Our Latest Releases
Catalog Number: CIMP 365
Many In Body, One In MindBobby Zankel (Primary), Dylan Taylor (Bass), Edgar Bateman (Drums)Bobby Zankel doesn’t make many recordings and he doesn’t make any bad ones. Here he is joined by the legendary Edgar Bateman and longtime bassist, Dylan Taylor, on six extended outings. Assured and intense, this demands the attention of both the heart and the mind.Catalog Number: CIMP 364
Fire&WaterKhan Jamal (Primary), Dylan Taylor (Cello, Bass)Metal & wood is a lovely pairing and in music it’s a pure delight, especially with this pair of distinguished improvisers. Khan is a master of shimmering tones and this program explores those tones. Underpinning all that is KHan is the sumptuous cello/bass work of Dylan Taylor. This is all together an indulgence in beauty and invention.Catalog Number: CIMP 363
The Spirit of ThingsDavid Schnitter (Primary), Dominc Duval (Bass), Newman Taylor Baker (Drums)David Schnitter returns and, quite frankly, is back in top form. Reunited with bassist Dominic Duval (with whom he recorded in 1995), this is David’s first ever trio recording. In addition to bringing renewed life to his recording documentation, this session brings new life to some old standards.Catalog Number: CIMP 362
ExtremesKalaparush McIntyre (Primary), Will Connell (Alto Sax, Bass Clarinet), Michael Logan (Bass), Warren Smith (Drums)Introducing Kalaparush’s new group. Joining the front line, Will Connell’s hard edged alto is an excellent addition to Kalaparush’s quixotic tenor explorations. Add to that the support (now that’s an understatement!) of Messrs. Smith and Logan and you have the basis for some heavy extemporizing.Catalog Number: CIMP 361
Absolute, AbsolutelyStephen Gauci (Primary), Nate Wooley (Trumpet), Ken Filiano (Bass), Lou Grassi (Drums, Percussion)Here is part two of this remarkable Gauci quartet recording date. Nate Wooley joins Steve’s regular trio and sounds as though he’s been playing with this group for years. This is a classic quartet. Music written for the quartet is purposeful, pointed, and perfect Free Bop and beyond.
