CIMP: Creative Improvised Music Projects

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Catalog Number: CIMP Records 369
Conspiracy A Go GoConspiracy A Go GoDavid Haney (Piano), Dominic Duval (Bass), Andrew Cyrille (Drums)This isn't the first time David Haney and Andrew Cyrille have worked together, but these two sessions are the first time they have recorded together. With David, one can always expect the unexpected, whether it be Free Jazz, excursions, or an exploration of a traditional Blues. With Andrew one has come to expect simply the best in musical inventiveness. CIMP 367 is a duo; the addition of the substantial presence of bassist Dominic Duval changes the whole dynamic (as it should) on CIMP 369. To further emphasize the differences, five of the compositions appear on both the duo and the trio sessions. Hear and analyze this bracing and embracing music.
Catalog Number: CIMP Records 368
The Crookedest Straight Line Vol. 2The Crookedest Straight Line Vol. 2Chris Kelsey (Soprano Saxophone), John Carlson (Trumpet), Francois Grillot (Bass), Jay Rosen (Drums)Chris Kelsey is a distinct soprano saxist, an intense player, and very discriminate in his artistic expositions. He rarely is heard with another horn player but here Chris invites John Carlson to join his longstanding trio. Together they ponder the unknown with deliberateness and purpose. Just what you have come to expect from all of Mr. Kelsey's releases and as good an introduction as any.
Catalog Number: CIMP Records 367
ClandestineClandestineDavid Haney (Piano), Andrew Cyrille (Drums), Dominic Duval (Mallets)This isn't the first time David Haney and Andrew Cyrille have worked together, but these two sessions are the first time they have recorded together. With David, one can always expect the unexpected, whether it be Free Jazz, excursions, or an exploration of a traditional Blues. With Andrew one has come to expect simply the best in musical inventiveness. CIMP 367 is a duo; the addition of the substantial presence of bassist Dominic Duval changes the whole dynamic (as it should) on CIMP 369. To further emphasize the differences, five of the compositions appear on both the duo and the trio sessions. Hear and analyze this bracing and embracing music.
Catalog Number: CIMP Records 366
The Art of the TrioThe Art of the TrioErnie Krivda (Tenor Saxophone), Peter Dominquez (Bass), Ron Godale (Drums)This is only the second time Ernie Krivda has recorded in trio, the first occurring in 1995. This is pure Ernie, no-holds barred. And he's accompanied by a fleet rhythm section that negotiates Ernie's energy and twists with the same accuracy and energy one would expect from his long-time compatriots. Dynamic playing, memorable compositions.
Catalog Number: CIMP LTD 365
Many in Body, One in MindMany in Body, One in MindBobby Zankel (Alto Saxophone), Dylan Taylor (Bass), Edgar Bateman (Drums)Bobby Zankel doesn’t make many recordings and he doesn’t make any bad ones. Here he is joined by the legendary Edgar Bateman and longtime bassist, Dylan Taylor, on six extended outings. Assured and intense, this demands the attention of both the heart and the mind.
Catalog Number: CIMP LTD 364
Fire and WaterFire and WaterKhan Jamal (Vibes), Dylan Taylor (Cello)Metal & wood is a lovely pairing and in music it’s a pure delight, especially with this pair of distinguished improvisers. Khan is a master of shimmering tones and this program explores those tones. Underpinning all that is KHan is the sumptuous cello/bass work of Dylan Taylor. This is all together an indulgence in beauty and invention.
Catalog Number: CIMP LTD 363
The Spirit of ThingsThe Spirit of ThingsDavid Schnitter (Tenor Saxophone), Dominic Duval (Bass), Newman Taylor Baker (Drums)David Schnitter returns and, quite frankly, is back in top form. Reunited with bassist Dominic Duval (with whom he recorded in 1995), this is David’s first ever trio recording. In addition to bringing renewed life to his recording documentation, this session brings new life to some old standards.
Catalog Number: CIMP LTD 362
ExtremesExtremesKalaparush McIntyre (Tenor Saxophone), Will Connell (Alto Saxophone), Michael Logan (Bass), Warren Smith (Drums)Introducing Kalaparush’s new group. Joining the front line, Will Connell’s hard edged alto is an excellent addition to Kalaparush’s quixotic tenor explorations. Add to that the support (now that’s an understatement!) of Messrs. Smith and Logan and you have the basis for some heavy extemporizing.
Catalog Number: CIMP LTD 361
Absolute, absolutelyAbsolute, absolutelyStephen Gauci (Tenor Saxophone), Nate Wooley (Trumpet), Ken Filiano (Bass), Lou Grassi (Drums)Here is part two of this remarkable Gauci quartet recording date. Nate Wooley joins Steve’s regular trio and sounds as though he’s been playing with this group for years. This is a classic quartet. Music written for the quartet is purposeful, pointed, and perfect Free Bop and beyond.
Catalog Number: CIMP LTD 360
CIMP 360: Circle ThisCIMP 360: Circle ThisMichael Bisio (Bass), Avram Fefer (Saxophone), Stephen Gauci (Tenor Saxophone), Jay Rosen (Drums)Here's a powerful listening experience that combines the distinct and intricate compositions of Mike Bisio with spot-on execution and brilliant solo statements from the individual band members. There's plenty of meat here for the mind and body from this large quartet. Arguably, Mike Bisio's most powerful work to date—and that's saying a lot.
Catalog Number: CIMP LTD 359
SubstratumSubstratumStephen Gauci (Tenor Saxophone), Michael Bisio (Bass), Jay Rosen (Drums)This session updates the Gauci Trio (see CIMP 326). Whether inside or outside, Stephen Gauci plays with a heady and focused passion. There's nothing belabored in this offering. Credit also has to go to the rhythm of Mike Bisio (one of the most respected artists in this field) and Jay Rosen (an uncannily quick and sensitive drummer). Stephen Gauci presents mindful music—again!
Catalog Number: CIMP LTD 358
The Crookedest Straight Line Vol. 1The Crookedest Straight Line Vol. 1Chris Kelsey (Soprano Saxophone), John Carlson (Trumpet), Francois Grillot (Bass), Jay Rosen (Drums)Chris Kelsey is a soprano saxophonist. It's what he plays—and with such originality and intense passion. For this recording he supplements his usual trio with the trumpet of John Carlson, whose very appropriate work brings an extra burn & polish to the usual trio setting and offers up his own inspired statements, all the while clearly enforcing the Kelsey compositional style.
Catalog Number: CIMP LTD 357
Ota Benga of the BatwaOta Benga of the BatwaDavid Haney (Piano), Julian Priester (Trombone)David Haney and Julian Priester have been working together the whole of the 21st century and their music is definitely 21st Century. For this recording, they bring their particular shading of light and dark to a series (13 parts) of improvisations inspired by the sojourns of Ota Benga (b.1884-1916) of the Batwa tribe. Pensive and reflective, the nuanced tension of this music is often breathtaking and always starkly original. Extensive program notes outline the events for this set that David calls "nonreferential music." The intricacies and involvement of this creative improvised music is powerful and remarkable.
Catalog Number: CIMP LTD 356
Change-UpChange-UpMat Marucci (Drums), Doug Webb (Saxophone), Ken Filiano (Bass)This is the second half (see CIMP 346) of a phenomenal recording session that produced 2 CDs, all issued in the same order as recorded. In and of itself that means nothing, but CIMP does not record and release music by the pound, so to speak. We release and endorse only quality. This is masterful Bop/ Free Bop music and reflects a very magical 24-hour period, all fully detailed in the Artists', Producer's, and Engineer's Notes.
Catalog Number: CIMP LTD 355
Retrospective 1961-2005: Solo Piano (Aug. 18, 2005)Retrospective 1961-2005: Solo Piano (Aug. 18, 2005)Burton Greene (Piano)This is the final release of the precedent-setting recording sessions with Burton Greene that documented this artist's music in quintet (#339), trio (#345), and now solo settings. This trilogy is an important milestone in Burton's career, spanning five decades of defining and redefining his very distinctive artistry. In the undertaking of this project, CIMP affirms that Burton Greene was at the top of his form and focus. And this solo recital confirms the originality, humor, and emotional maturity of this unique artist. As is the CIMP method, extensive notes give insight to both the music and the occasion, setting, and preparation.
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