Albums Featuring Instrument or Role - Bass
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Catalog Number: CIMPoL 5014
Live at the Dirty DogErnie Krivda (Saxophone), Claude Black (Piano), Dan Kolton (Bass), Renell Gonsalves (Drums)The Dirty Dog Jazz Cafe is located in Grosse Pointe Farms, Michigan, a suburb of Detroit. Basically a highly rated restaurant with a Jazz policy, it was established in 2008 and presents a pleasant setting, either at the bar or the tables, for Jazz listening. And from my observations the Cafe also treats the musicians with respect, offering food, a reasonable playing area, and a pleasant and comfortable room for between-sets relaxation. Something musicians have learned to never take for granted and which should be the norm not the exception. Having issued recordings by Ernie Krivda (b.1945, Cleveland, OH) in a number of settings, I felt this was a good chance to record Ernie in a new setting in some different but familiar company. Claude Black (b.1932, Detroit, MI) is a veteran of the Midwest Jazz scene, one of those locals with whom all the circuit players choose to play. Claude was a contemporary of most of the Boppers who emerged from the Detroit area in the ‘50s and who eventually migrated to New York and became Bop headliners. Claude, originally a capable trombonist, chose to stay in the Detroit area for reasons of family. His earliest work included a brief stint with Billie Holiday and, in 1948 made his first recording with fellow Detroiter, Don Byrd. Later he toured for two years with Aretha Franklin before settling in as house pianist at Baker’s Keyboard Lounge in the ‘60s, ‘70s, and ‘80s. Since the mid ‘80s he has been playing at Murphy’s Place (Toledo, OH). Little of Claude’s work has been issued on recordings and so his discography is slight (even slighter as he is misidentified as Claude Blake on Oliver Jackson’s Paris recording [February 28, 1984] for the Black & Blue label —discographers note). Claude and Renell Gonsalves (b.1948, Detroit, MI) often play with Ernie at Murphy’s. Renell also is little documented on record (Keith Vreeland trio, Sheila Landis-Rich Matle group) and, as the son of Paul, he is of a Jazz royal lineage. Dan Kolton (b.1958, Detroit, MI) also has an Ellington connection as he played bass in that band (under Mercer) for about a year and a half. Aside from that, he has based himself in various locales and has also been represented on few releases (sometimes misidentified as Don). The music on this CD comes near the end of the quartet’s residency at The Dirty Dog. The material is presented in the order it was played and comes from the first and third sets. I’ll Remember April was the last performance from the first set and the remainder of the recording documents the entire third set. The music speaks for itself: what you hear is what was played. What cannot be seen by the listener is Claude’s energized and enthusiastic clapping of time on A Blues By Any Other Name, spontaneously inspired during the part when Ernie and Renell are going head to head as Claude and Dan sat out. Good times. -Robert D. Rusch - March 27, 2009 Catalog Number: CIMPoL 5013
Live in MontrealGebhard Ullmann (Clarinet), Steve Swell (Trombone), Hilliard Greene (Bass), Barry Altschul (Drums)This quartet came together in 2004 and we first recorded it in June 2004 (CIMP 315). At the time I wrote “This is a tough group,” speaking about the group’s musical character but the fact that four years later they are still functioning as a group speaks to another toughness or resilience. Between these dates each member of the group has been active with a number of other projects, both as members and leaders. As for Casa del Popolo, it is one of the most continuously supportive outlets for creative improvised music in Canada and a venue where, in 2005, CIMPoL made its first recordings (CIMPoL 5001 and 5003). The venue is small—about 16’ by 60’ with a 10’ by 10’ bandstand at its end, a bar, and tables at the other (street) end. A relaxed and respectful environment is both encouraging of the artist, and, in this case the CIMPoL crew as well. The first set opened around 10 p.m. In his opening announcement, Steve Swell (b.1954, Newark, NJ) noted it was hockey night in Canada, May Day the next day, but tonight would be mayhem and with that they were off and running with Box Set. Earlier, in discussing the calculated risks of recording on location, Barry Altschul (b.1943, NYC, NY) modestly told me that if we didn’t get (the material) for a great recording it was our fault as “this band has been amazingly strong” for the whole tour. In a phone conversation a few days earlier, Steve had suggested to me basically the same thing. All this I think was confirmed right from the opening on Box Set, which if the opening mayhem doesn’t give you pause, surely Gebhard Ullmann’s (b.1957, Bad Godesberg, Germany) driving tenor solo will. The second piece, Don’t Touch My Music, is interesting in that the heart of the piece is made up of two duos, stop time with Steve and Gebhard and in time with Barry and Hill Greene (b.1958, Logansport, IN) giving further evidence of the robustness of this group. On Improv/ For Grachan, it’s not duologues but monologues that distinguish this composition. Both Hill and Barry have distinguishing solo conversations in the performance, a piece seemingly made up of many pieces, many conversations, and many wonderful moments and movements. Slammin’ Textures/ Kleine Figuren and Composite #1 both come from the second set. Again, the former displaying a structural development built along a series of solos and duos and rhythmic variances covering everything from madrigal-like Third Stream sounds to backbeat Blues. The final performance of the night, Composite #1, develops off a typical Swell stomp riff and eventually deconstructs into a minimalist dialogue then gathers its passionate conversation for some improvisatory fellowship and finish. Hockey night in Canada rarely sounded so good. Robert D. Rusch - April 30, 2008 Catalog Number: CIMPoL 5005
Live at St. Nick'sSalim Washington (Tenor Saxophone), Donald Smith (Piano), Melani Dyer (Viola), Ku-Umba Frank Lacy (Trombone), Aaron James (Bass), Mark Johnson (Drums), Donna Cumberbatch (Vocals)Salim Washington, though well respected in the artist community, has recorded sporadically over the past 20 years. This powerful recording of his septet captures them at New York City's St. Nick's Club where Salim has been playing a regular Friday night gig since 2005. It's a favorite place for him and you can feel the connection—not just between the musicians but also with the audience. Very live, very hot intensive program, and a special and unexpected vocal by Donna Cumberbatch on the last performance on this special night.Catalog Number: CIMPoL 5004
The Early Show (live at Twins Jazz)David Bond (Alto Saxophone), Andrew White (Tenor Saxophone), Bob Butta (Piano), Steve Novosel (Bass), Luther Gray (Drums)Dense and intense would be perhaps the most concise way to describe this powerful Free/Hard Bop quintet. This is a group that the Capitol area has been enjoying for years and now the secret is out. David Bond and his somewhat legendary team of dynamic men will fill your listening to overflow. Catalog Number: CIMPoL 5003
The Open DoorJoe McPhee (Alto Saxophone), Dominic Duval (Bass)Two masters of in-depth improvisation met in concert on a hot early summer day in Montreal, Quebec. For this concert, Joe McPhee played alto sax exclusively, an instrument with which he has not often recorded. The results are as natural an interaction as they are engaging and inspirational--66% of Trio X but 100% musically rewarding.Catalog Number: CIMPoL 5001
AIR: Above and BeyondTrio X (Primary), Joe McPhee (Tenor Saxophone), Dominic Duval (Bass), Jay Rosen (Drums)Now entering into their tenth year as a group, Trio X's releases have become anticipated by their fans as good adventures. And this latest live set will not disappoint. Warm, invigorating, and always connective, it offers ample proof why Trio X has been called the finest improvising combo on the scene.Catalog Number: CIMP 390
Changing TranesJimmy Halperin (Saxophone), Dominic Duval (Bass)Jimmy Halperin (tenor sax) and Dominic Duval (bass) investigate the work of John Coltrane. Nine great tracks; some terrific listening. Need we say more? Catalog Number: CIMP 389
Honeymood on SaturnAndrew Lamb (Saxophone), Tom Abbs (Bass), Warren Smith (Drums)His limited discography as a leader may well be explained by the deliberateness exhibited in both his playing and composition. Such careful consideration obviously carries over into his recording choices and are well worth the wait. Emotive. Thinking. This is music worthy of your attention. Catalog Number: CIMP 387
DuettoDiane Moser (Piano), Mark Dresser (Bass)Pianist Diane Moser has been a secret for decades. Composer, leader of a big band, and musicians' musician, here she shows her talents in the company of long-time friend and associate, Mark Dresser. Introspective and thoughtful, this duo essays eight original compositions and proves there is reason to improve upon the silence.Catalog Number: CIMP 386
Avenue of the AmericasDavid Haney (Piano), Mat Marucci (Drums), Doug Webb (Saxophone), Jorge Hernaez (Bass)David Haney is fearless and searching. He is joined here by masters of the Modern Mainstream. While David admits that "It wasn't exactly the music I had in mind," like any creative artist he allows himself to be informed by the music that is happening. The results: more than 14 exciting tracks. Another facet to the musical mind of David Haney.Catalog Number: CIMP 380
Lonely House (Covers)Tomas Ulrich (Cello), Rolf Sturm (Guitar), Michael Bisio (Bass), Cargo Cult (Primary)Tomas Ulrich's Cargo Cult: certainly one of the definitive string groups of the 21st century and perhaps the most versatile and expansive. This latest release follows up CIMP 375 and Cadence Jazz 1214 with a recording that references a wide range of compositions. The inspirations here range from Leadbelly to Monk. Definitely an enchanting and fun listening experience. Catalog Number: CIMP 379
Symbols Strings and MagicJimmy Bennington (Drums), Perry Robinson (Clarinet), Ed Schuller (Bass)Jimmy Bennington's debut CIMP recording follows up his quartet sides with Perry Robinson on Cadence Jazz 1219. Bennington is an understated drummer-—in time or out he carefully listens and supports. This soulful and unhurried concert is arguably one of the finest displays of Perry's unique talents. Ed Schuller's full and supportive bass adds to the intimacy of this wonderful listening experience. A masterful display of restraint and potent focused improvising expression. Catalog Number: CIMP 378
Fresh BreezeOdean Pope (Saxophone), Bobby Zankel (Saxophone), Lee Smith (Bass), Craig McIver (Drums)What do you get when you put together two distinct stylists and a crack rhythm team? Well ... you get no prisoners. This group is comfortable and prepared and swings from the first drop of the laser beam. Hard and hip with plenty of zip. Catalog Number: CIMP 377
Porgy / Bess Act 2David Arner (Piano), Michael Bisio (Bass), Jay Rosen (Drums)Here is the companion to CIMP 374 as David Arner gives us his concluding takes of "Porgy & Bess." No rehash here. Just imaginative playing inspired by Gershwin. Familiar in its suggestions yet out on the edge. If you heard Act 1 (CIMP 374) then Act 2 will be an equally pleasant indulgence for the mind and ears.Catalog Number: CIMP 376
Mr. Fubar, I PresumeESATrio (Primary), Bill Gagliardi (Saxophone), Ken Filiano (Bass), Lou Grassi (Drums)Time and time again, people listen to Bill Gagliardi and wonder why he is not better known and why he waited until age 50 to record. This latest release won't answer any of those questions and in fact will only give new voice to the wondering. If a trio comprising Gagliardi, the remarkably full and inventive Ken Filiano, and the driving Lou Grassi suggests to you a full and stimulating listening experience, then you are correct. For the full experience, listen to the previous ESATrio release on CIMP 370.Catalog Number: CIMP 375
Cargo CultTomas Ulrich (Cello), Rolf Sturm (Guitar), Michael Bisio (Bass)Cargo Cult’s first recording (Cadence Jazz Records 1214) was so inspiring, CIMP moved quickly to make this recording. And this recording further inspired CIMP enough to record two more (to be released in the near future) performances by this group. Here is a string trio like you’ve never heard before. Passionate, improvising, beautiful compositions, and soulful delivery. Try this and listen to what the fuss is all about.Catalog Number: CIMP 374
Porgy/Bess Act 1David Arner (Piano), Michael Bisio (Bass), Jay Rosen (Drums)Inspired by Miles’ and Gil Evans’ interpretations of Porgy & Bess, the genuflecting stops there. This is the first volume of a concert that will please listeners of post Bop piano trio music as well as fans of the Gershwin classic, but will not please the traditionalists and purists. An inspirational and accessible outing.Catalog Number: CIMP 372
AMMichael Bisio (Bass), Avram Fefer (Saxophone), Stephen Gauci (Saxophone), Jay Rosen (Drums)Here at last is the mate to CIMP 360. Fresh from recent gigs in Austria and New York, this power quartet wows everybody whenever they play. Michael Bisio’s compositions and driving force make great demands but Messrs. Fefer, Gauci, and Rosen have power and imagination in reserve. Meaty music for the hungry and discriminating listener.Catalog Number: CIMP 371
Blue Flint GirlDavid Haney (Piano), Michael Bisio (Bass), Adam Lane (Bass)David Haney continues to impress and confound a listening audience. Totally unpredictable on this concert, there are shades of Dada, Old-timey, Avant, New music—all interwoven with two of the finest bassists in play. It’s hard to prepare (i.e., make assumptions) for a Haney recital. So here are nine cuts that come at you from all directions. Relax and enjoy the ride. And then there are those bassists ...Catalog Number: CIMP Records 370
KenbillouESATrio (Primary), Bill Gagliardi (Saxophone), Ken Filiano (Bass), Lou Grassi (Drums)The ESATrio is Bill Gagliardi's latest venture into his wonderful world of improvisation. And who better to team up with than his old partner, Lou Grassi, and the phenomenal bassist, Ken Filiano. With these three musical minds at play you can expect grit and wit as they set up, dig in, and mine. Music of substance—pure and hip.Catalog Number: CIMP Records 369
Conspiracy A Go GoDavid Haney (Piano), Dominic Duval (Bass), Andrew Cyrille (Drums)This isn't the first time David Haney and Andrew Cyrille have worked together, but these two sessions are the first time they have recorded together. With David, one can always expect the unexpected, whether it be Free Jazz, excursions, or an exploration of a traditional Blues. With Andrew one has come to expect simply the best in musical inventiveness. CIMP 367 is a duo; the addition of the substantial presence of bassist Dominic Duval changes the whole dynamic (as it should) on CIMP 369. To further emphasize the differences, five of the compositions appear on both the duo and the trio sessions. Hear and analyze this bracing and embracing music.Catalog Number: CIMP Records 368
The Crookedest Straight Line Vol. 2Chris Kelsey (Soprano Saxophone), John Carlson (Trumpet), Francois Grillot (Bass), Jay Rosen (Drums)Chris Kelsey is a distinct soprano saxist, an intense player, and very discriminate in his artistic expositions. He rarely is heard with another horn player but here Chris invites John Carlson to join his longstanding trio. Together they ponder the unknown with deliberateness and purpose. Just what you have come to expect from all of Mr. Kelsey's releases and as good an introduction as any.Catalog Number: CIMP Records 366
The Art of the TrioErnie Krivda (Tenor Saxophone), Peter Dominquez (Bass), Ron Godale (Drums)This is only the second time Ernie Krivda has recorded in trio, the first occurring in 1995. This is pure Ernie, no-holds barred. And he's accompanied by a fleet rhythm section that negotiates Ernie's energy and twists with the same accuracy and energy one would expect from his long-time compatriots. Dynamic playing, memorable compositions.Catalog Number: CIMP LTD 365
Many in Body, One in MindBobby Zankel (Alto Saxophone), Dylan Taylor (Bass), Edgar Bateman (Drums)Bobby Zankel doesn’t make many recordings and he doesn’t make any bad ones. Here he is joined by the legendary Edgar Bateman and longtime bassist, Dylan Taylor, on six extended outings. Assured and intense, this demands the attention of both the heart and the mind.Catalog Number: CIMP LTD 363
The Spirit of ThingsDavid Schnitter (Tenor Saxophone), Dominic Duval (Bass), Newman Taylor Baker (Drums)David Schnitter returns and, quite frankly, is back in top form. Reunited with bassist Dominic Duval (with whom he recorded in 1995), this is David’s first ever trio recording. In addition to bringing renewed life to his recording documentation, this session brings new life to some old standards.Catalog Number: CIMP LTD 362
ExtremesKalaparush McIntyre (Tenor Saxophone), Will Connell (Alto Saxophone), Michael Logan (Bass), Warren Smith (Drums)Introducing Kalaparush’s new group. Joining the front line, Will Connell’s hard edged alto is an excellent addition to Kalaparush’s quixotic tenor explorations. Add to that the support (now that’s an understatement!) of Messrs. Smith and Logan and you have the basis for some heavy extemporizing. Catalog Number: CIMP LTD 361
Absolute, absolutelyStephen Gauci (Tenor Saxophone), Nate Wooley (Trumpet), Ken Filiano (Bass), Lou Grassi (Drums)Here is part two of this remarkable Gauci quartet recording date. Nate Wooley joins Steve’s regular trio and sounds as though he’s been playing with this group for years. This is a classic quartet. Music written for the quartet is purposeful, pointed, and perfect Free Bop and beyond.Catalog Number: CIMP LTD 360
CIMP 360: Circle ThisMichael Bisio (Bass), Avram Fefer (Saxophone), Stephen Gauci (Tenor Saxophone), Jay Rosen (Drums)Here's a powerful listening experience that combines the distinct and intricate compositions of Mike Bisio with spot-on execution and brilliant solo statements from the individual band members. There's plenty of meat here for the mind and body from this large quartet. Arguably, Mike Bisio's most powerful work to date—and that's saying a lot.Catalog Number: CIMP LTD 359
SubstratumStephen Gauci (Tenor Saxophone), Michael Bisio (Bass), Jay Rosen (Drums)This session updates the Gauci Trio (see CIMP 326). Whether inside or outside, Stephen Gauci plays with a heady and focused passion. There's nothing belabored in this offering. Credit also has to go to the rhythm of Mike Bisio (one of the most respected artists in this field) and Jay Rosen (an uncannily quick and sensitive drummer). Stephen Gauci presents mindful music—again!Catalog Number: CIMP LTD 358
The Crookedest Straight Line Vol. 1Chris Kelsey (Soprano Saxophone), John Carlson (Trumpet), Francois Grillot (Bass), Jay Rosen (Drums)Chris Kelsey is a soprano saxophonist. It's what he plays—and with such originality and intense passion. For this recording he supplements his usual trio with the trumpet of John Carlson, whose very appropriate work brings an extra burn & polish to the usual trio setting and offers up his own inspired statements, all the while clearly enforcing the Kelsey compositional style.Catalog Number: CIMP LTD 356
Change-UpMat Marucci (Drums), Doug Webb (Saxophone), Ken Filiano (Bass)This is the second half (see CIMP 346) of a phenomenal recording session that produced 2 CDs, all issued in the same order as recorded. In and of itself that means nothing, but CIMP does not record and release music by the pound, so to speak. We release and endorse only quality. This is masterful Bop/ Free Bop music and reflects a very magical 24-hour period, all fully detailed in the Artists', Producer's, and Engineer's Notes.Catalog Number: CIMP LTD 354
Blues RoyaleDavid Haney (Piano), Mike Bisio (Bass), Adam Lane (Bass)David Haney: one of the most originally rooted improvisers and a true original, backed by two of the most probing, inventive bassists in this music: Mike Bisio and Adam Lane. Just the logistics and possibilities of this encounter will intrigue the seasoned listener. Now add in the program concept—Traditional Blues and other music of antiquity—and the challenge further intrigues. Involving and deeply soulful creative improvised music.Catalog Number: CIMP LTD 353
To The RoachOdean Pope (Tenor Saxophone), Matt Davis (Guitar), Michael Taylor (Bass), Craig McIver (Drums)Odean Pope is a master of improvised music in both technique and thought. A distinguished and distinguishable voice, his latest CIMP event finds him playing tribute to his "boss" of 20 years, Max Roach. This session finds Odean outfitted with a new quartet featuring guitar—unprecedented in the Pope discography. No need to pontificate further. This is pure Pope—a broad view from the typically more lyrical to arguably his most volcanic work on record. There's a surpise at the end of this recording: a few moments of something very special albeit in low low fidelity. This is the complete Pope.Catalog Number: CIMP LTD 351
Wisps of an Unknown FaceStephen Gauci (Tenor Saxophone), Nate Wooley (Trumpet), Ken Filiano (Bass), Lou Grassi (Drums)Stephen Gauci has come on strong in the past three years. A veteran of the business, it's only of recent that he's decided to record. And that still slim body of work has been enthusiastically received by both the public and critics.
Here Stephen expands his core trio with trumpeter Nate Wooley—a brilliant choice. The whole of Gauci, Wooley, Filiano, and Grassi is music far more than the sum of its parts.Catalog Number: CIMP LTD 350
IllumineSeth Meicht (Tenor Saxophone), Matt Bauder (Tenor Saxophone), Matt Engle (Bass), Lonnie Solaway (Drums)It takes a certain confidence to add another tenor saxist to your trio, but, in Matt Bauder, Seth Meicht's confidence is well founded. Not so much a tenor battle as an integrated and complementary pairing, this is gutsy assertive music that will satisfy all who like their music upfront and bold. Seth Meicht is a force coming on strong.Catalog Number: CIMP LTD 349
Pulling StringsMichael Bisio (Bass), Tomas Ulrich (Cello)For years cellist Tomas Ulrich has been electrifying every group he's been a part of and now, finally, steps out as a co-leader. Mike Bisio, the bassist's bassist, makes up the other half. There's no place to hide here as the two essay eight of Mike's compositions, four of Tomas', and one of Dom Minasi's originals. The results of this meeting of two phenomenal players are definitely up to the potential offered and the talent noted.Catalog Number: CIMP LTD 348
MonkinusDominic Duval (Bass), Jimmy Halperin (Tenor Saxophone)You don't want to approach Monk's music unless you know what you are doing and have the technical ability. Duval and Halperin have all of that plus the ability to bring a fresh creativity to very defined compositions. To further add to the challenge, they do it duo. This long-time-in-the-making project is a rich and full listening experience.Catalog Number: CIMP LTD 347
Mountain AirDominic Duval (Bass), Ron Lawrence (Viola), Gregor Huebner (Violin), Tomas Ulrich (Cello)Dominic Duval's String Quartet, previously known as the CT String Quartet, has been around and documented since the mid 1990s. This new edition introduces the extraordinary Gregor Huebner into the violin chair on a program which takes as its inspiration the music of Cecil Taylor's "Mountain Air." Extemporaneous and totally music of the day, yet easily accessible and rooted.Catalog Number: CIMP LTD 346
3 The Hard WayMat Marucci (Drums), Doug Webb (Saxophone), Ken Filiano (Bass)Marucci & Webb have been playing together for years. Even so, when they teamed up with former associate Ken Filiano no one could have guessed that the resulting quality and quantity of music would be so great. This is the first of two CDs documenting two days of the recording of Mat's original and memorable compositions. Released in the same order they were played, this Bop/Freebop session shows that the genre need not be revisionist but freshness and creative artistic integrity can be relative to any period of music.Catalog Number: CIMP 345
Ins And OutsBurton Greene (Piano), Ed Schuller (Bass), George Schuller (Drums)This is the second of three consecutive recordings documenting the music of Burton Greene. (For background to this project, I refer you to CIMP 339.)For the trio sides, Burton's plan was to work in a more "traditional swinging trio" format, further announcing (during the sound checks/warm up) that he was "feeling a bit funky this morning" (11:40 a.m.). The trio opened with Skumpy ("A ...
Catalog Number: CIMP 344
Infinite PotentialLou Grassi (Drums, Percussion), Perry Robinson (Clarinet, Ocharina), David Taylor (Bass Trombone), Herb Robertson (Trumpet, Pocket Trumpet, Flugelhorn), Adam Lane (Bass)The 10th anniversary edition of the Po Band finds this veteran collective improvisation group in absolutely top form as it weaves whole cloth out of the threads from their individual minds and collective creativity that is vibrant in exposition and stunning in its conclusions. Recorded Sept.26 & 27, 2005Catalog Number: CIMP 343
Loaded BassesJoe Fonda (Bass), Claire Daly (Baritone Sax), Joe Daley (Tuba), Gebhard Ullmann (Bass Clarinet), Michael Rabinowitz (Bassoon), Gerry Hemingway (Drums)This all-star sextet helps bring to reality a "low-end" project that for years Joe Fonda had been conceptualizing. Everything (ensemble work, solo dynamics, the concept of the musical work) comes together in excellent fashion on a recording that Mr. Fonda states "...was one of the highlights of my musical life" and which the producer calls "...a most enjoyable evening." Recorded Sept. 15, 2005Catalog Number: CIMP 342
Younger DryasWilliam Gagliardi (Alto, Soprano,&Tenor Sax), John Carlson (Trumpet, Pocket Trumpet), Ken Wessel (Guitar), Dave Hofstra (Bass), Lou Grassi (Drums)This release is the companion to CIMP 332. As regular CIMP listeners know, a second volume is not "leftovers." We don't release culls or anything of a standard we don't endorse. So be assured this is in fact more - more of the joyous, quirky inventive music from "Billy Gags" and his handpicked group of excellent and interesting artists. Recorded May 26 & 27, 2005Catalog Number: CIMP 341
The Rain In SpainSophie Duner (Vocals), Rory Stuart (Guitar, Voice), Matt Penman (Bass), Kahlil Kwame Bell (Bongos, Chimes,Udu)This may be Sophie Dunér's debut but have no doubt: she is a mature, seasoned and original voice. In addition, she has written over half of the tunes for this stunning release, originals as notable as the standards she chose to accompany them. This is a memorable vocalist, composer/lyricist, and presentation. A lyric printout is included. Recorded September 8 & 9, 2005Catalog Number: CIMP 340
Ancestral Link HotelByard Lancaster (Saxophone), Ed Crockett (Bass), Bert Harris (Bass), Harold E. Smith (Drums)Byard Lancaster pulls off a tour de force on arguably the best realized recording concept of his career. With covers of "Milestones" and "Killer Joe" mixed in with notable originals, this mentally and emotionally stimulating set scores with a stunning solo on "You Decide." Recorded April 12, 2005.Catalog Number: CIMP 338
The MusicDavid Haney (Piano), Julian Priester (Trombone), Adam Lane (Bass)Chances are you've never heard of David Haney but this follow-up to his much acclaimed duo with Julian Priester (Cadence Jazz Records 1179) should convince you that his is an original musical voice deserving of some attention. Joined by the masterful bassist Adam Lane, these three work hand-in-glove in this exploration of Haney's world. There's nothing familiar about this music but it's still deeply satisfying. Recorded Aug. 12, 2005.
Catalog Number: CIMP 336
Brother SoulCarl Grubbs (Saxophone), Salim Washington (Saxophone), Steve Neil (Bass), Ronnie Burrage (Drums)For a man whose life has not always been easy, Carl Grubbs' music often resonates joy and optimism. On this recording he resurrects the 2-sax front line that he made so notable with The Visitors, the group he co-led with his late brother, Earl. Salim Washington, another under documented saxman, joins the front line on a program that revisits some of the best of the Grubbs Brothers' compositions along with some fine new works and a jaunty cover of "Smile." Recorded June 20 & 21, 2005.
Catalog Number: CIMP Records 335
Music Degree ZeroAdam Lane (Bass), Vinny Golia (Saxophone), Vijay Anderson (Drums)Here is the mate to CIMP 325 and—lest there be any—all doubts will be squelched by the power and strength of this trio. The accolades were universal in their comments on the excitement and power this trio generated on the session's first release. This is its complement and is in every way equal to the first volume. Hot and intense, this is a Jazz power trio. Recorded Feb. 24&25, 2005.Catalog Number: CIMP Records 334
Stellar SaxErnie Krivda (Saxophone), Bob Fraser (Guitar), Dominick Farinacci (Trumpet), Jeff Halsey (Bass), Carmen Intorre (Drums)One of the most distinctive and uncompromised stylists in Jazz, this new release from the quintet offers up four extended explorations including some new Krivda compositions, plus a fascinating solo invention off "Stella By Starlight." Sharing the front-line as he has on four other Krivda releases is Dominick Farinacci (trumpet) while Bob Fraser (g) and Carmen Intorre (d) also return. And Jeff Halsey's big bass finally reunites with Krivda after a long association that began in 1985. Recorded June 15 & 16, 2005.Catalog Number: CIMP Records 333
SanctuaryBobby Few (Piano), Hilliard Greene (Bass), Newman Taylor Baker (Drums), Avram Fefer (Saxophone)Messrs. Few and Fefer have been collaborating since the mid 1990's but this is the first time they have recorded in Quartet and the results are strong. As Avram Fefer writes, "…a great couple days… a great piano… stimulating company." Bobby Few has been on the scene since his Ayler days of the 1960's and he represents some of the best of the classic Free period. Avram Fefer began to make a name for himself among musicians in the 1990's; he represents the rich future of this music. Here is a finished work for the discriminate and mature listener. Recorded May 7, 2005.Catalog Number: CIMP LTD 332
Memories of TomorrowWilliam Gagliardi (Saxophone), John Carlson (Trumpet), Ken Wessel (Guitar), Dave Hofstra (Bass), Lou Grassi (Drums)This is the third recording of Bill Gagliardi's (AKA Billy Gags) quintet, a group that has now managed to stay together since 2000. What has made this possible is that every member of the group wants to play together and is equally inspired both by one another and Bill's Gagliardi's music. Hear why people continue to say "How come I've never heard of this guy? His music is wonderful." Recorded May 26 & 27, 2005.Catalog Number: CIMP LTD 331
Pam AfricaByard Lancaster (Afro Flute), Ed Crockett (Bass), Bert Harris (Bass), Harold E. Smith (Drums)Inspired by the African family (of Philadelphia), Pam Africa offers up one of Byard Lancaster's more realized, powerful, and rewarding recordings. A mixture of standards and originals, the ten cuts bring together the musical grouping of two basses and percussion. This captures Byard at the top of his abilities and represents one-half of a very special time. Recorded April 11, 2005.Catalog Number: CIMP 330
The Mystery of Prince LashaPrince Lasha (Saxophone), Odean Pope (Saxophone), Tyrone Brown (Bass), Craig McIver (Drums)Prince Lasha returns to the recording scene. Fifty years ago, the Texas sax man and schoolmate of Ornette Coleman, Dewey Redman, and Charlie Moffett was part of the original cast of new music improvisers. Here he's in the company of Odean Pope and his trio—a formidable group by themselves. As the Producer's Notes encourage, "Enjoy the music and the adjustments it might bring." Recorded April 5, 2005Catalog Number: CIMP 329
Wishing You Were HereChris Kelsey (Saxophone), Francois Grillot (Bass), Jay Rosen (Drums)
Kelsey is back after a couple years' hiatus and he hasn't lost any of his power, intensity, or considerable compositional skills. He remains one of the most distinct and intense soprano sax men around. Listen and evaluate for yourself. Recorded March 23 & 24, 2005Catalog Number: CIMP 328
Moods: Playing with the ElementsJoe McPhee (Saxophone), Dominic Duval (Bass), Jay Rosen (Drums), Trio X (Group)Trio-X is one of the premier improvising groups in the world. Quick to hit the sweet spot and take it from there. Their recordings are never without honesty and purpose. This is their seventh recording and the joy and challenge just gets better and better. Recorded Oct. 20 & 21, 2004.
Catalog Number: CIMP 326
First, Keep QuietStephen Gauci (Saxophone), Todd Nicholson (Bass), Jeremy Carlstedt (Drums)Already heralded as a new and exciting voice, tenor saxist Stephen Gauci is front and center with compositions, concepts, and executions that, if nothing else, are clearly not the same old same old. There are lots of "new" names out there - this is one worth hearing. You have our word. Recorded March 3 & 4, 2005Catalog Number: CIMP 325
Zero Degree MusicAdam Lane (Bass), Vinny Golia (Soprano&Tenor Saxophones), Vijay Anderson (Drums)Adam Lane has quickly established himself as a musician of depth and quality through a small but exceptional group of recordings. And here is another outstanding effort. This is not just a trio: it is three well integrated artists playing music that will satisfy the most demanding listeners. And for fans of Vinny Golia, this is arguably some of his most dynamic sax playing on record. Recorded February 24 & 25, 2005.Catalog Number: CIMP 324
Painting Breath, Stoking FireMichael Bisio (Bass), Avram Fefer (Saxaphone)Avram Fefer constructed this 12-part suite and the duet offers up a full canvas of music as it pushes and keeps everything inventive & musical and the listener's interest & attention. A small group but full listening. Recorded January 18, 2005.
Catalog Number: CIMP 323
ConnectionsMichael Bisio (Bass), Avram Fefer (Alto, Soprano,&Tenor Sax/Clarinet/Bass C), Stephen Gauci (Tenor Sax), Jay Rosen (Drums)Michael Bisio, the highly respected Pacific West Coast bassist/composer, put together these compositions specifically for this reed and rhythm quartet. Wonderful music which contains the composition "Basic Deconstruction"?a piece that captures an event we believe is unique in recording history. That's a teaser to get you to listen. That aside, this music stands on its own. Recorded January 17 & 18, 2005.Catalog Number: CIMP 322
Black AwarenessByard Lancaster (Alto Sax), Grachan Moncur III (Trombone/Voice), Dylan Taylor (Bass), Dwight James (Drums), Khan Jamal (Vibraphone)Khan Jamal's outings are always clearly drawn and conceptualized. Here the distinct vibest brings along long-time associates to share in the fun and fascination of the music's exposition. An unexpected event comes on the last track ("Sonny's Back) when Grachan Moncur offers up an ad-libbed vocal. Another distinctly Jamalian outing. Recorded January 10 & 11, 2005.Catalog Number: CIMP 321
Not Just...David Taylor (Trombone), Steve Swell (Trombone), Billy Bang (Violin), Tomas Ulrich (Cello), Ken Filiano (Bass)Gad. Two trombones and strings! But when the trombones are Dave Taylor and Steve Swell and the strings are Bang, Ulrich, and Filiano, you know this is going to be fun. A five-sided circle that is everything you'd expect from this meeting of fertile musical minds. Over 270 cumulative years in the making, its listening pleasures should last easily that long. Recorded January 5 & 6, 2005.Catalog Number: CIMP 320
The Sugar Hill SuiteJoe McPhee (Tenor Sax), Dominic Duval (Bass), Jay Rosen (Drums), Trio X (Group)The latest from Trio-X has as its centerpiece "The Sugar Hill Suite," an exceptionally beautifully-structured 16-minute improv that is a stunning example of Trio-X's skills and the genius of the genre. Recorded October 19, 2004.Catalog Number: CIMP 319
In This WorldJohn Gunther (Bass Clarinet/Saxophones), Leo Huppert (Bass), Jay Rosen (Drums)This trio has been the core for John Gunther's previous four CIMP discs. For this date they return to the original trio root of 1997 and boldly address eight Gunther originals including the hippest cowboy type tune (that's also it's title) to come off the range in many a moon. Tucked in among the always memorable Gunther compositions is one by Monk ("Ruby My Dear"). Recorded October 13, 2004.Catalog Number: CIMP 318
JawboningKen Wessel (Guitar), Ken Filiano (Bass), Lou Grassi (Drums)There may be better known guitarists but none of them get to the heart of an improvisation better than Ken Wessel. A sideman on other CIMP sessions, we've been waiting for him to stand up and do his own date. The anticipation is justified as you'll hear on this mostly original music which also includes "I Remember You" and "Softly As In a Morning Sunrise." Recorded September 9 & 10, 2004Catalog Number: CIMP 317
Lost in the StarsMarc Pompe (Vocals), Curt Warren (Guitar), Nick Tountas (Bass), Rusty Jones (Drums)Marc Pompe is a Jazz singer. At 68 years this is only his third release and it's on CIMP, so you know he must be the real thing. Backed by a trio equal to his hipness, he makes memorable Pompe interpretations of 14 Jazz standards and 1 original. Hip, tender, and poignant: another original voice. Recorded August 30 & 31, 2004.
Catalog Number: CIMP 316
Isms OutBurton Greene (Piano), Roy Campbell (Trumpets), Adam Lane (Bass), Lou Grassi (Drums)Playing the music of Bill Evans, Jim Hall, Ali Akbar Khan, and its own originals, the Burton Greene-Roy Campbell 4tet goes pretty straight ahead but without compromise as four strong instrumental voices document their music following an East Coast tour. The expressions and themes are exceptional. It's been almost two decades since Burton recorded in quartet and over 30 years since he recorded with trumpet. This is Roy's first recording with Burton. Recorded June 29, 2004.Catalog Number: CIMP Records 315
Desert Songs and Other LandscapesGebhard Ullmann (Tenor Sax/Bass Clarinet), Steve Swell (Trombone), Hilliard Greene (Bass), Barry Altschul (Drums)Gebhard Ullmann, whose formidable European reputation has yet to find its match in North America, joins with Steve Swell - one of the most inventive, active, and touring trombonists on the creative improvised music scene - for a program that reflects the travels (and travails?) of their lives. And with Barry Altschul and Hill Greene handling the rhythm, you know there's no featherbedding on this road trip. Recorded June 22 & 23, 2004.Catalog Number: CIMP Records 313
Avanti GaloppiLou Grassi (Drums/Percussion), Rob Brown (Alto), Ken Filiano (Bass), Herb Robertson (Trumpet/Pocket trumpet/Cornet/Flugelhorn)Lou Grassi knows how to pick 'em and mix 'em. Here he renews his associations with 3 of the most powerful music personalities on the scene, but united for the first time in the recorded spotlight. Seven cuts especially composed and prepared for the occasion. Everyone has a feature and there's plenty of style and form to study and enjoy. Recorded June 8, 2004.
Catalog Number: CIMP Records 312
American RoadworkLisle Ellis (Alto), Marco Eneidi (Bass), Peter Valsamis (Drums)Here's a power trio in approach and imagination. Eleven originals join the Blues classic, "Baby, Please Don't Go." Edgy music at its best. Recorded May 17 & 18, 2004.
Catalog Number: CIMP 311
Rules of Invisibility Volume 2John O'Gallagher (Alto and Soprano Sax), Masa Kamaguchi (Bass), Jay Rosen (Drums)
The follow-up to the critically acclaimed "Rules of Invisibility Vol.1." John O'Gallagher, is a thinking man's saxist. This was a highly productive and creative time in The Spirit Room during which lightning literally struck, and it's all captured on this volume of 9 constructions and deconstructions. Recorded February 3 & 4, 2004.Catalog Number: CIMP 310
BloodScott Rosenberg (Tenor), Todd Margasak (Cornet), Kyle Hernandez (Bass), Tim Daisy (Drums)This quartet debuted in 1999 (Cadence Jazz Records 1135) and this second recording updates its intricate and unpredictable music. Here is a classic pianoless quartet that can evoke a sense of Ornette & Don Cherry with a slight essence of Chet in the mix. But the 9 non-traditional compositions give these musical talents plenty of space to exercise their own post Bop personalities. Recorded May 10 & 11, 2004.Catalog Number: CIMP 309
RenewalChris Kelsey (Soprano Sax), Steve Swell (Trombone), Franscois Grillot (Bass), Jay Rosen (Drums)Chris Kelsey is back and he's lost none of his passion nor intensity and continues to be one of the strongest and most original soprano sax voices on the scene. Here's a chance for listeners to hear now what critics will still be raving about in 15 years. Tough stuff. Recorded April 7, 2004.
Catalog Number: CIMP 308
Faith In A SeedJames Finn (Tenor Sax), Dominic Duval (Bass), Warren Smith (Drums)
James Finn is no young lion, but this is just his second recording. His first (Cadence Jazz Records 1170) met with strong critical acclaim often mixed with the skepticism of "Is this a fluke?" Well, CIMP now has recorded him and there's no chance of foolin' in the mix. This will only confirm that the power and flow of ideas from the dynamic tenor man is no fluke. Prepare to deal with Mr. Finn and this master rhythm section as he builds musical moments. Recorded March 16 & 17, 2004.Catalog Number: CIMP 307
Morning MoonDavid Taylor (Trombone,Bass Trombone, Voice), Dominic Duval (Bass), Jay Rosen (Drums)
Dave Taylor returns once more to surprise, amuse, and inspire the listener. This is a surprise ball of creative muse and broad range of musical delights to savor. Well utilized musical minds, treat yourself to this concert. Recorded March 11 & 12, 2004.
Catalog Number: CIMP 306
Paths to GloryKalaparush Maurice McIntyre (Tenor), Adam Lane (Bass), Jesse Dulman (Tuba), Ravish Momin (Drums)Kalaparush & The Light have, over the past 3 years, put forth one of the most distinct group sounds of the new millennium. After 3 recordings solidifying that group sound, they join forces with the soulful power of Adam Lane's bass. This was such a success there was discussion about incorporating the bassist into the group whole. What a novel way to grow a group. Who knows? At this rate, 15 years from now it could be Kalaparush & The Light Big Band. If so, it all started here. Recorded March 4 & 5, 2004.Catalog Number: CIMP 305
The Drum is Honor EnoughPatrick Brennan (Alto Sax), Steve Swell (Trombone), Hill Greene (Bass), Newman Taylor Baker (Drums)Listening to Patrick Brennan's music is a bit like looking at a bowl that has been shattered and reassembled but whose fit isn't quite right?you know what it is when looking at it, but it requires some reassessment to take it all in. Extensive Artist and Producer Notes may take you one listen just to get through, another listen to digest, but by the third listen the joy and genius of this concert should be evident. A valuable addition to this veteran's slight but growing discography. Recorded February 17 & 18, 2004.Catalog Number: CIMP 304
Rules of Invisibility Volume 1John O'Gallagher (Alto and Soprano Sax), Masa Kamaguchi (Bass), Jay Rosen (Drums)Listening to Patrick Brennan's music is a bit like looking at a bowl that has been shattered and reassembled but whose fit isn't quite right?you know what it is when looking at it, but it requires some reassessment to take it all in. Extensive Artist and Producer Notes may take you one listen just to get through, another listen to digest, but by the third listen the joy and genius of this concert should be evident. A valuable addition to this veteran's slight but growing discography. Recorded February 17 & 18, 2004.Catalog Number: CIMP 303
Two DreamsOdean Pope (Tenor Sax), Carl Grubbs (Alto Sax), Tyrone Brown (Bass), Craig McIver (Drums)Odean Pope is a master, arguably one of a handful of great tenor saxists on the scene today. Always up for the challenge, there is nothing casual or throwawy on a Pope/CIMP encounter and this one is no exception. Hard, thoughtful, and clearly defined, this is classic Bop of the post Bop era. Recorded January 22, 2004.Catalog Number: CIMP 302
Plays Ernie Kirvda Volume 2Ernie Krivda (Tenor Saxophone), Dominick Farinacci (Trumpet), Bob Fraser (Guitar), Kurt Kotheimer (Bass), Carmen Intorre (Drums)Volume 2 of Krivda Plays Krivda - still one of the most identifiable tenor stylists in Jazz. If after all these years you don't know Ernie's music?get to it. This is a fine place to start. Recorded July 24 & 25, 2003.Catalog Number: CIMP 301
Joy and GravitasJimmy Halperin (Soprano&Tenor Saxophones), Dominic Duval (Bass), Jay Rosen (Drums)Jimmy Halperin has made very few records over the past 30 years and, while new, this sounds like nothing he's done before. Here it gets physical with some of the Jazz liturgy turning it every which way. If you're a fan of tunes like "Tunisia," "Don't Explain," "'Round Midnight," etc., but tired of hearing them, this release will refresh in its new and unafraid perspective. Recorded January 14 & 15, 2004.
Catalog Number: CIMP 299
StandardDevorah Day (Vocals), Dominic Duval (Bass)Here is a starkly original Jazz singer, a true Jazz singer who will grab you with her originality and hold you with her unpredictability. With just Dominic Duval's bass accompaniment, there's nowhere to hide over the program of 9 standards and 2 originals. And with talent like this, there is no need to hide. Recorded Oct. 20 & 21, 2003.Catalog Number: CIMP 298
Celebration of the SpiritJazz Composers Alliance Orchestra (Group), Hiroaki Honshuku (Flute), Jims Hobbs (Alto Sax), Jeremy Udden (Alto Sax), Phil Scarff (Tenor&Soprano Sax), Hands Indigo (Bari Sax), Mike Peipman (Trumpet), Keiichi Hashimoto (Trumpet), Jim Mosher (French Horn), Bob Pilkington (Trombone), David Harris (Trombone), Jim Gray (Tuba), Richie Barshay (Drums), Winnien Dahlgren (Vibes), Soo-Jung Kae (Piano), Takaaki Masuko (Percussion), Rick McLaughlin (Bass), Norma Zocher (Guitar), Laura Andel (Composer/Conductor), Darrell Katz (Composer/conductor, dir. of Jazz Compose), Ken Schaphorst (Composer/Conductor), Warren Senders (Composer/Conductor)Here is an incredible combination: a big band full of exciting soloists playing the compositions of 5 composers recorded in real stereo, the CIMP way - with clarity, space and accurate dynamics. Everything about this recording will excite. You'll have to hear it to believe it. Recorded at The Tsai Performance Center at Boston University, Boston, MA October 5, 2003.Catalog Number: CIMP 297
Hear and NowWilliam Gagliardi (Tenor&Soprano Saxophones), John Carlson (Trumpet), Ken Wessel (Guitar), Dave Hofstra (Bass), Lou Grassi (Drums)William Gagliardi (tenor & soprano saxophones) Quintet with John Carlson (trumpet) - Ken Wessel (guitar) - Dave Hofstra (bass) - Lou Grassi - (drums)
Hear and Now
People still marvel at Bill Gagliardi's talent and why they've never heard of him for his first 50 years. Well, here is part 2 of Catalog Number: CIMP 295
Nine Songs TogetherMark Dresser (Bass), Ray Anderson (Trombone)Here’s a fun combination that produces so much from so little. Thirteen tracks that, as the Producer’s Notes point out “is really a set of assured inventions, deftly handled and masterfully performed. Humor, joy,hipness?” Recorded September 25 & 26, 2003.
Catalog Number: CIMP 294
Nothing is WrongOdean Pope (Tenor Sax), Khan Jamal (Vibraphone), Arthur Harper (Bass), Allen Nelson (Drums)It shouldn’t be hard for Odean Pope and Khan Jamal to make distinctive music as they are both distinctive voices. Here they are joined by 2 other Philadelphia-based veterans and a sum total of about 160 years of experience for a program of originals that should tell you that nothing is wrong but more importantly everything is right. Recorded August 13 & 14, 2003.Catalog Number: CIMP 293
Plays Ernie KrivdaErnie Krivda (Tenor Saxophone), Dominick Farinaccci (Trumpet), Bob Fraser (Guitar), Kurt Kotheimer (Bass), Carmen Intorre (Drums)Ernie Krivda, one of the most distinctive saxophone stylists, plays Ernie Krivda, one of the most distinctive Jazz composers. Ernie Krivda is the complete artist and is an instantly recognizable stylist. If after 30 years on the scene you still have not tasted his treats, this is a good place to begin. Recorded July 24 & 25, 2003.
Catalog Number: CIMP 292
Steve Swell's Suite for Players, Listeners and other DreamersSteve Swell (Trombone), Will Connell (Alto Sax, Flute, Bass Clarinet), Roy Campbell (Trumpet, Flute), Charles Burnham (Violin), Francois Grillot (Bass), Kevin Norton (Percussion)Over the 8 years Steve Swell has been recording for CIMP, he has produced a little less than a dozen projects, all of them distinct and purposeful. This latest effort may be his most ambitious to date, a large scale work that retains the intimacy and personality of a smaller work with the power and impact of the larger concept. A solid statement from a trombonist now considered to be a major talent on the post Bop, creative improvised music scene. Recorded July 16 & 17, 2003.Catalog Number: CIMP 291
NHLAHLAWilliam Gagliardi (Tenor Saxophone, Thumbpiano), John Carlson (Trumpet), Ken Wessel (Guitar), Dave Hofstra (Bass), Lou Grassi (Drums)Saxman/composer Gagliardi waited over 50 years to make his first recording CIMP 242), a date which was met with critical acclaim and a sense of “Where has this artist been hiding?” Now he reunited the quartet and adds trumpeter John Carlson for another quirky and dynamic concert of 7 new Gagliardi compositions. Recorded July 7 & 8, 2003.Catalog Number: CIMP 287
Leave it to LutherLuther Thomas (Alto Sax), Ethan Mann (Guitar), Brian Smith (Bass), Cliff Barbaro (Drums)287 Luther Thomas (alto sax) - Ethan Mann - (guitar) - Brian Smith (bass) - Cliff Barbaro (drums)
Leave It to Luther
The distinct energized sound of Luther Thomas is all over the 9 cuts on this CD which includes "Groovin' High," "Body & Soul," and "'Round Midnight." Unexpected is the presence of Ethan Mann’s hip and complementary guitar work. Like Luther, this music is irrepressible. Recorded April 15, 2003, Rossie, NY.
Leave It To Luther - Belona - Tatjana - Body and Soul - Groovin' High - Luther's Theme - Nova Zembla - Up South - 'Round MidnightCatalog Number: CIMP 286
Shades of the MuseAvram Fefer (Tenor&Soprano Sax, Clarinet, Bass Clarin), Ken Filiano (Bass), Thomas Ulrich (Cello), Jay Rosen (Drums)It's been a couple of years since Avram Fefer (San Francisco, CA 1964) was last in The Spirit Room but it didn't take long before he was engaging me about another project. While this was being conceived and coordinated, Avram continued other musical activities including his duo association with pianist Bobby Few, an ambient-electric groove quartet called Squelch, an on-going trio collaboration ...Catalog Number: CIMP 284
Transforming the SpaceJoe Fonda (Bass), Barry Altschul (Drums), Billy Bang (Violin)FAB: the acronym for Fonda-Altschul-Bang is just that. Joe Fonda writes this is “one of the most enjoyable recording sessions I have done.” The spirits were in the house and
CIMP captured it all; we even left in a bit of good-natured banter among the trio. A fun fest by FAB. Recorded February 17 & 18, 2003.Catalog Number: CIMP 283
JourneyTrio X (Group), Joe McPhee (Alto and Tenor Saxophones), Dominic Duval (Bass), Jay Rosen (Drums)Every Trio-X recording is different and an occasion for anticipation as to where these 3 creative forces will journey. Their 5th release, this is only the second in studio. And when the studio is the acclaimed Spirit Room, you know you’re going to hear the richness of the instruments and the subtleties of dynamic interplay at its best. A goody from a group acclaimed by one critic as the more dynamic combo in creative improvised music today. Recorded February 6 & 7, 2003.
Catalog Number: CIMP 281
DosAdam Lane (Bass), John Tchicai (Bass Clarinet, Tenor Saxophone)Here is a chance to hear the talents of Adam Lane and John Tchicai up close. Warm, inventive, and personal, the 10 original tracks will transport you with their imaginative and fun excursions. Many people feel Mr. Tchicai is playing with renewed vigor and fire these past couple of years. This should confirm that belief. Recorded October 2 & 3, 2002.Catalog Number: CIMP 280
The Dream Catcher (for Wilber Morris)Kevin Norton (Drums, Vibes), Roy Campbell (Trumpet, Flugelhorn), Thomas Ulrich (Cello), Hill Greene (Bass)Four master improvisers meet to pay tribute to Wilber Morris on a set of exceptional originals by Kevin Norton and Wilber Morris. Mellow and lyrical/hard-blowing and lyrical, this is a heart-felt and musically memorable set of music for brass, strings, and percussion. A date with real definition. Recorded January 6 & 7, 2003, The Spirit Room, Rossie, NY.Catalog Number: CIMP 277
PremonitionLucian Ban (Piano), Alex Harding (Baritone Sax), Erik Torrente (Alto Sax), Chris Dahlgren (Bass), Damion Reid (Drums)This is a follow-up to Lucian and Alex's soulful duo outing (CIMP 274). Here the focus is on Lucian's fine compositions and the interplay between the horns and rhythm. Fresh faces and fresh music from the Bop/post Bop world. Recorded August 9, 2002, Gilbert Recital Hall, Canton, NY.Catalog Number: CIMP 276
Opportunities and AdvantagesElliot Levin (Tenor Saxophone, Curved Soprano, Flute), Marshall Allen (Clarinet, Alto Saxophone), Tyrone Hill (Trombone), Howard Cooper (Bass), Ed Watkins (Drums)Check out that front line. Levin: one of the most robust tenor stylists around. Allen: the legendary sax man whose short-circuited improvisations are too infrequently featured in small combos. Hill: an inventive lyrical trombonist with a distinct sound. Put them together with longtime buddies Cooper and Watkins and you have simpatico and a fun date. Real music, warm and challenging. Philadelphia Pride indeed! Recorded September 24 & 25, 2002, The Spirit Room, Rossie, NY.
Catalog Number: CIMP 275
Lowe-down&BlueFrank Lowe (Tenor Saxophone), Berne Nix (Guitar), Dominic Duval (Bass), Michael Carvin (Drums)This is Frank Lowe's fourth CIMP session and we think this one captures the tender soul of this tenor stylist. Recorded just days before Frank had to have lung surgery, this concert finds him ironically more robust than usual. But, in essence, it is a quintessential Lowe concert: full of the compositional and playing quirks which mark his best work. A real stylist with giving, unselfish support from a great rhythm grouping. Recorded September 16, 2002.Catalog Number: CIMP 273
Stepping Around the GiantCarl Grubbs (Alto Saxophone), Odean Pope (Tenor Saxophone), Chris Sullivan (Bass), Newman Taylor Baker (Drums)The liner notes tell the whole story about this date. Suffice it to say, those who have been waiting 30 years to hear the promise of Carl Grubbs to be met will have to look no further than this emotionally charged session. And if you're an Odean Pope fan, this is cause for a double amen. This was a very special occasion for all involved and it translates to the listener. Recorded July 30 & 31, 2002.Catalog Number: CIMP 272
Poets of the NowUrsel Schlicht (Piano), Steve Swell (Trombone), Tom Abbs (Bass), Geoff Mann (Drums)For Schlicht and Swell, this is a follow-up to their very exciting Sound Quest recording on Cadence Jazz Records. Here the group moves more into composed structures with Ms. Schlicht, in particular, showing a softer side. But make no mistakes - this is post-Bop creative improvised music, and yet another fresh look at Steve Swell whose growing reputation is finally catching up to his talents. Form, variety, and passion combine here for meaty listening. Recorded July 18, 2002.Catalog Number: CIMP 271
NorthCountry PieDavid Wertman (Bass), Charlie Kohlhase (Alto Saxophone), Lou Grassi (Drums)Kohlhase and Grassi are familiar names to improvised listeners, but bassist David Wertman has been off the creative improvised recording scene since the 1980s. And there are enough bass features that you'll see he's a talent with more than journeyman abilities. Fresh music from fresh personalities, accessible but still demanding. Recorded June 17 & 18, 2002.Catalog Number: CIMP 270
Invocation for PepperAlex Harding (Baritone Saxophone), Dominic Duval (Bass), Jay Rosen (Drums)This trio date is a follow-up to Alex's "FreeFlow" recording (CIMP 246), but here the emphasis is on standards, opening with Alex's "Invocation" to the spirit of fellow Motowner and bari player, Pepper Adams. It's a Jazz date all the way: the power of Alex Harding's baritone sax in the company of the celebrated rhythm team of Duval & Rosen. Recorded June 6 & 7, 2002.Catalog Number: CIMP 269
DoppelgangerDavid Taylor (Bass Trombone), Dominic Duval (Bass), Jay Rosen (Drums)Dave Taylor is a legend among trombonists. The King of the Bass Trombone, he's been on hundreds of commercial recordings. What many don't realize is that Dave's creative improvised impulses are mighty but largely untapped. Here he shows that his technique can go head to head with his imagination and everyone benefits. This tour de force ends with a wonderful take on "Home On the Range." Recorded May 9 & 10, 2002.Catalog Number: CIMP 268
Recollections of Darby HicksBob Washington (Voice), Steve Swell (Trombone), Dominic Duval (Bass)This date is essentially a "brother's" narrative of growing up in America from the pre- WWII years. It's a story funny, funky, and poignant, and delivered with improvised surroundings which suggest some parallels to the collaboration between Charles Mingus and Jean Shephard on "The Clown." A good tale, well told with outstanding improvisations. Recorded April 23 & 24, 2002.Catalog Number: CIMP 267
Balafon DanceKhan Jamal (Vibes), Jemeel Moondoc (Alto Saxophone), Roy Campbell (Trumpet), Dylan Taylor (Bass), Dwight James (Drums)Khan reunites with a group of old friends and colleagues on this remarkable session of composition and energy. Khan Jamal is one of the most distinctive voices in creative music in both sound and compositional substance. This is his first recording in 5 years and only his second in 13. He's careful and deliberate about his music but presents for the listener finished, fully-formed, and wonderfully listenable adventures in music. This concert offers music accessible to a broad range of tastes but remains always uncompromising in its delivery and statement. Recorded March 18 & 19, 2002.Catalog Number: CIMP 266
Handling the MomentMatt Lavelle (Trumpet), Ras Moshe (Tenor Saxophone), Francois Grillot (Bass), Lou Grassi (Drums)This release presents the Matt Lavelle Quartet. A touch of avant, of Ra, of funk and Blues, this group defines its own self with a set of 8 tracks that are both inside and out, but always within the CIMP perimeter of good music - without qualification. Recorded March 4 & 5, 2002.Catalog Number: CIMP 265
AxiomJohn O'Gallagher (Alto Saxophone), Tony Malaby (Tenor Saxophone), John Hebert (Bass), Jeff Williams (Drums)The John O'Gallagher Quartet. Yet another debut by an artist with notable instrumental and compositional talents. Over a year in preparation, this session was recorded at the end of a short tour by the group and is notable for the connectedness of the 2-sax frontline and the group as a whole. With liner notes that clearly illuminate the chronology and background of the session, it's a fine companion to music that is both muscular and, at times, hauntingly beautiful. Fresh faces, fresh music.Catalog Number: CIMP 264
Real Time MessengersDaniel Carter (Alto Saxophone), Steve Swell (Trombone), Tom Abbs (Bass), David Brandt (Drums)Eight cuts of coherent and inspired improvisations that will reward close listening with inspiration and renewal of energy. Creative improvised chamber music.Catalog Number: CIMP 263
Fo(u)r Being(s)Adam Lane (Bass), John Tchicai (Tenor Saxophone), Paul Smoker (Trumpet), Barry Altschul (Drums)This is bassist Adam Lane's third release. His first 2 offered a thunderous view of his writing/arranging work for larger groups. Again, the listener is treated to Adam Lane's compositional abilities, and, in addition, is better able to hear his instrumental abilities, well-exposed over the 6 tracks. In this all-star company there's no place to hide and Adam proves he's up to the company he keeps.Catalog Number: CIMP 262
ComPOsedLou Grassi (Drums), John Tchicai (Tenor Saxophone), Paul Smoker (Trumpet), Art Baron (Trombone), Perry Robinson (Clarinet), Wilber Morris (Bass)The latest from Lou Grassi's PoBand. This time the guest artist is John Tchicai. This concert by the PoBand is unique for a number of reasons (besides the always-fresh improvisations and presence of guest John Tchicai) in that, for the first time it deals with a compositional framework; Art Baron joins the band; and, sadly, this was the late Wilber Morris' last outing with the band that he helped establish in 1995. Thankfully, Wilber's spirit and voice (instrumentally and vocally) is well represented on the date. Eight wondrous cuts.Catalog Number: CIMP 261
American ScrapbookDominic Duval (Bass), Jason Hwang (Violin), Tomas Ulrich (Cello), Tom Varner (French Horn), Joe McPhee (Cornet), Steve Swell (Trombone)Dominic Duval's String & Brass Ensemble brings together Joe McPhee Steve Swell, Tom Varner, Tomas Ulrich, and Jason Hwang in a stirring reflection on traditional and improvised music inspired not just by the memories of Dominic's late wife and 9/11, but also by the whole quilt that is the American SpiritCatalog Number: CIMP 258
Do What We Must DoJoe Rosenberg (Soprano Saxophone), Jen-Luc Guionnet (Alto Saxophone), Mark Helias (Bass), Edward Perraud (Drums)Joe Rosenberg writes and executes music of real substance. Within his sensical structure he allows a rich organic development to take place and unfold naturally. This is a no-fat concert and it will reward discriminant listening.Catalog Number: CIMP 257
Let Paul Robeson SingJoe McPhee (Tenor Saxophone), Joe Giardullo (Flute), Michael Bisio (Bass), Dominic Duval (Bass)Joe McPhee's Bluette returns for a set inspired by Paul Robeson. Referencing some of the events and music of Robeson, this episodic material of both original and traditional music spreads over 7 tracks in a moving journey.Catalog Number: CIMP 256
ObbligatoMary LaRose (Vocals), Jeff Lederer (Reeds), Steve Swell (Trombone), Dominic Duval (Bass)Integrating material from a broad idiomatic range including Charles Mingus, Duke Ellington, Randy Newman, Jimi Hendrix, Ornette Coleman, Claude Thornhill, Albert Ayler and others, vocalist extraordinaire Mary LaRose leads a strong improvising quartet. Out of the tradition but clearly of today and tomorrow, this is music as challenging as it is sensual.Catalog Number: CIMP 254
Ready for ActionTom DeSteno (Drums), Bob Magnuson (Tenor Saxophone), William Gagliardi (Alto Saxophone), Dominic Duval (Bass)This is an intense and dense set of improvised music bringing together 2 visceral reedmen on a program of originals and improvs. Music with mainstream sensibilities but served up with an avant passion. Recorded August 27 & 28, 2001.Catalog Number: CIMP 251
Peace Beyond ConflictBurton Greene (Piano), Mark Dresser (Bass)This is surely one of pianist Burton Greene’s most playful and lyrical outings. A very engaging program with the formidable bassist Mark Dresser serving as both foundation and backboard to this delightful recording. Recorded July 19, 2001.Catalog Number: CIMP 249
ExposedFred Hess (Tenor Saxophone), Paul Smoker (Trumpet), Ken Filiano (Bass), Damon Short (Drums)Noted for establishing the Boulder Creative Music Ensemble in the mid-80's, composer, arranger, and tenor saxman Fred Hess takes a rare excursion outside of that role to expose his compositions and sax in a dynamic quartet. If Mr. Hess' previous activities have missed your attention, this release should put him in your sights. It's one of his best (we might even immodestly suggest that it is his best) to date. Recorded June 11 & 12, 2001.Catalog Number: CIMP 246
FreeflowAlex Harding (Baritone Saxophone), Chris Dahlgren (Bass), Jimmy Weinstein (Drums)The debut album for this Detroit native. Alex Harding's baritone comes out of the tradition of Harry Carney, Leo Parker, and Pepper Adams and roars into today in its own funky way. He huffs and he puffs and he almost blows the CIMP house down. Recorded May 22 & 23, 2001.Catalog Number: CIMP 242
Music is the MeditationWilliam Gagliardi (Alto Saxophone), Ken Wessel (Guitar), Dave Hofstra (Bass), Lou Grassi (Drums)William Gagliardi leads a tasty hard bop come free bop session featuring his notable compositions and the inspired front line mix of the leader's torqued sax with the flying inventiveness of Kenny Wessel's hard body guitar. Listen to this date and you ask yourself why is this this man's first release in 54 years. Recorded Feb. 20 & 21, 2001.Catalog Number: CIMP 239
Philadelphia, Spirit in New YorkByard Lancaster (Alto Saxophone), Odean Pope (Tenor Saxophone), Ed Crockett (Bass), J.R. Mitchell (Drums)You’ve never heard Byard and Odean like this before. Gutsy, brash, and a complement of opposites pushed and grounded by the rhythm section – a gathering and reunion of Philadelphia friends with fresh and memorable compositions to boot. Recorded January 23 & 24, 2001.Catalog Number: CIMP 238
Iron Monkey TrioKevin Norton (Drums), Bob Celusak (Tenor Saxophone), Andy Eulau (Bass)The trio presents a program of music by Miles Davis, Monk, Wayne Shorter and originals and serves to introduce the power saxwork of Bob Celusak - one listen and you'll wonder, as we did, why this talent, after 30 some years playing, is only now being recorded. A free-bop trio of considerable power and substance. Recorded January 15 & 16, 2001Catalog Number: CIMP 237
Lucille's Gemini DreamAvram Fefer (Clarinet), Steve Swell (Trombone), Wilber Morris (Bass), Igal Foni (Drums)Following up his trio's well received debut recording on Cadence Jazz Records, reedman Avram Fefer brings the dynamic trombone of Steve Swell into the mix and the quartet addresses 7 original compositions, including the title track, a particularly evocative and lyrical ballad. Interplay, composition, depth, and complexity all propel this to a dynamic listen. Recorded Jan. 11 & 12, 2001Catalog Number: CIMP 236
Nine Compositions (Hill) 2000Anthony Braxton (Alto Saxophone), Steve Lehman (Alto Saxophone), Paul Smoker (Trumpet), Kevin O'Neil (Guitar), Andy Eulau (Bass), Kevin Norton (Drums)Anthony Braxton addresses the music of Andrew Hill in a loving and adventurous journey. A notable addition to the Braxton discography executed by individuals of note, or destined to be of note. Recorded May 23 & 24, 2000.Catalog Number: CIMP 234
BloorJohn Oswald (Alto Saxophone), David Prentice (Violin), Dominic Duval (Bass)The interacting ideas mix with the gentler jockeying of directions in this artful exploration of 3 musical souls: post bop music that is both challenging and accessible, and always hip. Recorded September 26 & 27, 2000.Catalog Number: CIMP 233
Mirabile DictuPaul Smoker (Trumpet), Steve Salerno (Guitar), Ken Filiano (Bass)Original compositions of complexity and movement dismantled and redirected by 3 outstanding storytellers. Recorded September 18 & 19, 2000.Catalog Number: CIMP 232
Gone Fishin'John Gunther (Tenor Saxophone), Ron Miles (Trumpet), Rob Thomas (Violin), Leo Huppert (Bass), Joy Rosen (Drums)If you have not been charmed and captivated by Mr. Gunther's 3 previous CIMPs, you won't like this either, because it's just more wonderful compositions exposed by a very together and long lasting group. Recorded September 6 & 7, 2000.Catalog Number: CIMP 231
Seismic PlantMasashi Harada (Percussion), Bhob Rainey (Reeds), Mike Bullock (Bass)A free improv date of great variety and precision. CIMP has captured the extraordinary percussionist (and very credible pianist, but that's another story) in a definitive session. Precise, clear and melodic avant music. Recorded August 23 & 24, 2000.Catalog Number: CIMP 230
RecitalDave Burrell (Piano), Tyrone Brown (Bass)Certainly one of Dave Burrell's finest recordings, a notable mix of standards and originals including an unforgettable essay on Shortnin' Bread. Recorded August 9, 2000.Catalog Number: CIMP 229
Re-entryYuko Fujiyama (Piano), Roy Campbell (Trumpet), Wilber Morris (Bass), Reggie Nicholson (Drums), Robert Rusch (Voice)CIMP revisits Ms. Fujiyama who moves closer into the so-called jazz idiom while retaining her special touch and Japanese roots. Recorded August 1, 2000.Catalog Number: CIMP 228
Drum String ThingWilber Morris (Bass), Reggie Nicholson (Drums)A bass drum duo hard to imagine but a dedicated listen will make you a believer, the trip is worth the effort and a recording Wilber Morris always thought was very special. Recorded July 31, 2000.Catalog Number: CIMP 227
The Joy of BeingLou Grassi (Drums), Paul Smoker (Trumpet), Steve Swell (Trombone), Perry Robinson (Clarinet), Wilber Morris (Bass), Joseph Jarman (Flute)The PoBand strikes again, this time the guest is Joseph Jarman who shares this journey into the unknown but compelling world of inventive music. Recorded June 12 & 13, 2000.Catalog Number: CIMP 226
Large Music 2Paul Smoker (Trumpet), Bob Magnuson (Tenor Saxophone), Ken Filiano (Bass), Lou Grassi (Drums)The equal companion to Large Music 1, CIMP 219. Recorded March 6 & 7, 2000.Catalog Number: CIMP 225
Ten Compositions (Quartet) 2000Anthony Braxton (Alto Saxophone), Kevin O'Neil (Guitar), Andy Eulau (Bass), Kevin Norton (Drums)A concert adventure into the Jazz compositions of Wayne Shorter (1), Billy Lester (1), George Coleman (2), and Andrew Hill (6). A notable new quartet making notable music on notable compositions by notable composers. Recorded May 22 & 23, 2000.Catalog Number: CIMP 224
Rosella: A Good Place to StartRosella Washington (Vocals), Tyrone Brown (Bass), Bill Meek (Percussion)17 cuts put it all together and you have A Good Place To Start. Rosella Washington is blessed with a rich and emotive voice and she has the ability to make a song her own. Tyrone Brown is a lyrical, soulful bassist. Together they celebrate the music of Gershwin, Jobim, Strayhorn, Shorter, Rollins, Kern, and others. With Bill Meek adds percussion on 2 tunes. Recorded May 9 & 10, 2000.Catalog Number: CIMP 221
Serious Fun Plus OneNils Wogram (Trombone), Konrad Bauer (Trombone), Dominic Duval (Bass)If you heard the duo concert (CIMP 212) of trombonists Conny Bauer and Nils Wogram, you will NOT know what to expect from this trio outing. The program of eleven inventions is a rich, varied and remarkably broad adventure in improvisation. Recorded September 14, 1999Catalog Number: CIMP 219
Large Music 1Paul Smoker (Trumpet), Bob Magnuson (Tenor Saxophone), Ken Filiano (Bass), Lou Grassi (Drums)As melodic as a classic hard bop date and as spontaneous as improvised artistry gets, this is Part One of a killer session featuring this very collective and supportive group producing very large music. Recorded March 6, 2000.Catalog Number: CIMP 218
Brooklyn-BerlinPhil Haynes (Drums), Herb Robertson (Cornet), Ned Rothenberg (Bass Clarinet), Vinny Golia (Clarinet), Ken Filiano (Bass)Original music, by Robertson and Haynes, presented especially for this occasion. Music which will continue to reward repeated listening, not out of familiarity or a reliance on tried and true cliché, but out of the richness of its structure and invention. Recorded Feb. 28 & 29, 2000.Catalog Number: CIMP 217
Another SideKen Simon (Tenor Saxophone), Jorge Sylvester (Alto Saxophone), Greg Maker (Bass), Barry Altschul (Drums)Ken Simon displays a serenity and lyricism that has until now been out of the forefront of his dynamic sax work. Extended playing over two Simon originals along with one composition each from Jerome Kern and John Coltrane makes for great concert listening and heralds the return of drum master Barry Altschul to the recording scene. Recorded Feb. 21 & 22, 2000.Catalog Number: CIMP 216
At All Costs UnknownBriggan Krauss (Alto Saxophone), Chris Dahlgren (Bass), Jay Rosen (Drums)The Resonance Impeders are, if nothing else, quirky in composition, delivery and arrangement. After 4 years together they deliver a coordinated music that is both rich in humor and rhythm and packs an emotional punch. No joking. Good listening. Recorded Feb. 7 & 8, 2000.Catalog Number: CIMP 214
Realities: Old&NewLuther Thomas (Alto Saxophone), Kalaparush Maurice McIntyre (Tenor Saxophone), Mads Thorsen (Guitar), Brian Smith (Bass), Ronnie Burrage (Drums)A session that can be seen as a modern field recording as the concert clearly shows the evolutionary steps that bring about the wonders of Creative Improvised Music. The 10 tracks, issued in the order in which they were played, are as instructive as they are enjoyable. A unique unfolding. Recorded January 5, 2000.Catalog Number: CIMP 213
Straight Lines SkewedDonald Robinson (Drums), Marco Eneidi (Alto Saxophone), Lisle Ellis (Bass)From the Bay Area, three veteran but emerging giants of the creative improvising scene. Together they bring some 60 years of collective, and often connected, experience for a dynamic program of 12 structured but completely improvised statements in a very satisfying contrast of sound coloring and passion. Recorded Oct. 18 & 19, 1999.Catalog Number: CIMP 209
No Greater LoveJoe McPhee (Soprano Saxophone), Joe Giardullo (Bass Clarinet), Michael Bisio (Bass), Dominic Duval (Bass)An extension of CIMP 199, the band pours its collective heart into a soulful program. Recorded March 17 & 18, 1999.Catalog Number: CIMP 207
PoZestMarshall Allen (Alto Saxophone), Lou Grassi (Drums), Paul Smoker (Trumpet), Steve Swell (Trombone), Perry Robinson (Clarinet), Wilber Morris (Bass)Sun Ra's legendary right hand alto man, Marshall Allen, meets Lou Grassi's PoBand in an extemporaneous musical outing that freely references everything from the late night blues to other galaxies. Recorded May 10 & 11, 1999.Catalog Number: CIMP 206
Soul-EtudeElliott Levin (Tenor Saxophone), Tyrone Hill (Trombone), Howard Cooper (Bass), Ed Watkins (Drums)The mate to CIMP 200. Four Philly greats deliver 7 originals after kicking things off with a well-known Sun Ra classic. Recorded March 29 & 30, 1999.Catalog Number: CIMP 204
OmensBob Magnuson (Tenor Saxophone), Tom DeSteno (Drums), Jemeel Moondoc (Alto Saxophone), Dominic Duval (Bass)This is the real thing when it comes to instant improvisation of passion and coordination, a unique grouping.Catalog Number: CIMP 202
Open MusicJohn Bickerton (Piano), Wilber Morris (Bass), Rashid Bakr (Drums)Pianist John Bickerton likes to call his music Open Music. We'd call it lyrical, impressionistic and moving; something of a hybrid with runners to both Keith Jarrett and Cecil Taylor. Here at a concert grand, Mr. Bickerton is joined by Rashid Bakr and Wilber Morris on nine original and connective compositions.Catalog Number: CIMP 200
A Fine IntensityElliott Levin (Tenor Saxophone), Tyrone Hill (Trombone), Howard Cooper (Bass), Ed Watkins (Drums)Elliott Levin's powerful sax combines with the distinct sounds of Tyrone Hill's trombone for a program of six distinctive compositions. Four longtime players on the Philadelphia improvising music scene present music with wit and swagger. Recorded March 29 & 30, 1999.Catalog Number: CIMP 199
In the SpiritJoe McPhee (Soprano Saxophone), Joe Giardullo (Flute), Michael Bisio (Bass), Dominic Duval (Bass)Emotionally rich while still mentally challenging, Joe McPhee's Bluette references the spiritual side with stunning improvisations suggesting a classic in the making. Recorded March 17 & 18, 1999.Catalog Number: CIMP 198
Full Circle SuiteJoe Fonda (Bass), Gebhard Ullmann (Bass Clarinet), Chris Jonas (Soprano Saxophone), Taylor Ho Bynum (Conch), Kevin Norton (Drums) Joe Fonda's quintet explores the long form in improvising music. The title track isa multi-sectional piece that lasts over 27 minutes in its episodic tale inspired by the medicine wheel. Recorded March 10 & 11, 1999.Catalog Number: CIMP 196
Finishing TouchesDom Minasi (Guitar), Michael Bocchicchio (Bass), Jay Rosen (Drums)Dom Minasi returns after almost 25 years of recorded silence with a recording of his very original guitar. A controversial guitar stylist, Minasi's original darkly rhythmic attack is wonderfully captured on a program of standards and 5 originals. Recorded Feb. 22 & 23, 1999.Catalog Number: CIMP 195
TaxidermySam Bardfeld (Violin), Ken Wessel (Guitar), Drew Gress (Bass), Mike Sarin (Drums)This group executs a fresh hybrid of improvising music which references then encompasses everything from chamber music to country and western. 8 catchy and intricate originals paired with 2 standards. Recorded February 15 & 16, 1999.Catalog Number: CIMP 194
MuralBruce Eisenbeil (Electric Guitar), J. Brunka (Bass), Ryan Sawyer (Drums)Bruce Eisenbeil's music builds from enharmonic clusters into larger harmonies, from discord that becomes one with the whole, from the seemingly random that unveils a logic, producing music ranging from high abstraction to vivid imagery. Recorded February 11 & 12, 1999.Catalog Number: CIMP 193
Research On the EdgeMark Whitecage (Alto Saxophone), Sabir Mateen (Alto Saxophone), Chris Dahlgren (Bass), Jay Rosen (Drums)Mark Whitecage is one of the premier improvisors of his generation and, in this configuration, he and Mateen suggest the Al and Zoot of post-Bop music. The group operates from an exceptional level of intellect and instinct, truly living up to the disc's name. Recorded February 2, 1999.Catalog Number: CIMP 192
Actual ProofAhmed Abdullah (Trumpet), Alex Harding (Bari Saxophone), Masa Kamaguchi (Bass), Jimmy Weinstein (Drums)NAM presents a program of memorable but rarely played compositions interpreted with a control and burn that speaks both of today's passion and pulse and the maturing legacy of the loft generation. Recorded January 18 & 19, 1999.Catalog Number: CIMP 190
RealmsOri Kaplan (Alto Saxophone), Tom Abbs (Bass), Geoff Mann (Drums)A forceful trip into the melodic world of post bop / free bop music. Recorded January 6 & 7, 1999.Catalog Number: CIMP 189
Free Range RatJohn Carlson (Trumpet), Eric Hipp (Tenor Saxophone), Shawn McGloin (Bass), Scott Neumann (Drums)Fresh and disruptive, engaging Bop and Free Bop - hard play and fun over a program of originals, 4 Sun Ra and 1 Ellington tunes. Recorded Oct. 20 & 21, 1998.Catalog Number: CIMP 188
You See What We're Sayin'?Thomas Borgmann (Soprano Saxophone), Wilbur Morris (Bass), Reggie Nicholson (Drums)Spirituality and deep emotions with a profound scope and feeling by these spontaneous music masters. Recorded October 12, 1998.Catalog Number: CIMP 187
saunters, walks, amblesPatrick Brennan (Alto Saxophone), Lisle Ellis (Bass)15 inventive cuts on the first recording of a duo that's known each other for many years - originals plus 3 Monk and 1 Roscoe Mitchell tune. Recorded Sept. 28 &29, 1998.Catalog Number: CIMP 183
The Watermelon SuiteJoe McPhee (Soprano Saxophone), Dominic Duval (Bass), Jay Rosen (Drums)The beautiful lyrical designs of Joe McPhee's soprano sax are dynamically met by the brilliant rhythm section. This is the beginning of Trio X. Among a program of highlights are the 4 part Watermelon Suite and a tour de force on My Funny Valentine. recorded May 26 & 27, 1998.Catalog Number: CIMP 182
ThropticsBurton Greene (Piano), Wilber Morris (Bass), Lou Grassi (Drums)Pianist Burton Greene's Trio presents a lively eclectic set of music ranging from contemporary rags to free form improvisation, all gloriously captured in audiophile real sound. Recorded July 30, 1998.Catalog Number: CIMP 181
Working With the ElementsGlenn Spearman (Tenor Saxophone), Dominic Duval (Bass)With an ambiance of Ballads and Blues, this is a wonderful pairing of tenor sax and bass, beautifully recorded in audiophile sound. The sound sculptures stand out in bold relief, presenting music both demanding and accessible. recorded July 20 & 21, 1998.Catalog Number: CIMP 180
Mark-n-Marshall: TuesdayMarshall Allen (Alto Saxophone), Mark Whitecage (Clarinet), Dominic Duval (Bass), Luqman Ali (Drums)The second day of the session that introduced these two masters to one another, with a topnotch rhythm section (the first day is Catalog Number: CIMP 179
ZebulonMichael Bisio (Bass), Joe McPhee (Alto Saxophone)This duo, first recorded on CIMP 127, returns to the Spirit Room for futher explorations of their muses-aduo redo. Recorded July 6 & 7, 1998. Catalog Number: CIMP 178
CIMPhonia 1998 Part 2Joe McPhee (Soprano Saxophone), Mark Whitecage (Soprano Saxophone), Paul Smoker (Trumpet), David Prentice (Violin), Dominic Duval (Bass), Peter Kowald (Bass), Jay Rosen (Drums)CIMP 173. An ad hoc gathering of 7 of the best creative improvising artists around. Lots of surprises here for both the players and listeners - solid music, always on the edge. Recorded May 26 & 27, 1998.Catalog Number: CIMP 176
Above Now BelowJohn Gunther (Tenor Saxophone), Ron Miles (Trumpet), Rob Thomas (Violin), Leo Huppert (Bass), Jay Rosen (Drums)Highly acclaimed for his compositions, John Gunther has assembled a beautifully coordinated quintet for an investigation of the long form. The music here is loaded with memorable themes, wonderful transitions and emotive expositions and shifts of time, jumps and moods. Absolute delight for a broad range of critical tastes. Recorded June 12, 1998.Catalog Number: CIMP 174
Dream of ----Kalaparush Maurice McIntyre (Tenor Saxophone), Michael Logan (Bass), Pheeroan akLaff (Drums)Tenor sax man, Kalaparusha Maurice McIntyre was one of the founding members of Chicago's AACM. Infrequently recorded, this is his first release in over 18 years. His mature delivery and individual sense of construction are well supported here by Pheeroan Ak'Laff and Mike Logan. Recorded June 2 & 3, 1998.Catalog Number: CIMP 173
CIMPhonia 1998 Part 1Joe McPhee (Soprano Saxophone), Mark Whitecage (Alto Saxophone), Paul Smoker (Trumpet), David Prentice (Violin), Dominic Duval (Bass), Peter Kowald (Bass), Jay Rosen (Drums)An ad hoc gathering of 7 of the best creative improvising artists around. This is Part 1 of the first of what could prove to be annual Catalog Number: CIMP 172
Dancing On My BedpostCharlie Kohlhase (Bari Saxophone), Matt Langley (Alto Saxophone), John Carlson (Trumpet), John Turner (Bass), Matt Wilson (Drums)Charlie Kohlhase has held this group together since1989 and it shows. In this case, familiarity has bred strength but also the ability to take chances and succeed. Distinctive compositions, fun and joy mark this wonderful outing. Recorded March 25 & 26, 1998.Catalog Number: CIMP 171
Mark-n-Marshall: MondayMarshall Allen (Alto Saxophone), Mark Whitecage (Clarinet), Dominic Duval (Bass), Luqman Ali (Drums)Marshall Allen, although recording since the 1950's and now almost 75 years old, has never released a recording as leader - until now. Best known as a pillar of the Sun Ra band for over 40 years, here he is joined by fellow sax veteran Mark Whitecage, bassist Dominic Duval, and drummer Luqman Ali. The program ranges from standards to originals on this fascinating encounter. Recorded March 16, 1998.Catalog Number: CIMP 170
Wild Is the WindPucci Jhones (Vocals), Casey Benjamin (Alto Saxophone), Rory Stuart (Guitar), Hilliard Greene (Bass), Wade Barnes (Drums)Pucci Amanda Jhones is a strong, fresh and highly original Jazz singer. She has had a profound effect on people first encountering her; hip and accessible yet empowered with a real individuality. Recorded March 11 & 12, 1998.Catalog Number: CIMP 168
Double DoubleDavid White (Guitar), Tim Armacost (Soprano Saxophone), George Garzone (Soprano Saxaphone), John Lockwood (Bass), Joris Dudli (Drums)Guitarist David White deals with a genre, bop, in a fresh way. White's work is notable for its original material and agitating arrangements. After you've been wowed by these qualities, prepare to be blown away by the dynamic inventions of the individuals in the group. Recorded Feb 23 & 24, 1998.Catalog Number: CIMP 166
The KickerEhran Elisha (Drums), Roy Campbell (Trumpet), David Bindman (Tenor Saxophone), Sam Bardfeld (Violin), Wilber Morris (Bass)The Ehran Elisha group presents a dense conceptual brand of improvising music which is as powerful for all of its individual statements as it is for the totality of its design. The Kicker is a 4 part intense structural free improv which can take your breath away. Recorded Feb. 12, 1998.Catalog Number: CIMP 165
Relax, Keep the Tension, PleaseAndrew Cheshire (Guitar), Dominic Duval (Bass), Jay Rosen (Drums)Guitarist Andrew Cheshire comes from a Tal Farlow lineage. Here is a driving, warm, and very inventive bopster who references the tradition and doesn't try to clone it. 8 tracks, with a mixture of ballads and swingers, originals and standards make up a fine demanding inside session. With Jay Rosen on drums and Dominic Duval at the bass, you know there's no coasting. Recorded Jan. 26 & 27, 1998.Catalog Number: CIMP 164
Resonance ImpedersChris Dahlgren (Bass), Briggan Krauss (Alto Saxophone), Jay Rosen (Drums)Chris Dahlgren music is fun compositionally, drawing on catchy, sometimes even childlike, themes. Light themes, but probing thematic developments are offered up by the profound improvising of this lightly hip post bop trio augmented by the singular sound of Briggan Krauss' sax. Recorded Oct. 29 & 30, 1997.Catalog Number: CIMP 163
Healing SongJohn Gunther (Alto Saxophone), Ron Miles (Trumpet), Leo Huppert (Bass), Jay Rosen (Drums)Besides being a fine tenor player, John Gunther is arguably one of the best composers since Horace Silver and Cedar Walton. Joined here by his regular quartet, they spiritedly display 10 wonderful new compositions along with Monk's 'Crepuscule With Nellie.' Recorded Sept. 16 & 17, 1997.Catalog Number: CIMP 162
Moon FlowerJoseph Scianni (Piano), Mark Whitecage (Alto Saxophone), Tomas Ulrich (Cello), Dominic Duval (Bass), Jay Rosen (Drums)A brilliant post-bop/impressionistic Joseph Scianni at the Steinway Concert Grand in duets with 4 challenging individuals. Included is a delightfully rich and original imterpreatation of Ellington's "Don't Get Around Much Anymore." Recorded June 20, 1997.Catalog Number: CIMP 161
Scratching the SurfaceRob Brown (Alto Saxophone), Assif Tsahar (Tenor Saxophone), Chris Lightcap (Bass), Lou Grassi (Drums)The Rob Brown and Lou Grassi Quartet is an intense group offering post bop music which is thematically solid in form and composition and heady in its chewy improvisations. And, even with a two man sax line, this music offers excellent deliniation of line and beautiful audio definition of its sound. Recorded October 6 & 7, 1997.Catalog Number: CIMP 160
Stalker SongsThomas Borgmann (Tenor), Peter Brotzmann (Clarinet), Wilber Morris (Bass), Denis Charles (Drums)The Thomas Borgmann Trio meeting the legendary Peter Brötzmann is a joining of muscle and mind on what amounts to an all-star quartet. Listening carefully to one another and still being respectful as well as challenging. This is a riveting set of extended ideas passionately stated. Recorded Sept. 23, 1997.Catalog Number: CIMP 159
Through the WoodsFrode Gjerstad (Alto Saxophone), Bobby Bradford (Trumpet), Wilber Morris (Bass), Newman Baker (Drums)Frode Gjerstad is a dynamic Norwegian saxman obviously unafraid of the unknown; actually, he embraces it. On this strong quartet date, he matches his aptitudes with Wilber Morris, Newman Baker, and the (legendary?) avant garde trumpeter, Bobby Bradford. They've never sounded better, this is music of emotional and cerebral power. Recorded Sept. 15 & 16, 1997.Catalog Number: CIMP 157
Consensual TensionMark Whitecage (Alto Saxophone), Sabir Mateen (Clarinet), Joe Fonda (Bass), Harvey Sorgen (Drums)With this, his other, quartet, Mark Whitecage extends his Jazz lines with counterpoint and humor. Both Whitecage and Mateen present a fresh facet of their sound and soul over a program of 'Oleo' and six originals. Recorded July 21, 1998.Catalog Number: CIMP 156
Mo' PoLou Grassi (Drums), Perry Robinson (Clarinet), Herb Robertson (Cornet), Steve Swell (Trombone), Wilber Morris (Bass)One of the best free ensembles working today. The seven tracks range in length from under 3 to over 17 minutes in length. Out of nothing, substantial music is developed, remarkable fresh and free of fat and fill. It's what can happen in the hands of veterans well versed in the discipline of the art. No faking here. Recorded July 16 & 17, 1997.Catalog Number: CIMP 155
3 Plus 4 Equals 5Joseph Scianni (Piano), Mark Whitecage (Soprano Saxophone), Tomas Ulrich (Cello), Dominic Duval (Bass), Jay Rosen (Drums)Mark Whitecage has been a highly respected and inordinately creative NYC area improvisor for decades. Joseph Scianni is a legendary pianist almost unrecorded over the past 40 years. On this program they intermix their respective groups and explore the harmonies and tonalities of the music. The listening rewards are great as they fly without a net, with only their genius and musical sensibilities to support them. Recorded June 20, 1997.Catalog Number: CIMP 154
Out of the BoxTyrone Hill (Trombone), Marshall Allen (Alto Saxophone), Jason Oettel (Bass), Samarai Celestial (Drums)Long time Sun Ra trombonist Tyrone Hill makes his debut as a leader and brings along much-longer-time Sun Ra-ite Marshall Allen in a featured role for a program that mixes the music of Sun Ra with standards and originals. Recorded June 30 & July 1, 1997.Catalog Number: CIMP 153
The Motion of EmotionElliott Levin (Tenor Saxophone), Akira Ando (Bass), Dominic Duval (Bass), Denis Charles (Drums)Although Elliott Levin is a veteran high energy free tenor sax player, this is, remarkably, the first recording to feature this Philadelphian's music. Supported by two bassists and propelled by the late Denis Charles' drumming, this is Free Jazz that is both visceral and intelligent. Recorded June 24 & 25, 1997.Catalog Number: CIMP 152
DedicationAhmed Abdullah (Trumpet), Carlos Ward (Flute), Masujaa (Guitar), Alex Blake (Bass), Cody Moffett (Drums)Ahmed Abdullah's first release in ten years is a well-conceived and executed dedication to the late Charles Moffett, his colleague of many years. Cody Moffett took over his father's drum seat (and drums) for this eclectic and charming program of 9 tunes (La Vie En Rose and I'll Be Seeing You along with standards and traditional music. Recorded June 17 & 18, 1997.Catalog Number: CIMP 151
ImaginingsDavid Bindman (Tenor Saxophone), Joe Fonda (Bass), Kevin Norton (Drums)David Bindman, former student of Bill Dixon and active tenor player on the new music scene, makes his leadership debut here. The trio bears down with a compelling intensity on a program of 10 compositions ranging from Fats Waller's "Jitterbug Waltz" to fresh originals from the narrative to the abstract. Recorded July 9 & 10, 1997.Catalog Number: CIMP 150
Jitterbug JunctionKahil El'Zabar (Drums), Ari Brown (Tenor Saxophone), Malachi Favors (Bass)A joyous romp with 3 of Chicago's finest veterans. This is carefully crafted music with considerable attention to detail and full committment to exploration. Recorded June 10, 1997.Catalog Number: CIMP 149
Moons of JupiterSteve Swell (Trombone), Mark Whitecage (Alto Saxophone), Dominic Duval (Bass), Jay Rosen (Drums)The power of Steve Swell and the joy of his improvisations are equal to the fertile playing of Mark Whitecage's reeds. Strength against strength, this is powerful Jazz. Recorded May 22 & 23, 1997.Catalog Number: CIMP 148
thGlenn Spearman (Tenor Saxophone), John Heward (Drums), Christopher Cauley (Alto Saxophone), David Prentice (Violin), Dominic Duval (Bass)A rare mating of the cerebral and the emotional. This quintet extemporizes off of minimal structure and creates music full of unexpected mental twists and emotional turns. Recorded May 22 & 23, 1997.Catalog Number: CIMP 147
PresentingClaude Lawrence (Alto Saxophone), Wilber Morris (Bass), Denis Charles (Drums)Claude Lawrence owes as much to the tradition of the classic sax as to the classic Ornette Coleman. This trio has been together for almost 20 years but this is their first recording. Recorded April 30, 1997.Catalog Number: CIMP 143
Percussion&StringsKhan Jamal (Vibes), Ed Crockett (Bass), Dylan Taylor (Cello), Craig McIver (Drums), Pete Vinson (Drums)Khan Jamal's first recording in the 90's, backed by strings and percussion. Adventurous interpretations of originals and standards. Recorded March 24, 1997.Catalog Number: CIMP 139
The Ingenious Gentleman of the Lower East SideChris Kelsey (Soprano Saxaphone), Dominic Duval (Bass), Ed Ware (Drums)Chris Kelsey plays the soprano sax exclusively and he already shows a distinct style. His compositions ae challenging and his playing playing intense. Original post-bop music. Recorded March 5 & 6, 1997.Catalog Number: CIMP 138
Vision BlueFrank Lowe (Tenor Saxophone), Steve Neil (Bass), Anders Griffen (Drums)Frank Lowe pays tribute to many of the spirits of improvising music and lays down 16 cuts in a refined, pure Lowe. Recorded Feb. 19 & 20, 1997.Catalog Number: CIMP 137
The Wedding BandDominic Duval (Bass), Jay Rosen (Drums)
You've never heard a wedding band like this totally ad-libbed one. These bass/drums duos are completely extemporized as they reference compositions like "Amazing Grace', "Dolphin Dance", "Evidence", and free play around with a number of others. Recorded Jan. 28 & 29, 1997.
Catalog Number: CIMP 136
Permission GrantedJohn Gunther (Alto Saxophone), Leo Huppert (Bass), Jay Rosen (Drums)
John Gunther comes out of the Sonny Rollins tradition of direct and melodic saxmen. 9 driving and fun originals capped off by a tenor solo outing on "Stardust". Recorded Jan. 27 & 28, 1997.
Catalog Number: CIMP 134
RevelationIvo Perelman (Tenor Saxophone), Rory Stuart (Guitar), Dominic Duval (Bass), Jay Rosen (Drums)Guitarist Rory Stuart meets the Brazilian blower in this totally ad lib set which includes highly original readings of Auld Lang Syne and In a Sentimental Mood. Recorded Oct. 10, 1996.
Catalog Number: CIMP 131
Prayer and ActionBobby Zankel (Alto Saxophone), John Swana (Trumpet), Bryan Carrott (Vibes), Tyrone Brown (Bass), Ralph Peterson, Jr. (Drums)An all-star group tackles, with verve, 6 challenging originals and arrangements from one of the finest Free Bop saxophonists working today. Recorded Nov. 6 & 7. 1996.
Catalog Number: CIMP 129
Holloween '96Paul Smoker (Trumpet), Vinny Golia (Bari Saxophone), Ken Filiano (Bass), Phil Haynes (Drums)Enlightened music remarkably rich in ideas and composition combined in a hot intensity of uncompromised high-energy playing. Recorded Oct 30 & 31, 1996.
Catalog Number: CIMP 128
Red Sprites&Blue JetsMarc Edwards (Percussion), Sabir Mateen (Tenor Saxophone), Hill Greene (Bass)A power trio that plays free music with clarity, precision, logic, and remarkable energy. Recorded Oct. 13, 1996.
Catalog Number: CIMP 127
Finger WigglersMichael Bisio (Bass), Joe McPhee (Tenor Saxophone)West Coast bassist Bisio and the renaissance man McPhee began working together in the mid-90's. The compatability is such that by 1996 they were able to turn this classic encounter into a brilliantly warm and chewy session. Recorded Sept. 18 & 19, 1996.Catalog Number: CIMP 126
Slaves of JobIvo Perelman (Tenor Saxophone), Dominic Duval (Bass), Jay Rosen (Drums)Ivo Perelman leads a dynamic, free rhythmic improvised session. Recorded Oct 9 & 10, 1996.
Catalog Number: CIMP 125
EssenceLee Shaw (Piano), Mike DeMicco (Guitar), Rich Syracuse (Bass)Lee Shaw is out of the tradition of Art Tatum and Oscar Peterson. What marks her work is an enthusiasm, swing, and over-all effervescence which is unsupressable. Add to this the fine bop sensibilities of her rhythm section and you have an everfresh program of standards and exceptional Shaw originals. Recorded Sept. 16, 1996.
Catalog Number: CIMP 124
Collective VoicesOdean Pope (Tenor Saxophone), Tyrone Brown (Bass), Craig McIver (Drums)A program of notable original compositions executed with the careful power which marks so much of this saxman's past work. Recorded August 12, 1996.
Catalog Number: CIMP 123
Quick WitsLou Grassi (Drums), Phillip Johnston (Alto Saxophone), Joe Ruddick (Bari Saxophone), Chris Kelsey (Soprano Sax), Dave Hofstra (Bass)The Saxtet not only plays with drive and conviction, but contributes some memorable compositions and arrangements in a contemporary hybrid of improvised musics from the 30's to the 90's. Recorded August 2 & 3, 1996.
Catalog Number: CIMP 122
Big OnionJoseph Scianni (Piano), Dominic Duval (Bass), Jay Rosen (Drums)An historic and musically magical occasion. This is Mr. Scianni's first recording in over 30 years. A contemporary of Cecil Taylor, Joseph Scianni presents compelling music with this brilliant free trio. Recorded July 23, 1996.
Catalog Number: CIMP 121
Integrated VariablesKevin Norton (Percussion), Mark Dresser (Bass), George Cartwright (Tenor)This trio had been working together for many years before this set, and that strength of understanding is evident as they navigate the compositions and expose their churning strength. Recorded July 16, 1996Catalog Number: CIMP 119
Caged No MoreMark Whitecage (Alto Saxophone), Tomas Ulrich (Cello), Dominic Duval (Bass), Jay Rosen (Percussion)The distinctive sax work of Mark Whitecage leads a concert of excursions of freely improvised chamber music. A beautiful and inventive set. Recorded July 13 & 14, 1996.
Catalog Number: CIMP 118
Judgment DaySonny Simmons (Tenor Saxophone), Steve Neil (Bass), Michael Marcus (Manzello), Charles Moffett (Drums)This is an intense set by veterans who pull no punches. Sonny answers his critics. Watchout: improvisation at full strength. Recorded May 4, 1996.
Catalog Number: CIMP 117
Object RelationsDavid White (El&Ac Guitar), Tim Armacost (Tenor&Sop Sax), Valery Ponomarev (Trumpet), Calvin Hill (Bass), Shingo Okudaira (Drums)Object Relations is just that. Excellent composition, arrangement, and improvisation by the Quintet. Living bop; not a retread. Recorded June 18 & 19, `1996
Catalog Number: CIMP 116
Out And AboutSteve Swell (Trombone), Roswell Rudd (Trombone), Ken Filiano (Bass), Lou Grassi (Drums)State of the art trombone from two generations of masters. Warm, wonderful, and wild - it confirms why Steve Swell and Roswell Rudd are in a league of their own. Trombonemanship of the highest order and energy. Recorded June 14 & 15, 1996.
Catalog Number: CIMP 114
The Balance of TradePaul Lytton (Percussion), Philipp Wachsmann (Violin), Herb Robertson (Cornet), Dominic Duval (Bass)A delightful collection of the sounds of surprise. A hybrid of the best of the American and English spontaneous creative improvised music scenes in a brilliant display. Recorded May 15 & 16, 1996Catalog Number: CIMP 112
BAGin' itLuther Thomas (Alto Saxophone), Wilber Morris (Bass), Ted Daniels (Trumpet), Denis Charles (Drums)A highly emotive and driving set of original Jazz music, rich in post-bop vocabulary, while maintaining an ambiance of traditional Midwestern sound. Recorded April 6, 1996Catalog Number: CIMP 111
The Art of NegotiationVinny Golia (Soprano Sax), Ken Filiano (Bass)A long-time collaboration beautifully realized in a program of totally improvised music. A stirring example of lyrical Free Improvisation. Recorded March 8 & 9, 1996
Catalog Number: CIMP 110
Sound ImplosionHerb Robertson (Trumpet), Dominic Duval (Bass), Jay Rosen (Percussion)Deconstructed standards and originals. Strength and inspiration from self-imposed limits within an unrestrained and free musical situation.Catalog Number: CIMP 109
Spirits GatheringBilly Bang (Violin), Brett Allen (Guitar), Akira Ando (Bass), Denis Charles (Drums)Billy Bang and his violin unveil a musical soul owing as much to Stuff Smith as to John Coltrane, while displaying the passionate lyricism of one of today's most dynamic improvisors. Recorded Feb. 28, 1996.
Catalog Number: CIMP 107
Froggin' AroundChris McCann (Drums), Billy Pierce (Tenor), Steve Wallace (Bass)Drawn from the work of Strayhorn, Ellington, Monk, and others, Billy Pierce and Chris McCann in a delightful program. Bop with guts. Feb. 14,15, 1996.
Catalog Number: CIMP 106
Free For OnceMark Whitecage (Saxophone), Dominic Duval (Bass), Jay Rosen (Drums)Catalog Number: CIMP 105
CounterpartsGregg Bendian (Drums), Paul Smoker (Trumpet), Vinny Golia (Soprano), Mark Dresser (Bass)The leader's original music with its complex themes and tempo shifts here combines with explosive improvisations from some of the world's finest creative artists. Jan. 5, 1996
Catalog Number: CIMP 104
Bodies&SoulFrank Lowe (Tenor Saxophone), Charles Moffett (Drums), Tim Flood (Bass)Mature tenor sax work, carrying a tremendous pathos brought on by memories of friends past, closing with a solo "Body and Soul". Considered by many are of Frank Lowes finest recordings. Nov. 18 & 19, 1995.
Catalog Number: CIMP 102
Sarah's ThemeErnie Krivda Trio (Tenor Saxophone), Jeff Halsey (Bass), Bob Fraser (Guitar)The mellow side of the veteran tenor man, one of Jazz's most individual and underappreciated voices, an original stylist and a fine composer with a distinct sound. Sept. 11 & 12, 1995.Catalog Number: CIMP 101
The Redwood SessionEvan Parker (Performer), Barry Guy (Bass), Paul Lytton (Drums), Joe McPhee (Trumpet)A magnificent set of collective improvisations from one of the most demanding and inventive groups active today. This Concert also features the guest appearance of Joe Mcphee. Recorded June 18, 1995.