this eclectic interpretation of previously unheard compositions by Herbie Nichols. Expect the unexpected. Recorded Nov. 18 & 19, 1996.Catalog Number: CIMP 121
Integrated VariablesKevin Norton (Percussion), Mark Dresser (Bass), George Cartwright (Tenor)This trio had been working together for many years before this set, and that strength of understanding is evident as they navigate the compositions and expose their churning strength. Recorded July 16, 1996Catalog Number: CIMP 105
CounterpartsGregg Bendian (Drums), Paul Smoker (Trumpet), Vinny Golia (Soprano), Mark Dresser (Bass)The leader's original music with its complex themes and tempo shifts here combines with explosive improvisations from some of the world's finest creative artists. Jan. 5, 1996
